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Posts Tagged ‘scribble scribble scribble’

One day left . . .

. . . in which to finish my March story. Will I make it?

Hard to say. The last line of tonight’s writing was “We have a Plan” — which is very nice for my characters, but I wish I knew what that plan is.

Total length estimate has been revised downward; it might even be shorter than that. Funny things often should not overstay their welcome.

They should, however, have titles. And I have no idea what to call this one. It isn’t allowed to be “Hello Muddah, Hello Fadduh,” and “Dear Mom and Dad” (the current filename, because it’s the first line of the text) is not a whole lot better, but everything I’m coming up with sounds too much like “Letter Found in a Chest Belonging to the Marquis de Montseraille Following the Death of That Worthy Individual.” (In other words, most of my possibilities start with the phrase “Letters From.”) Possibly we will have to go with something in the vein of “The Adventures of” and then figure out what to put after “of.”

I hate being this close to ending a story, and still having no title for it.

Anyway. Enough D&D-style silliness for one night. Bedtime, and maybe when I wake up tomorrow I’ll know what the characters think they’re going to do about their problem.

Finit.

And that, ladies and gentlebugs, is 18,678 words of a very messy but (I think) not horribly broken draft of a novella currently titled “Deeds of Men.”

Not the most exciting title, but it’s the best we’ve got at the moment, and reasonably fitting for the story that follows it.

Oof. No more novellas for a while, ‘kay?

*Almost* there.

I stalled hard last night, not knowing what to do with the next scene. Having re-read the entire thing today, I ended up swapping the upcoming bit with the previous A-strand scene; the information the new one was going to convey really needed to go earlier in the story than where I was trying to put it. There’s a godawful Frankenstein seam thanks to the swapping — wow, is that earlier-now-later scene going to have to change — but I think it’s closer to working.

(No, I don’t expect that to mean anything to anybody, but it makes me feel better to type it out for posterity.)

1500 words tonight, two and a half scenes to go, but it’s bedtime for me, because I have to figure out how they’re going to mug this guy. Right now it’s more of a curb-stomping scenario than anything else; there’ll be no chance to do anything interesting with Our Heroes because their target will be a smear on the ground before they can say boo. Must stage it in non-obviously contrived way. But after that it’s pretty much just dual denouement time, so I think — I hope — I can finish this tomorrow.

<crosses fingers>

It may even have a title, though I wouldn’t be sure of that if I were me.

That’s more like it.

2258 tonight — the end of one scene, and two complete others. It’s awkward, trying to pretend I’ve already set up who this guy is and why the characters can be confident in the conclusions they’ve just drawn, but for once I care more about finishing the draft than having it make sense. I’ve already backtracked enough to fix stuff that went awry on the first attempt, and I’m tired of it.

I am liking this story well enough, but I would like it far better if it would find a title already. <sigh>

We’re about 3K from the boundary between novelette and novella, with four scenes to go. You do the math.

Stupid neverending novellas. Worst of both worlds, I tell you.

things for revision: an open letter

Dear Brain,

Yeah, you know, that character, the one who’s really important to the reason why the dead guy is dead? The character we haven’t yet mentioned once in over eleven thousand words of story?

Yeah, him.

We’re going to have to find ways to work him into these scenes — along with hints of the Very Important Relationship he has to that other character, so it doesn’t come out of freaking left field the way it’s about to in the next thousand words. Because you’ve hung a key component of this story on that character and his Very Important Relationship, and the whole novela/ette is going to fall resoundingly on its face if that gets chucked in ex machina.

This is what you get for not bothering to figure out who he was until it was time to bring him in. How were we supposed to bring him in if we didn’t know who he WAS yet? This is how we end up eleven thousand words into the story and he’s still offstage. You brought this on yourself, you know.

Ah, well. That’s what revision is for.

Still miffed,
–Your Writer

Well, that was bloody stupid.

On the bright side, I almost have a complete novel.

6647 words tonight. I’m too sick of sitting at the computer to look up whether that beats the giant marathon I did at the end of MNC. I’m closer to the end than I was then, though; all I still have to write is the epilogue.

And a half-finished scene I glossed over because I’m still not sure what bit of folklore to stick in there. I think we may cut that out for now, and put it back in if I find something appropriate. (Because I have a long-standing habit of insisting that I cannot declare a novel done until it has no holes in it. And I want to write the epilogue last.)

Anyway. Bedtime came and went hours ago. Time for me to do the same.

mark

Three parts revised. Three days’ worth of London burned down. One hundred twenty thousand, three hundred and thirty-six words.

I’m nearly done.

Observations: I have lots of great epic battle music. “Holocaust” not only was a word back then, but originally meant a sacrificial offering that has been completely burnt, which is a fabulous thumbs-up to me using it here. I am spoiled by the internets, getting mad at them for not giving me a high-enough-resolution image of Hollar’s 1658 plan of St. Paul’s Cathedral for me to clearly read where Sir Christopher Hatton’s grave monument was. (What do you mean, I have to actually go to the library? And that I can’t do so at one a.m.?) I am, however, pleased all over again by history’s obliging tendency to drop perfect bits of story in my lap. St. Faith’s was right where narrative logic says it ought to be, and I didn’t have to go at all out of my way to smash Sir Francis Walsingham’s grave.

