Magic versus Science

Occasionally I write essays for my website, and I decided a while ago that I would start posting them here in first-draft form, thereby to get any commentary people feel like providing, before putting them up on the site permanently. So here’s the first attempt at that.

At the World Fantasy Convention this year, there was one panel titled “The God or the Machine?,” which addressed the division (or non-division) of magic or science. It was, hands-down, the best panel I went to that weekend, because it got me thinking, and left me with useful thoughts. I like entertaining panels as much as the next person, but this kind’s even better.

Let me start with the things that I don’t think usefully distinguish magic and science from one another. (Top of the list is Frazier’s approach, where you’ve got magic when you’re a primitive society, religion when you get a little more advanced, and science when you reach the top. But enough about nineteenth-century armchair anthropology.)

I don’t think it’s useful to say that science works within the laws of nature, while magic violates them. Whose laws? What nature? This view takes modern, rationalist Western science as the default, which is problematic not just on our own planet (where there are plenty of people with other opinions) but in invented worlds, where the laws of nature may be whatever the author pleases. “The supernatural” isn’t a word I particularly like; if it exists, how is it not a part of nature, in the non-environmentalist sense? If it doesn’t exist, then doesn’t “the supernatural” really mean “the fake”? Bleh. Sure, magic may violate the laws of scientific nature, but you could just as easily say science violates the laws of magical nature. A dead-end, to my way of thinking.

Then there’s the idea that magic operates by/is a manifestation of will. While there’s some truth to this, I can poke two holes in it. First, a lot of magic systems require more than just will; even David Eddings’ Belgariad is based on the Will and the Word. Usually you need to do something. Second, isn’t there an element of will involved in science, too? “It is by will alone I set my mind in motion,” Piter de Vries says in Dune, but Mentats are human computers more than magicians. I’m also reminded of Apollo 13, when Jim Lovell says, “From now on, we live in a world where man has walked on the moon. And it’s not a miracle; we just decided to go.” Sure, they had to do more than just make the decision; they had to build things and develop technologies and work out mathematical equations. But so do magicians, much of the time. It may not take as many people, as much time and money and experimentation as the space program did, but both of them are based on an element of deciding you want to do something, and then doing what you have to in order to make it happen.

So what are you left with, at this point? Most of the time, we make the distinction based on trappings. If you chalk a circle on the floor, burn herbs, chant arcane mantras, et cetera, then you’re doing magic. If you take measurements and draw graphs and solve equations, then you’re doing science. Or we distinguish them by their effects: demon-summoning and fireball-throwing are magic, while genetic engineering and lasers are science. But I think we can agree that this is a pretty sloppy way to separate the two.

I never had a good answer to the question until Ted Chiang made a comment, during the WFC panel, that turned on the proverbial light-bulb over my head. He was talking about alchemy, which is a classic case of fuzzy distinction between magic and science; it has elements of both, and sort of slipped from one to the other over the course of centuries. What he pointed out was the idea, once common in alchemy (but lost by the time alchemy turned into chemistry), that the process of alchemical transformation was also a transformation of the alchemist, that the creation of the Philosopher’s Stone was also a process of spiritual refinement.

I thought through the real-world magical systems I have any familiarity with, since I’m of the opinion that any division between magic and science ought to hold true in our reality, not just made-up ones. And it seemed to me that every one I could think of includes some kind of element — call it spiritual, call it moral, call it personal — some element that influences the act based on the actor. Who is performing the steps matters, not just based on their knowledge (whether they do things correctly), but based on some more intangible quality. People are born with magical talent. People undergo spiritual training to acquire magical talent. People can only work magic if their hearts are pure (or foul). People form contracts with other entities which grant them the power to work magic.

Science, on the other hand, will work for anybody who knows what they’re doing and has the right equipment.

If you remove that personal element, making the procedure something anyone can do, then you have science, not magic. Even if it doesn’t obey the laws of science as we know them, it’s imaginary or invented science, not magic. Some parts of alchemy didn’t work in the slightest, but that didn’t stop them from being scientific in their approach. And you could write a very passable world where they do work.

