Sign up for my newsletter to receive news and updates!

Posts Tagged ‘novels’

Monday morning countdown roundup

We’re in the home stretch for the U.S. release of Midnight Never Come.

June 9th, officially, but I know a handful of copies have already been sold in

various places around the country. If you send me a photo of the book on the

shelf between now and one week after the street date, I’ll enter your name in a

drawing for a special prize: a signed copy of Paradox #12, which contains my short

story “The Deaths of Christopher Marlowe.” (There’s absolutely no connection

between that story and this novel, aside from the time period, but you can have

fun imagining one for yourself.)

Also, those of you who prefer your novels in more portable format may be

interested to know that Fictionwise is advertising an e-book copy. I

wasn’t aware one was being issued, but apparently so.

***

If you were curious, yesterday’s post was an image of the promotional item my

publicist and I made for Midnight Never Come. It was sent to the

bookbuyers for stores in order to get them interested in the novel, and is, of

course, the thing for which I held the signature contest in February.

Want more? Why not try . . . <drum roll> . . . the website?

That’s right, folks: Orbit has put together a gorgeous website for the book.

Poke around and take a look at the goodies, and make sure you find the

semi-hidden link. It isn’t entirely finished yet; they’re doing a soft launch,

and will start rolling out the rest of the content on the 9th. If you come back

then, you’ll find a mini-game you can play, with some rather nice prizes to be

awarded.

***

With the book out in the UK and soon to be out here, reviews have started to

surface. My favorite pull-quote has to be the tag line from SFX Magazine: “Like John Le Carre if

he was obsessed with faeries.” (Alas, the review is not available online,

though it may be eventually.) They liked it, and read it through a political

thriller lens, which I find interesting. Not sure I can live up to a comparison with Le Carre, but hey. Anyway, I figure I’ll do occasional review round-ups here, whenever I reach a critical mass.

Myfanwy Rodman at The Bookbag read it the same way, calling it “a

historical thriller with a fascinating twist,” though one that starts a bit slowly.

Darren Turpin at The Genre Files found it “a highly-enjoyable mix of

Elizabethan and faerie politics and intrigue.”

Chris

Hyland, the Book Swede (who interviewed me last month) read it as a love

story, and flatters me immensely by saying, “What sets Marie Brennan apart

[from similar stories], then, is the quality of her writing, the complexities of

her plot, the characterisations, the world-building… everything” — though he, too, felt it opened slowly.

Mark Yon at

SFFWorld.com appreciated all my research, and didn’t find the romance as

off-putting as expected.

Elizabeth Bear

(aka matociquala), who has her own Elizabethan faerie novel

coming out next month, says of my characters that “These are not kinder,

gentler faeries. Really they’re not.”

Mervi Hamalainen at Curled

Up concurs, saying, “Midnight Never Come returns the fairies to their

roots: terrifying, alien, yet captivating at the same time.”

And finally, Debbie Chapman, a Waterstone’s bookseller, calls it “an amazing,

moving, murderous, magical tale.”

***

In other words, so far people are pretty much liking it.

(Except for Kirkus, of course.)

Happy, er, Surprise Book-Day!

So, turns out I’ve had it wrong all along: for my UK readers, May Day is the debut of Midnight Never Come! (Apparently I am, in fact, distracted enough to miss this fact. For U.S. readers, it’s still June 9th.) If you’re a Brit, then hie thee to a bookstore bookshop and get yourself a copy!

You can read the first of several upcoming interviews, this one with The Book Swede, who asked me some very thought-provoking questions about the background and content of this novel.

last excerpt

With forty days to go until Midnight Never Come hits the shelves, I’ve posted the last portion of the excerpt. It’s a long one, so keep clicking through. (Alternatively, you can start back at the beginning.)

(Confidential to sora_blue: You can finally get the answer to your question from a month ago!)

That will actually be the last of the MNC promotional stuff for a while. I leave next week for London, where I will have many adventures researching the next book, and then I will be in the Mediterranean, trying to do no work at all. There will, however, be one last nifty thing, just before the book comes out. And in the interim, you will be getting the return of the trip-blogging, which I know many people enjoyed last year. So enjoy!

light bulb

Sometimes the answer to your plot problem is staring you right in the face.

If one of Charles’ problems in 1640 was that he had three kingdoms to juggle, then clearly the way to set up problems on the fae side is to drag Ireland and Scotland into the mess, too.

International faerie politics for the win!

Remember when you interviewed me?

