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Posts Tagged ‘doppelganger’

Round two

Question the fourth: What’s your daily/weekly routine like now out in the Land of Sunshine and Magic?

Answer the fourth: I don’t really have one yet. I despise living among boxes, so the last four weeks have been spent alternating between a madness of unpacking and a madness of novel-finishing, with no particular structure. (Interspersed with the occasional bit of flopping on the couch to watch Supernatural with kurayami_hime and kniedzw.)

I do, however, intend to get into more of a regular routine, and in fact I have a series of posts planned on that exact topic. So stay tuned for adventures in the life of I’m A Full-Time Writer Now.

***

Question the fifth: What are you doing to keep your idea inputs levels where you want them?

Answer the fifth: I assume this means, how do I keep feeding my mind so it will come up with ideas? At the moment, I lack sufficient brain to process much in the way of non-fiction, so I’ve just been catching up on a variety of novels and TV shows — feeding the mind with fiction. But that’s because I’ve been way overworked for a few months now; once I’ve regenerated a few grey cells, I’m planning on resuming a practice I had a few years ago, wherein I tried to read some of the nonfiction accumulated on my shelves. I may, for example, go on a kick of reading about ancient China, because there’s a series of short stories I’d like to write that requires research in that direction. Or, y’know, that book over there about the Mongols, just because I don’t know much about them. Or whatever.

But yes — if I want to get much out of my brain, I am going to have to be careful to keep feeding it. Grad school used to take care of that for me, but I haven’t been in classes for two years now; it’ll be up to me to keep the food supply going.

***

Question the sixth: Will you be writing any more books in the world of Warrior and Witch?

Answer the sixth: You know, one of these days I’ll do the smart thing and post the answer to this question on my website. I’m kind of afraid to know how many times I’ve answered it in e-mail.

So here it is in a blog post: I’m not currently planning to, no. Yes, there’s the question of the younger generation, and the Cousins, and Mirei and Eclipse (though I rather feel like where that one’s going is obvious), but none of that is a conflict. It’s just consequences to the work the characters have already completed, and that does not an exciting book make. If I come up with a conflict that excites me? Sure. My publisher would have been happy for me to do a third book two years ago, and I don’t imagine it would be terribly difficult to convince them to take one later on — not so long as the first two keep selling. But I finished the story I was telling; I’d have to come up with a new one before I’d sign on for another installment.

The closest thing I have to an idea is much smaller and more personal, and it keeps stubbornly resisting my attempts to make it grow enough plot to be a worthwhile book. But if such a book ever happens, the likeliest scenario is that it will take place about ten years later, and it will be about Indera. I think she’s up in Kalistyi somewhere, under another name, doing something else entirely with her life — not sure what — and I know she would run into whatever Amas/Hoseki is calling herself by then. Because if there’s one question I want answered, as the author, it’s what would happen when Indera comes face-to-face with her. (And, I suppose, how Indera has come to terms with herself. Or failed to do so. Whichever.)

Or maybe I could make it be a short story, though it’s hard to imagine writing it in a fashion that doesn’t require the reader to be familiar with the novels. Anyway. The idea sits in the back of my head, and if one day it jumps up and starts waving its arms, it’ll get written. But poking it with a stick isn’t getting it anywhere, so I leave it alone.

***

Go here to ask me more!

street date, and icon needed!

Things have been so crazy-busy that I haven’t said anything about this before, but today is the street date for Warrior and Witch (the novels formerly known as Doppelganger and Warrior and Witch). Not that this means much, since they’ve been on shelves in many places for the last week or more, but y’know. Anyway, I highly encourage obsessive-compulsive tendencies toward completism, so go buy the new editions, to go along with the old!

Can anybody make me an animated LJ icon that shifts back and forth between the new covers? I’d like to have one all-purpose icon for that series.

Edited: Many thanks to jimhines for the timely satisfaction of that request.

Ich habe Buch!

You know what’s a wacky experience?

Flipping through a book and thinking, “I wrote this . . . but it’s all in weird funny-looking words with too many capital letters!”