Destroying things is fun.

(Even if I’m running out of ways to describe stuff burning without just repeating myself over and over and over again.)

BOOM.

I am up stupidly late, but I have 2325 words of Fire and — more importantly — precisely 100K of book.

There will be no LBR measurements taken here. It’s all Fire, all the time, exactly as it should be.

milestone

Revisions of Part One are done. At least in the broad, chainsaw, “this scene can just die already” sense.

Tomorrow? I start blowing shit up.

Part the Third

I’m sure you’ve all been dying to know how the novel’s going.

The answer to that is complicated. Have I been getting work done? Yes, almost every day. How many words do I have? 96,224 — which is not so much, given that I was at 86K back on the 7th. But this discrepancy comes about because I’m doing something different from usual.

As I’ve said before, I’m structuring this book so that it cuts back and forth between long sections skipping forward through the years I’m covering, and days of the Great Fire. So I wrote Part One, then Part Two, and so on, with the intent of going back to write the Fire days once I finished Part Four. This is more or less what I’m doing, but I realized that a) given the massive revision Part One needed and b) the advisability of making sure each part flowed properly into each day, when I got near the end of Part Four, I went back and started revising Part One. I’m 13K+ through that and making good progress; you would have to see it to believe just how much less it’s sucking now. (I’ve lost all perspective as to whether it’s good, but it’s definitely better.) When I finish that, I’ll write the first day, then revise Part Two and write the second day, and so on to the end.

I haven’t quite finished Part Four; it needs maybe one or two scenes, which I will have to get done before I write any Fire stuff. (The night I was supposed to tackle those, I just didn’t know what I wanted to do with them, so I went back and started revising instead.)

Some of the revision has been polishing; some has been wholesale replacement of scenes. It helps that now I know, as I did not when I wrote this, that I don’t have to stay below 110K for the whole book. Antony’s got a series of three incredibly short scenes coming up, where I all too obviously am trying to keep my word-count in check, to the detriment of the story. So expansion of existing material is the third leg of this process, and possibly the most important; only a couple of scenes have been chucked out in their entirety.

I’ve become a moderately better writer over the years, but a substantially better reviser.

Mush!

This?

Was not supposed to be a 4200-word night.

In fact, I think I even promised kitsunealyc that it wouldn’t be.

But, um, that promise, it got broke real good. There are just bits of story that you cannot stop in the middle of, and this turned out to be one. Not because of explosions — the usual excuse — but because I really didn’t enjoy going some of the places I had to go, and once there, I’d rather just stay and get it all done with. Suffice to say that we are at the height of the Great Plague, at this point, and I feel obscurely that I owe it to the hundred thousand Londoners who died to do everything in my power to communicate just how horrific that was.

Horrific enough that people committed suicide rather than wait for the plague to finish killing them. Horrific enough that they threw themselves into the mass graves, already wrapped in their winding-sheets, as if they were corpses before they even died.

Imagining that is not exactly fun.

4200 words for seven scenes, most of them deeply unpleasant. It’s a good thing tomorrow’s scene will be . . . not exactly enjoyable, but a breath of air after this suffocating passage, because otherwise I’d be sorely tempted to take the day off. And then perhaps another, and then moving eats me alive, and the next thing I know I’m behind schedule and out of the novel’s headspace.

I’m making good progress, at least.

Word count: 85,888
LBR quota: What do you think?
Authorial sadism: See above.

and there goes the benchmark!

Jesus Christ on a pogo stick. Tonight’s work was supposed to be a particular scene, which would take at least my 1K quota to finish.

2,411 words later, the bloody thing is done at last.

I didn’t think I would reach 80K tonight, what with being over 2K away from it. Well, hello, you novel-thing you. We’re still a long way from the end, but 80K is traditionally minimum real novel length, so the number still looks a little magical to me. Crossing that line means we’re approaching the end. (Even if it’s still 50K away — which I hope it isn’t.)

Oh, and that’s with having skipped over one bit, because I’m not sure what to put in it. Dear Merlin: no, you cannot be in this book. Please go away.

Word count: 80,277
LBR quota: Blood. And how.
Authorial sadism: The funny thing is, Lune believes that was less mean than the alternative.

the magical amazing ever-expanding book

Part III is done. Which is something of a miracle, since it’s about 5K longer than my original estimation for the length of each of these sections.

Word count: 72010
LBR tally: Lately, rhetoric is winning.
Authorial sadism: I’ve slacked off on that for a few scenes, actually. They need some breathing room before the things I’ve got in store.

***

So here’s how me and deadlines work.

The book is officially due October first. I got started June first. At one thousand words a day — my standard pace — I can therefore write 122K by my deadline. I was aiming for a 110K book, so that gives me breathing room, as does the fact that I tend to accumulate overage; 1K/day is a minimum, not an average.

But I knew going in that this summer would involve more non-working days than usual, thanks to everything else in my life. So that margin of safety shrinks. Then I realize the book needs to be longer. How much longer? Don’t really know. I’d be surprised if it goes past 130K, but 120K is pretty much a given at this point. Suddenly, that margin of safety? Not so much with the existing.