Last summer or fall I collected interview questions from readers to put in the back of Midnight Never Come. I’ve received permission to post that on my website — with special bonus update to the final question — so that’s your MNC-related goodie for today.

I will also post answers to some of the questions I didn’t use there, but that will come later — probably in June.

Want one of the last few?

Your challenge is this: give me a creative reason why I should mail you one of my last few ARCs of Midnight Never Come.

And I do mean creative. None of this “’cause I really want to read it” stuff; tell me how, if you have an ARC, you will leverage it for Total World Domination. Or how your kitten is being driven mad by alien implants in her brain and only this book can save her. Bonus points for plausible logic, even if it’s entirely nonsensical in its premises.

(I’m looking forward to these answers.)

One or more of those who amuse me the most will get an ARC mailed to them next week. You have until Friday to post your answers here, or e-mail them to marie dot brennan at gmail dot com.

::squeak::

Don’t ask me why I got the UK version first — but ten copies of Midnight Never Come just showed up on my doorstep.

<happy squeak>

I am ever-so-faintly sad that my copy-editor’s diligent work in Americanizing my spellings was ported over without change; I’d love to see the UK editions of these books carry British spellings. (My natural state, for the record, is neither fish nor fowl — colour but favorite; theatre but center. And grey. Always grey.)

On the other hand, they managed to slip through an incredibly last-minute change I asked for, that they would have every right to deny. So I’m grateful for that.

Fifty-six days and counting . . . .

AAL Book Report: A Monarch Transformed: Britain 1603-1714, Mark Kishlansky

This is the book I needed to read before Stone’s. If you’re looking for a clear, readable, narrative overview of seventeenth-century history, I’d definitely recommend this one. It starts with a pair of chapters on the social and political world throughout the period, then begins moving chronologically, separating the century into reasonably distinct segments for James I and VI, the Duke of Buckingham, Charles I, the start of the Civil War, the conclusion of the Civil War, the Commonwealth/Protectorate, and the Restoration. (It goes on from there, but I stopped in 1667; I might well come back and read the later chapters after this novel is done.) A few of Kishlansky’s break-points seem oddly chosen — why 1644 as a dividing line in the Civil War? — but divisions like that are always going to be a little arbitrary.

The political perspective seems, if anything, excessively moderate. I’m not sure if the contrast with Stone comes from the different times at which the authors were writing, their political inclinations, their theory backgrounds, or what, but Kishlansky appears reluctant to paint anybody in a noticeably negative light. Charles I doesn’t seem unreasonable, Cromwell seems like a patriot — hell, even Strafford comes across as not all that awful, when Stone made it sound like he was practically eating Irish babies with tartar sauce. Granted, Stone’s purpose was to trace the causes of the conflict, so he’s more likely to highlight the negatives, but still — Kishlansky might be a bit too forgiving.

But that’s okay. I came to this book hoping to understand what happened, and now I do. The result is that I finally have a tentative outline for which time periods And Ashes Lie will be covering. I call that a win.

more excerpt!

That’s right, folks; it’s time for another bit of Midnight Never Come. You can start at the beginning, or pick up with with the new material. There are two scenes posted, one introducing Deven, the other for Lune.

There will be one more addition to the excerpt before the book’s publication, and several other goodies of a different kind. Read and enjoy!

Possibly the Best Monday Morning EVAR

If I have to be jolted awake by my alarm on a Monday morning when I don’t really want to be up yet . . .

. . . then this is the sort of thing I want waiting for me when I sit down at the computer:

Stunningly conceived and exquisitely achieved, this rich historical fantasy portrays the Elizabethan court 30 years into the reign of the Virgin Queen, often called Gloriana. Far below ground, her dark counterpart, heartless Invidiana, rules England’s fae. Brennan (Warrior and Witch) pairs handsome young courtier Michael Deven, an aspiring agent under spymaster Sir Francis Walsingham, with bewitching fae Lune, who attempts to avoid Invidiana’s wrath by infiltrating Walsingham’s network in mortal guise. History and fantasy blend seamlessly as Deven and Lune tread their precarious tightropes between loyalty and betrayal. Brennan’s myriad fantastical creations ring as true as her ear for Elizabethan and faerie dialogue. With intriguing flashbacks to historical events and a cast of deftly drawn characters both real and imagined, Brennan fleshes out the primal conflict of love and honor pitted against raging ambition and lust for power in a glittering age when mortals could well be such fools as to sell their souls forever.

That, folks, is (I believe) my first-ever Publisher’s Weekly review.