Or, to put it differently — I have the German edition of Doppelganger! They sent me four author copies, which arrived yesterday. It’s very strange, I tellya. I can pick out enough words in German to be able to figure out which bit of the story I’m looking at, but not enough to read it much at all, so it’s very alien-looking. And man, some of those nouns get long. But it’s also boggling to think that somebody — one Axel Plantiko — spent who knows how many hours reading over my words and working this strange alchemy upon them.

It’s my book . . . but it isn’t.

Anyway, many thank-yous to Herr Plantiko, and eeeee! German book!

new faces for old books

I got cover flats for the re-issues of Doppelganger and Warrior and Witch yesterday, and in looking today, I see that Amazon has them listed. So if you’ve been curious about them, they’ve been recast as Warrior and Witch — not the most original retitling ever, but man, I tried and failed to come up with anything better. At least this way it’s easy to tell the books go together, both in terms of titling and covers. (And no, they didn’t just flip the picture over for the new cover, though obviously it is meant to be extremely simliar. It is a new picture.)

So yeah. August street date for those, both at the same time, so anybody who finds me via Midnight Never Come will easily be able to lay their hands on other stuff I’ve written. I have no idea if the old versions will get pulled when that happens, of if they’ll coexist for a little while on the shelves. At least they’ve printed on the backs of both that they’re reissues of old titles, so people won’t feel like we’re trying to pull a fast one on them; also, they’ve made the sequel’s cover copy a little bit less spoilericious. Not completely so, but I’m not sure it’s possible to write useful cover copy for it that won’t have any spoilers.

It’ll be neat to see myself suddenly jump up to a more substantial shelf presence, with three books out there at once. I don’t know what quantities they’ll be shipping of any of them, but it should be pretty good.

you know . . . .

It occurs to me that there are probably any number of people in the world who are convinced I ripped Doppelganger off from the Buffy episode “Doppelgangland.”

Which I did not see until years after I had written the book.

(I mean, two red-haired girls who are alternate reality versions of each other? And one’s a witch? And the other wears black leather and kicks ass? Make Mirage a vampire, and you’re set.)

after-action report

I think I enjoy World Fantasy more every year, as I learn more of how I best operate there. When I first show up, I’m pretty useless: bad at recognizing faces I haven’t seen in a year, bad at worming my way into conversations, bad at social small talk. Warming up takes a while. But I know that now, so I don’t feel stressed by the usual “oh god I can’t find anybody I know and my foot is looking for opportunities to get into my mouth and I’m not having fun yet.” I’ll get there. It just takes time. By Friday I’m doing better, and now I know that my mental list of panels I’d like to see doesn’t even reach the status of guidelines, let alone actual rules; I’ll go if I feel inclined, but if on my way there I get waylaid by a conversation, whatever. I said this weekend, and I really mean it, that I go to WFC for the conversations. For the lunches and dinners and hallways and relatively quiet corners of room parties where I can get into discussions of Mesoamerican kingship, recent TV series, Kit Marlowe’s sexuality, butt-shot urban fantasy covers, gender issues in SFWA, and the abominations of Leviticus, to name a few topics of the last few days.

By Friday night I’m doing pretty good. Saturday’s usually a swimming success. At some point on Sunday I’ll start to hit my limit: I’m ready to put on my headphones and bury my nose in a book for the trip home. And that’s okay, too.

But it isn’t all cookie-cutter routine, either. Every year I expand the circle of people I know. And this year featured the new experience of increased contact with folks from my publisher, specifically members of the publicity departments in the US and UK. I got trotted out for a lunch with some of the book-buyers for Borders, not as the featured attraction, but to smile and make small contributions to the conversation; mostly I learned quite a bit about how the publisher sells the books to the store, before the store sells them to the customer. And I discovered that the publicity guys Have Plans for Midnight Never Come. Not national-tour level plans, but we all agreed that’s not even a good idea for someone at my stage of things. Cool website plans, though, most definitely. I don’t know how much of it will turn out to be pie-in-the-sky, but I love the notions we were batting around.

Speaking of that book, I got anecdotal proof of the quality of its cover: people were very eager to pick it up and look at it, including some total strangers during the autographing session. (And with nearly a dozen people spontaneously approving of the author photo on the back, I am finally reassured I managed to get a non-crappy picture of myself. Readers will expect me to look like that for the next thirty years, I imagine.)