Ten days before the end of July, I realize I’m about six days ahead of the base schedule. I decide to see if I can’t up that to ten by the end of the month — that is, to close out July with 71K instead of 61K. (Consequence: I work through Conestoga, tapping away on my laptop in my hotel room at night.) And then I decide on this trip to Dallas, and figure that we can do a bit better with that goal; I’ll finish Part III by the end of the month.

And so I have done. In the last three days, I’ve written over six thousand words. But this afternoon’s scene was only 402 words, so we’ll probably sit down and poke at the beginning of Part IV later tonight.

In a truly delusional world, I would try to do Part IV and then the bits covering the Fire by the end of this month. But that’s going to be another 40-50K words, and the middle of August will be shot all to hell, so I won’t lock myself into it.

(I won’t lock myself into it. But anybody who knows my working habits know that the minute I think of something like that, my subconscious decides I’m going to try for it anyway.)

This is how I do it. Not with carrots dangling in front of me, but a stick behind. I drive myself hard early on because that’s better, in my mind, then driving myself at the end; I’d rather push through and have breathing space than find myself in a crunch right before deadline. Who knows what else might crop up to delay me? Who knows how many additional words this book will need in order to be fully itself? If it caps out at 140K, I need to know I’ll have enough time for those extra words.

Yes, it is crazy-making. But now doesn’t seem like the time to fiddle with my habits. So Part III is done, and we’ll write more tonight — just to be safe.

Survived Day 1 of Conestoga despite getting up at 4 a.m. for my flight (having gone to bed after midnight, with only middling success at that whole “sleep” thing). Even managed to get 1099 words tonight.

Yay for Jack pov, at last. Yay for Antony’s wife getting to do something important. And if that scene doesn’t quite find the right note for resolving a certain problem, well, I can fiddle with it when I have functioning brain cells again.

‘Night!

geesh

2896. Because I am very bad at stopping in the middle of the ‘splody. And then another 39 more, because I’m also bad at stopping 37 words short of my next benchmark.

Well, I wanted to hit 60K before Conestoga. I just didn’t mean to do it tonight.

Wordcount: 60002
LBR quota: Blood. It goes well with ‘splody.
Authorial sadism: Well, I had to come up with a reason they couldn’t just solve all their problems that way.

Favorite bits: Yay for crispy moths, conveniently timed changes in the lieutenancy in the Tower of London, curious horses, cameo appearances by Scottish fae, and knowing that particular peep has your back.

boom!

1410 tonight. It’s hard to stop at quota when you’re about to blow up one of the conventions of faerie fantasy.

Whee!

Word count: 53,379
LBR tally: Rhetoric, finishing off yesterday’s scene, followed by impending blood.
Authorial sadism: Finding your blind spot. Then realizing how long it’s been there.

Jeebus.

Today I got started working before five, and knocked out about 1400; then, against my better judgment (I know that slow and steady wins the race), I came back for a second sitting. 2,458 today — and all before midnight! The first overrun was excusable; I mean, I was three paragraphs away from Jack finally making his entrance. I’ve been looking forward to him all book. But did I really need to write the rest of that scene today? No. (Not to mention it’s a stupidly long scene. Though heck if I know how I can trim it. The tree may have to go away. <sad face>)

I am, however, being vindicated in my decision not to work on revising the earlier parts yet. As I suspected, I am getting to know Antony much better in this part, which will benefit me in the revision. Apparently he’s one of those guys who accomplishes more the less you give him to work with. Who knew?

Word count: 50521. That landmark is the other reason for the overrun.
LBR tally: 2,458 words of nearly pure rhetoric.
Authorial sadism: You know what happens when you give somebody a young son in Part I? They’re all growed up by Part III, is what.

dude, it’s still light out.

It isn’t even 8 p.m., and I’ve already done my writing for the day. Because I just felt like doing it, instead of reading or whatever.

That’s a nice feeling, and not one I’ve had much of lately.

(Mind you, the desire was born of pure sadism. Last night I started an Antony scene that I’ve been dying to write, because it’s just so mean.)

Word count: 48090
LBR tally: Blood, of the metaphysical kind.
Authorial sadism: I’ve had enough time to think through the consequences of some of the things I’ve established in this and the previous book. Much to Antony’s detriment.

two-fifths.

Sweet gibbering monkeys, I thought Part Two would never end. 2549 tonight, and I’ve been batting well over a thousand for a week now in an attempt to put paid to this thing before I go to Minneapolis.

Antony’s way over on word-count. It’s his fault Part Two is over quota. But that’s a problem to fix in revision — somehow.

It came so very very close to “rocks fall, everyone dies” tonight. Or at least one character dying. But dropping the ceiling on him would have raised the question of why all the problems couldn’t be taken care of that way, so I had to use another method.

Two dead people in the first part; three in this one. (And one in the Prologue.) Will the number keep going up?

Word count: 45767
LBR tally: Blood. Blood, blood, and more blood.
Authorial sadism: This is one of those “all of it” moments.