It’s starred. And the at the top of the SF/F/H section, too. (Page down if you’re looking for it in context; there’s no way to link directly to that graf.)

(It also happens to be the thing I had to redact from my earlier post; I didn’t realize I wasn’t supposed to mention it until the review itself came out. But I only knew the review would be good; I didn’t know what it said until this morning.)

So, yeah. A very nice thing to wake up to. Paired, as it happens, with an e-mail from a super-sekrit individual planning a different kind of interview for Midnight Never Come, who also loved the book. Did somebody declare today Ego-Stroking Monday and not tell me?

How It Works

I intend to pitch another Onyx Court book to my publisher, that would be set in the mid-eighteenth century and form . . . call it bookends, with And Ashes Lie. Either one stands on its own just fine, but they do form a pair.

I’m pondering that story in my off moments, even though it’s Not What I’m Writing Just Now. Come up with an idea. Elaborate the idea. Oooh! It would be fantastic to have Character A do this thing where they tell the guy thus-and-such, ’cause that would put a really nice twist on the idea.

Go away. Do other things. Ponder.

No, wait. Given what happened in MNC, it totally doesn’t make sense for Character A to have those lines. They’d never say ’em. But they’re good lines . . . .

Okay, so invent Character B. Duh.

Keep pondering. While doing other stuff.

So how does Character B get into the story? Who is Character B? (A problem for next book, dear . . . .)

No, no. A problem for this book. Because it would be so much better if Character B were a side person in AAL, and then became more important in the next one.

Ooh, good! Let’s remember that.

Ponder some more.

AHA! Yessss, my precious. Introduce Character B when Thing X happens. It illustrates that thing we wanted to do after MNC, and puts them on the board before their big important moment in the next book and stuff for the Victorian one, too! and oh yes this will do nicely.

Series writing is a new thing to me. Doppelganger got slightly revised to better support its sequel, and I’ve constructed a few closed-trilogy ideas, but this is the first time I’ve really gotten down into the guts of something conceived of as interlocking pieces, rather than as sections of a whole. Apparently this is how it works: your brain ricochets back and forth between different parts like the victim of a pinball machine, but every so often you hit something and rack up a few points, and then if you’re really lucky lights start flashing and bells start ringing (and then be sure your ball doesn’t slip past you out the bottom . . . .)

Pinball: my newest weird writing metaphor.

But wait — there’s more!!!

This just in: the Science Fiction Book Club has picked up Midnight Never Come as a “Main Selection” for June! (Er, I assume that’s June of this year. But checking the e-mail, it actually says “a June catelog,” so who knows — maybe it’s June 3185.)

A peek behind the business curtain: the money from this gets funneled through my publisher (since they’re the ones who licensed that sub-right). Which means I’m suddenly a leap closer to earning out the advance for MNC . . . and the book isn’t even out yet! My pie-in-the-sky dream is to earn out by the end of the first royalty accounting period, but since it hits the shelves June 9th and the period ends June 30th, that pie is pretty far up there. This sale just brought it down by a couple thousand feet. I may just make it after all . . . .

picture time!

Your tidbit for today: photographs from my research trip to London last year. You can start here, or browse the entire set.

It’s an oddly-balanced set of pictures, for several reasons. First and foremost, I can’t take pictures of 99% of the stuff in the novel because it isn’t there anymore. The best I could do was to photograph some stuff like what was there. But that got hampered by the restrictions against photography inside Hampton Court Palace and Hardwick Hall; those were some of the most informative places I went, but I have very little to show from them. Finally, I also took a great many pictures I didn’t upload, but they’re reference shots from inside museum exhibits, and between the lighting conditions and the necessity of photographing through glass, most of them came out very poor-quality. So my apologies for the odd skew of the set. But those of you who have never been to London will at least have a few mental images now.

*** *** *** *** ***

My publicist wrote to tell me the other day that [redacted: I think I was not supposed to report this yet. But it had to do with a review.] It turns out that isn’t the first review of the book, though. I got myself listed on LibraryThing as an author, and in exploring the links I discovered that two people have already reviewed it. One mixed-to-positive (according to that individual’s allocation of stars), one overwhelmingly positive. And then d_aulnoy‘s ICFA con report includes her reaction; she grabbed the book in ARC while she was there.

Seventy days to street date. It’s finally starting to feel like the book is on its way.

AAL Book Report: Causes of the English Revolution 1529-1642, Lawrence Stone

Partway through reading this book, it occurred to me that reading a heavy-duty academic historical analysis of the causes of the English Revolution might not be the brightest idea for someone who hasn’t yet gotten a firm grasp on, oh, the chronology of the English Revolution.