And hey! Amazon has it listed for pre-order. I was going to say “at last,” but really, the book isn’t coming out for seven months. They’re plenty early. So anyway, that’s one benchmark passed. (And apparently that thing I wrote up for my editor back in June was the cover copy. Wish I’d known that then . . . though it holds up okay, despite having been written when less than a third of the book was done.)

Put all that together with a royalty statement that tells me Doppelganger and Warrior and Witch are both still doing bang-up business, and right now? Things are looking pretty good.

bits of book news

I’ll use my MNC icon, because two of the three have to do with that book.

First of all, the website for Chapters (Canadian book chain) now lists Midnight Never Come for sale, with a release date of June 9th. Amazon, though, has yet to post it.

Second, I got a proof copy of the front cover today, and it is indeed very pretty. They appear to have decided to do the title in gloss rather than foil, while the gloss on the floral pattern may or may not go away. The color is a lot richer than it seemed on the screen.

And thirdly, I finally have some concrete news about the intended reissue of Doppelganger and Warrior and Witch. The intent is to put them both out in August of next year, with a new cover for Doppelganger (to make it match W&W better), slightly different cover detailing for both, and — perhaps the biggest change — new titles! (I’m not positive yet what those will be; I’m waiting to see if my suggestion goes over or not.) The idea is to make them look more obviously related, since there’s frankly nothing on the cover of W&W as it stands that tells you it’s connected . . . until you read the back cover and get a giant spoiler.

Okay, back to work.

the awesomeness of friends

I have several things I’ve been meaning to post about, and lucky me, they share a theme: how awesome my friends are.

Let’s take them in chronological order, shall we?

First up: khet_tcheba. Some time ago, she created the mask you can see in my LARPing icon, plus a mask for kniedzw, because I wanted something very particular for the White Court game and suspected she would have the costuming-fu to create it for me (and then my boy jumped on the bandwagon, too). The results were spectacular. So, like a bad person, I e-mail her a month or so ago and ask whether she can make me a fore-and-aft bicorn for the Regency LARP, ’cause the only ones I can find for sale online cost several hundred dollars (I can only assume they’re vintage pieces, not replicas). The photo of me from the game doesn’t show it all that well, but keep an eye out for an upcoming post with links to other people’s pics and you’ll get a better idea. (The thing is freaking ridiculous, but the fault for that lies with history, not Khet.) So the Swan Tower Millinery Award goes to her, for adventures in felting.

Second: tooth_and_claw. Back when I was running Memento, she made a number of awesome sketches for the game, and I commissioned from her a portrait of Invidiana. I ended up getting two: a headshot and a full-length portrait. So if you want to have an idea of what the fae queen in Midnight Never Come looks like, there you go. (I’m hoping she’ll end up on the cover, but I have next to no control over that; all I can do is suggest it to my editor.) The Swan Tower Illustration Award goes to her — as if she hadn’t already earned it with the Memento cast painting.

Third: unforth. I have a hardcover copy of Doppelganger! Y’see, she’s a librarian, and she knows how to bind books. A while back she mentioned that she was looking for suggested rebinding projects. Until she delivered it into my hands, I had no idea she’d decided to make her first project a hardcover rebinding of my very own novel, complete with a wrap-around paper cover replicating the front, spine, and back of the original. Unless there’s somebody else out there with her skills and deranged enthusiasm, this will probably be the only hardcover edition there ever is — certainly the only hardcover of the first edition. For her, the Swan Tower Bookbinding Award.

So there you have it: I have awesome friends. Seriously, you all (not just those three) have a stunning array of knowledges and skills, and if I occasionally get depressed that there are a million and one things I’ll never learn to do, I cheer up when I remember that I might know people who do. Keep up the random hobbies, folks; they make me proud to know you.

Sprechen sie Deutsch?

Woke up to the delightful news that Luebbe, a German publisher, has made an offer for both
Doppelganger and Warrior and Witch. I’ve always been tickled by the idea of a
German translation of Doppelganger — all they have to do is slap an umlaut back on the
title and it’s good to go! (The title is, anyway. The rest of the book would need some
actual translation.)

