So, there’s this.
As I said in the comments on Jim’s LJ, it took me a while to read the post, not because it’s long (though it is) but because my AAAAAAAAAAAAUGH meter kept maxing out and I would have to go away and breathe for a while before I could read any more.
I just . . . ye gods and little fishies. If you’re trying to respond to a piece on gender, and right up front you tell everybody that you’re assuming the person you’re responding to is a man and you can’t be bothered to check and see whether you’re right — even though the bio is right there at the bottom of the page, waiting to answer your question — then that’s pretty much a red flag of “Nobody should bother to listen to me on this topic.”
Because you just reinforced MacFarlane’s point. Yes, sure, she’s talking about the default of non-binary gender — but sweet baby Jesus, if we can’t even get past the default of male gender, then the problem you’re trying to dismiss is even bigger than she’s saying. Correia makes it clear, over and over again, that he is uninterested in putting anything other than the straight white male default into his stories unless there’s a “reason” for it. And apparently, “people like that exist and would like to read stories in which they exist” is not a reason. Their identities have to be plot-relevant, yo, or it’s back to the straight white men (because that isn’t a political act at all, natch). Doing anything else will make science fiction BORING and then people will STOP READING IT and that’s why the genre is DYING. Because the way to make it thrive is to cater to the comfort zone of straight white male gun-loving conservatives: only non-binary people want to read about non-binary people, and presumably only black people want to read about black people, etc, so let’s stick with what’s safe, shall we?
I mean, sure, there’s money to be had in catering to that demographic. Correia is probably not wrong that he makes more money from his writing than MacFarlane does (though I don’t agree with the follow-on implication that this makes him right and
him her wrong). But the notion that the future of the genre depends on not rocking the boat? That including the full range of human diversity is automatically a MESSAGE — but restricting that diversity is neutral and value-free?
Take care in reading the comments on Hines’ site. He says they’ve been “civil,” but there are a lot of Correia’s fanboys in there, waving the flag of their ignorance on matters of sex and gender and so forth, and straying very close to the border of getting banned.