I made it through, though, in large part because of the organization and focus of this book. Stone divides his causes up into three (admittedly fuzzy) categories of preconditions, precipitants, and triggers, each operating on a successively shorter time scale. The preconditions occupied the bulk of that essay (there are four essays in here, but the titular one is huge), and the preconditions, in his view, ran from about 1529 to 1629. In other words, from the Reformation in England and Henry VIII’s seizure of Church property to the dissolution of Parliament and beginning of Personal Rule/the Eleven Years’ Tyranny. That latter term is a new one by me — see the above statement about not really knowing the seventeenth century yet — but the Tudor parts of the preconditions, I can deal with just fine. So when Stone talked about how the redistribution of Church property changed the balance of economic and political power among the monarchy, the aristocracy, and the gentry, or how early Elizabethan neglect of the episcopacy led to a loss of status for Anglican bishops, I can follow him well enough. And I can definitely see how the policies that kept Elizabeth afloat left James in a nigh-untenable position.

The precipitants and the triggers, respectively, he links to the periods 1629-1639 and 1640-1642. That is to say, he’s looking at long-range, middle-range, and short-range causes. And writing from a perspective shortly after sociology apparently rammed into history at high speed, so he’s attempting the admittedly difficult hat trick of bringing in causes from Parliament and the monarchy and the merchants in London and the Puritans everywhere and the Church and the wars England was fighting and social mobility and anything else you can think of. The result? Is a hella dense book. (And regrettably saturated with the passive voice.) But a good one nonetheless, that goes a long way toward making sure I don’t leap straight from 1590 to 1640 or whenever AAL will start, without thinking through the intervening decades.

***

If the structural difficulty with MNC was deciding what year to place it in (since the changeover of interesting historical personnel was so high in the decade to either side), the structural difficulty here is how not to smear this book across forty years or more, to the point where it gets way too distant and boring. There are two ways I can see to do that. One is to turn it into the sort of 300,000-word historical brick that comes with free complimentary LOLcat caption saying “I R SERIOUS BOOK” . . . but that, alas, is not what we’re after here.

The other, of course, is to give up on covering everything happening in that forty years, and to find the perfect turning moments to show more closely. (And probably to pull in the edges. But I honestly don’t think I can reduce this to less than twenty-six years — from the reconvening of Parliament in 1640 to the Great Fire in 1666.) Picking the turning moments, naturally, is far easier said than done.

But the next step in that is probably, y’know, learning what went on in the seventeenth century. It isn’t a good sign when I’m reading this book going, “what happened in 1640? What are you talking about? Huh? The government collapsed? What the hell?”

Time to go find myself a more basic chronological history. Any suggestions?

Greetings from sunny Florida!

Yesterday I went swimming, then sat out in the sun to let my hair dry. *^_^*

I do so love ICFA. Even if it makes me get up at 7:30 in the morning to do a reading (and many thanks to the few hardy souls who came by to listen to us). Anyway, by a lovely coincidence of fate, my reading fell on the same day that I was planning to post my next excerpt from Midnight Never Come.

That’s the second part of what I read (and be sure to click past that initial page; there’s more to be had). The first part was, of course, the prologue; for the third part, you’ll have to wait a while, as it won’t be posted until shortly before the book comes out.

Which is far too long from now. <sigh>

AAL Book Report: The Great Plague, A. Lloyd Moote and Dorothy C. Moote

The full title of this book is The Great Plague: The Story of London’s Most Deadly Year. And boy, is that some truth in advertising. For those not aware, in 1665 — the year before central London burned down in the Great Fire — approximately one hundred thousand of the London metropolis’ five hundred thousand inhabitants died in a horrifying plague epidemic. At the height of the outbreak, the week of September 12th-19th, between one and two thousand people were dying every day.

Not cheerful stuff, but very, very interesting. And I can’t imagine a better pair of people to write about it than this husband-and-wife team. A. Lloyd Moote is a political historian with a seventeenth-century focus whose interests eventually broadened to include socio-cultural history; Dorothy C. Moote is a microbiologist with a special interest in disease epidemics. Is that perfect or what?

Even better is the approach they took. The epilogue describes the eventual disappearance of bubonic plague from Europe (but its persistence in Asia), through the early days of microbiology and the discovery of the Yersinia pestis that causes the plague, to modern scientific interpretation of just what was going on in the various plague pandemics broadly and the 1665 outbreak specifically. But that’s the epilogue: for the body of the book, while they apply historical methods to understanding the events of 1665, they restrict their medical discussion to the views and understandings of the period. Which is exactly what I need. I like knowing the modern explanation, but I’m glad I don’t have to strip it out to write from the contemporary perspective.