This also highlights two interesting facts about the Life of the Writer. First, foreign
sales are your friends, because then people give you more money without you having to write
more books. It isn’t much, but by such things do writers make their livings. Second, this is
why one acquires an agent. Every so often you get new writers kvetching over the way agents
take a cut off the money their clients earn, but they absolutely deserve it; I wouldn’t have
the first clue how to start marketing translation rights to my novels. (Let alone all the
other useful things an agent does.)

So, life is pretty good.

Now back to work, I suppose.

wiki-me

Got a delightful e-mail from a reader today, alerting me that he has made a page on Wikipedia for Doppelganger.

It’s odd little things like this that convince me, yes, I really am a published author. (Not that I thought the boxes of books were hallucinations or anything, but ya know. It can use reinforcement.)

back to press!

Here’s some good news I do understand: Doppelganger is going back to press!

It’s fantastic to have this happen to my first novel. This means that, while probably not every single copy of the first print run has been sold yet, it’s come close enough that they’re making more. In other words, it’s selling better than expected, by a lot.

I believe the word is “wah-hootie!”

Mail Call

Today’s mail held not only my contributor’s copies and check for Fictitious Force #2 (with my story “Sing for Me”), but my contributor’s copy for Dark Wisdom #9 (with my story “The Wood, the Bridge, the House”). I don’t even recall proofing that latter, but whether I did or not, here it is. Neat!

Also in the mail a couple of days ago was a copy of the Romantic Times Book Club review of Doppelganger. It seems they cover a lot more than just romance — which, given that they apparently review something like two hundred and fifty books in every issue, ceases to be surprising. Anyway, much of the review is a plot synopsis, but at the end it says:

Kudos to Brennan for writing such a remarkable first novel and creating a distinctive fantasy world that poses a unique magical and ethical question. The twin heroines follow an electrifying knife-edged journey that takes readers to uncharted territory. An exceptional debut for what looks to be an intriguing series!

You can’t read the RTBC reviews online, but you can see what they rated things, and when Rachel alerted me that they’d reviewed Doppelganger, I went and took a look. They gave my book four and a half stars; I presume that’s out of five, but I can’t be positive, since nothing else in that issue got more than four and a half stars.

^_^

And, just to keep my ego in check, some rejection letters in the mail, too. But I’m used to those at this point.

The Book, One Month Later

My friend Kleenestar observed recently that “once you get to a certain critical mass of not-posting, the return to semi-regular posting is shockingly hard.” This is very, very true. And it goes double at the end of a semester.

So, my apologies for the silence. I’ll return to the world of the e-living by giving an update on Doppelganger.

More reviews in various places, mostly on blogs, a few on Amazon. Another negative review, too. This one, I will link to; it’s on the Green Man Review. (For the record, I didn’t link to the last one because it was someone’s journal, and I didn’t want to give the impression that I was asking anybody to go defend me in the comments thread. This one, on the other hand, is in a publication that habitually publishes reviews.)

It’s very odd, seeing the utterly contradictory nature of the positive and negative responses I’ve gotten. The GMR review doesn’t like the world or the characters all that much. Other people have spoken glowingly of that selfsame world, those selfsame characters. At least one person has found my prose terrible; others have raved in favor of it (though in the vein of “it’s nice and tight” rather than “wow, it’s really artistic”). Some of that is personal taste. Some of it, I imagine, is a matter of focus; you might pay attention to the aspects of the world that are original, while someone else is more attentive to those that aren’t. Some of it is probably perspective, since originality is partly a matter of what you’re accustomed to. Hell, thanks to my late introduction to The Lord of the Rings, I cruised happily through fantasy for many years without spotting who was ripping off Tolkien.

I’ve been getting fan-mail. Is that weird or what? <g> Over two dozen complete strangers have written to me since the book came out, telling me how much they liked it. For those of them who might be reading this journal: I am grateful to each and every one of you. No, really. As much as it boggles me to be getting such messages, this is, in a sense, why I wanted to write: not to get letters from readers, per se (especially since I feel like an idiot, trying to figure out how to respond with anything better than “um, wow, thanks!”), but to tell stories that other people care about. The letters are simply a way for me to know I’ve succeeded at that.

Sales-wise, I have no numbers yet. I won’t get anything official until the first royalty statement, I imagine, which will happen some time after June; they come to me twice a year. (I do get royalty statements, even if I’m not getting royalties yet. They let me know how far away I am from getting royalties yet.) I may get some less official numbers in the nearer future; in fact, I hope so. At the moment, I’m basically going off anecdotal evidence and sporadic checking of my Amazon sales rank against a handy webpage that translates the otherwise meaningless numbers into something like a sales rate. But that doesn’t tell me much, since my rank’s been fluctuating by as much as twenty thousand places. (I kind of wish Amazon would just abolish the bloody thing; it’s little more than a way to feed the fluctuations of my self-confidence.)

Now that the semester’s winding down, I’ll have a little time to do promotion. No concrete plans for that as yet, but watch this space for announcements.

That’s it for the nonce, I believe. Posting should resume as normal, since I’m out of classes now, and virtually done with grading. Ah, summer. How I’ve been looking forward to thee.

win some, lose some

Found my first negative review of Doppelganger today. (I knew there would be some. No book ever pleases everybody.) As I’d hoped, though, I find that I can take negative commentary in stride if what the person objects to is something I chose to do deliberately.

In this case, the reader put the book down after about twenty pages because, although they liked the swift opening, they soon found themselves confused about who the people were, and felt I was doing a bad job of introducing my characters (and the world in general). It isn’t quite true to say that’s an approach I took on purpose, since when I first wrote those scenes I wasn’t yet experienced enough to make choices like that on purpose, but through the various passes of revision, I chose to refine it in that direction. Why? Because the characters in those first twenty pages all know each other very well. Ergo, I chose to show through their behavior that they are familiar and either friendly or hostile by long habit, and to convey why and how they know each other through an accretion of brief comments, rather than an outright explanation.

For a lot of you reading this, that probably evokes a “well, of course” reaction. Not for everybody, though, and maybe not even for everybody reading this journal. Some readers prefer clearer explanations. It was a point of negotiation with my editor when I was revising Doppelganger — not the character introductions, per se, but the introduction of other information; I don’t always explain things when they first appear. Sometimes I drop them in and hope you’ll stick with me until the explanation arrives (which it usually does not long after). This is a technique that doesn’t work with every reader, and I know it. It’s my personal preference, since I find it more graceful. But it also means some people may get confused, and of those who get confused, some (like the reviewer) will not choose to stick with me.

You win some, you lose some. One of the commentators on that post went on to write a very positive review of the novel on her own blog, so hey.

(The negative reviewer also didn’t like my writing style. That aspect of fiction, more than anything, makes me roll my eyes and chalk it up to taste; you can try to make arguments for objective standards of plot or character or whatever, perhaps, but not writing style. I’ve gotten people telling me they love my writing style and I should never change it. There is absolutely no style I can use that will make everybody happy. Which is probably good, since it means I can stop worrying about it and just write in the style that the story feels right in.)

So, first negative review successfully survived. The choices I made didn’t work for that reviewer, and I’m more or less fine with that (“more or less” because, let’s be honest, I want everybody to love my book — what author doesn’t?). We’ll see what future reviews bring.

This Writing Life

The updates keep piling up, and I keep being too busy to post any of them. There was supposed to be a brief window to relax in right about now, but just as I reached it, the copy-edited manuscript for Warrior and Witch arrived on my doorstep. <sigh>

Anyway. Further reports of Doppelganger, all over the place; unless you’re in Hawaii (where my parents are right now), it ought to be in stock.

Or unless they’ve sold out. Which has happened in a few places.

<bounce>

I’ve gotten some extremely nice e-mails from readers, one of which told me to take the Amazon reviews with a grain of salt, since I’d probably end up with people declaring me the coolest thing since sliced Tolkien and others howling that I can’t write worth a rat’s ass. This prodded me to go check Amazon again (which I hadn’t done in a couple of days), where I found four reviews had been posted: the Harriet Klausner one from a while ago, Mike’s very flattering words, and two others that were entirely new to me. No Tolkien comparisons yet, but I’m entirely fine without those, and more to the point, no rat’s ass comparisons yet, either.