The book isn’t flawless. It somewhat awkwardly combines a chronological approach with a topic-centered one, dropping in discussions of the medical community’s response or the crash of London’s economy at the points in the plague’s progress that they seem most relevant. (The economy, for example, gets its moment in the spotlight around the description of October, when it hit its nadir.) Possibly as a consequence, it tends to repeat certain things in places, like telling me about how John Allin in St. Olave Southwark was a dissenting minister, or the Guildhall manipulated economic mechanisms to try and keep parish relief afloat, or Pepys was profiteering off his naval contracts in a kind of despicable way while a third of the population that didn’t or couldn’t flee the city dropped dead around him. (He started the year with £1300 in net worth, and ended with £4400, and very proud he was of it, too.) I also could have used more attempt to recreate the experience of living in London while everything fell apart, though I recognize that such descriptions weren’t really what the Mootes were aiming for. Defoe, I assume, will be the place to look for that. But overall, very good indeed.

Four more books arrived today. The research marathon has begun . . . .

AAL Book Reports: Restoration London, Liza Picard; By Permission of Heaven, Adrian Tinniswood

My book reports for Midnight Never Come proved useful to me in the longer run, so you’ll have to put up with them again, I’m afraid. I won’t motivate myself to write them if I can’t pretend they don’t have an audience.

Restoration London, by Liza Picard

What can I say? It’s Liza Picard. Who is awesome. She does a great job of presenting the details of lived experience in historical London, and her commitment to primary sources is great. I also love that she considers things like home decoration and female health just as interesting (or moreso) than the usual topics of history. I don’t think she positions herself actively as a feminist scholar, but her attention to otherwise neglected areas like that would certainly get a thumbs-up from that perspective.

By Permission of Heaven, by Adrian Tinniswood

This was the second book I read for AAL only because I had to wait for it to be shipped to me; I already had Restoration London on the shelf. It was recommended to me by Tyler of Pandemonium Books in Cambridge, and it’s a godsend: a detailed account of the Great Fire, including a chapter devoted to each day, telling me what was burning when, and what people were trying to do about it. I could not possibly write my novel without it.

But he also goes further afield, starting with a bit of the context leading up to the fire and the efforts to deal with it afterward; the latter plays better than the former. I understand why he felt we needed information about the Dutch wars, given religious tensions and also the question of when to recall General Monck, but it felt less than entirely relevant. The after-the-fact material is probably less useful to me, mind you, since I don’t expect the book to go past 1666, but it’s still good to know, especially for future installments in the series. (It’s honestly fascinating, comparing the aftermath of the Great Fire to, say, Hurricane Katrina. Seventeenth-century Englishmen did a remarkably good job of putting their city back together again in a fair and even-handed fashion.)

I’ve got a book on the Great Plague to read next, and a bunch more on the way.

wiktory

I have chosen my ICFA reading. And I’m getting good at eyeballing these things; my selection, when test-read, turned out to be twenty minutes on the nose.

For the record, everything in this selection will eventually be posted on my site as part of the teaser excerpt. But you’ll have to wait a while for it, so what you really want to do is get up at 8:30 in the morning on Friday to come hear me read it. Right?

Right?

Yes, that is officially my time slot. <sigh> Beggars can’t be choosers and all, but still — I’ll have to hope some of Alex Irvine’s and Judith Moffett’s fans stick around, or I’ll be reading to my co-panelists and Farah, who’s moderating.

next tidbit: evidence of my insanity

I honestly meant to do this months ago, but only got around to it now. Which means that instead of doing it the easy and sensible way (noting things down as I got them, or at least while I still had them), I’ve had to recreate the whole mess mostly from the photograph I took back then.

Your MNC Countdown entertainment for today is my research bibliography. Not as exciting as the prologue I posted the other week, but hopefully useful to two types of people: those researching similar topics, and those wanting concrete evidence of my insanity. It’s as complete as I can make it, though I keep remembering and adding in odd books that weren’t on my shelf. (Plus there’s that one Marlowe book I just can’t recall. I can see it in the photo, but not well enough to make out the author, and the title on the spine unhelpfully says only “Marlowe.” Very annoying.)

Anyway, collating the list was interesting, because Jesus Christ I did more work than I thought. And that’s not counting all the random internet resources I never marked down.

Enjoy!