Having nothing whatsoever to measure this experience against, I can’t really evaluate it based on anything more than gut feeling, but so far, my gut is quite happy. Doppelganger is on the “New in Paperback” stand-alone racks in a number of Barnes & Noble stores, and an endcap display in at least one Borders, which is always good to hear; visibility can help sales along. I don’t know when I’ll first see sales numbers — whether those are quarterly, yearly, or what. I also don’t know when I’m likely to start seeing trade-publication reviews; we’ll see how those go.

Now, in writing news that has nothing whatsoever to do with Doppelganger, I just got pointed at a review of Summoned to Destiny, the anthology my first story “White Shadow” appeared in. It very nearly had me fainting out of my chair. A sample:

Brennan’s story achieves the elegance of a Bruce Holland Rogers fable, and is told in a voice as assured as Le Guin in her early Earthsea writings. The same sparse directness of scene; the same simple sentence structure, yielding prose passages of surpassing clarity and power.

I think I’m going to go hug that review and giggle until it’s time to head to class.

Director’s Cut

Okay, so I’m still behind on recommendations (having not posted March’s yet), but whatever. I’m posting something else instead: the original first scene of Doppelganger, as I semi-promised when I hit the limit of how much text I can post as an excerpt. Go see the scene I wrote when I was seventeen, and then read the commentary at the end to find out why I eventually decided to remove it entirely.

book updates

My mother reported discovering (and purchasing) copies of Doppelganger in Dallas today, though in her tour of the local bookstores (yes, she visited more than one; she’s my mother; what did you expect?) not all of them had it shelved. There will be a picture to post soon, she promises me. Also, it’s in Elk Grove, California, according to a woman named Heather who found it there, read it, and liked it.

Two more reviews here and here. I debated whether or not to link to them, since both of the reviewers in question are personal friends, but on the other hand, both of them have solid things to say about the book — more than just “the writer is a friend of mine squeeeee.” So I don’t feel too weird about linking to them. (Go go nepotism machine! Or something.)

Remember, let me know when and where you find the novel on the shelves!

last scene

With this final installment of the excerpt, I’ve hit the limit of what I’m allowed to post online (which is approximately 10% of the book). You finally get to see Miryo — mostly I alternate evenly between her and Mirage, but the timing of certain plot elements means they each get one instance of two chapters in a row, and Mirage’s happens to be at the beginning of the novel.

So that’s it for the excerpt, but stay tuned; there will be other goodies. Including the Long-Lost Original First Scene, which was the first bit to get written, but which got cut some time ago, for reasons I’ll explain when I post it. And any other tidbits I can think of to put up. (Hmmm. Do I have the self-confidence necessary to post the truly atrocious map I originally drew? I might. We’ll see. I could post The Evolution Of The Map as a cartography essay, I suppose.)

Back to grant-proposal writing.

the reviews begin

With Doppelganger starting to make its way out into the world, I took some time today to do what any sane first-time novelist does: I googled myself again. Which let me cross paths with this delightful review by Sue Burke on the website Fresh Fiction (review header — “Brilliant debut fantasy novel with a shocking ending”):

A fully realized new world, Ms. Brennan’s first novel is a brilliant read. The conclusion is a humdinger I never saw coming and literally stopped reading and said “Wow!” when it hit me. With likable characters, good world building and a story arc that keeps you wanting more, everything fits together nicely and comes to a satisfying conclusion for characters and readers alike.

That’s the tail end of the review, following a few paragraphs about the early plot of the novel. In a similar vein, I don’t think I ever actually linked to this other, equally delightful review I found a while back, from a woman named Jenica who read an ARC of the book. Relevant pull-quote:

In sum, the characters are engaging, the concepts of magic, goddesses, souls, and religious history are familiar but never derivative, and the society they live in is an interesting take on high fantasy. A wonderful read with a really satisfying resolution. And, just maybe, there’s more?

So far, so good. Haven’t gotten any trade-publication reviews yet; if those turn out half so well, I’ll be pleased.