I tend to be utilitarian when it comes to theoretical constructs; for me, the test of an idea is whether or not it clarifies things for me that were muddy before. And in this case, it does. I’ve always had an odd relationship to China Mièville’s Bas-Lag novels; theoretically they’re fantasy, and he says things in various places about thaumaturgical energy and the like, but it never felt quite right to me. I like my fantasy, my magic, to have a numinous quality — but lacking a way to codify what I meant about “the numinous,” it was hard for me to say how and why I found it absent in that setting. Looking at it in this light, I can see exactly what I was missing. When parts of Armada are mining ore that they refine to produce that thaumaturgical energy, when the process can be automated and industrialized, divorced from the people involved, then you can call it by magical terms all you like, but it feels like science to me, not magic.

(Whether or not that means I think his novels are SF instead of fantasy is a complicated question, and one for another post.)

This still doesn’t make the line between the two absolutely clear; alchemy, as I’ve said before, is a good example of something that is neither fish nor fowl. It holds more water, though, than any of the approaches I’ve heard bandied about before.

Re-Mused

I know many of my readers on this journal are interested in fairy tales, ballads, myths,
and the way people play around with same, so you might want to check out Re-Mused, a new LJ community I’ve joined
that is made up of writers who have published retellings of traditional material. Membership
is restricted, but anybody can watch it and comment, and it looks like we’re warming up to
some pretty good discussions. Check out the profile to see who the current
members are.

just short

I don’t need another fairy-tale retelling with a side order of unspeakable horror. Not
when I’m already trying to market three other stories like that.

But even less do I need another fairy-tale retelling with a side order of unspeakable
horror that is stubbornly quitting on me two sentences short of the end.

updatery

World Fantasy was good. Got to see (read: stay with) Khet; got to socialize with many
friends from previous cons and make some new ones. The con itself wasn’t the best I’ve ever
been to — thin programming, too heavily focused on the topic du jour (the Robert E. Howard
Centennial), and most of the panels I went to were okay at best — but that’s only one of the
reasons I go, and not even the most important one, so I’m not upset.

Voted this afternoon. Most of my time was spent waiting for them to figure out what to do
with the two women in front of me who had both moved and therefore needed to jump through
administrative hoops. Link of interest: the Vote
by Mail Project
is pushing the model of voting Oregon uses, which appears to be vastly
preferable on every front you can imagine. Worth taking a look at.

Also, started wading through my school e-mail that had built up over the weekend, and found
I’ve made it through the first round of cuts for my Collins course proposal. Now I have a
half-hour interview/presentation to go through, with some adjustments to be made to my
syllabus. Not sure when I’ll have the time to prep for that between now and Thursday, but I’d
better find some, as it appears I stand an actual chance of getting this through.

packy packy

After a week or so of fighting myself into a stalemate against the forces of entropy in my
life (read: trying to clean, trying to finish projects, trying to catch up on e-mail, feeling
generally like a hamster on a treadmill), I’m abandoning the battle and flying off to warmer
climes for a few days.

See some of y’all at World Fantasy.

Sprechen sie Deutsch?

Woke up to the delightful news that Luebbe, a German publisher, has made an offer for both
Doppelganger and Warrior and Witch. I’ve always been tickled by the idea of a
German translation of Doppelganger — all they have to do is slap an umlaut back on the
title and it’s good to go! (The title is, anyway. The rest of the book would need some
actual translation.)

This also highlights two interesting facts about the Life of the Writer. First, foreign
sales are your friends, because then people give you more money without you having to write
more books. It isn’t much, but by such things do writers make their livings. Second, this is
why one acquires an agent. Every so often you get new writers kvetching over the way agents
take a cut off the money their clients earn, but they absolutely deserve it; I wouldn’t have
the first clue how to start marketing translation rights to my novels. (Let alone all the
other useful things an agent does.)

So, life is pretty good.

Now back to work, I suppose.

wiki-me

Got a delightful e-mail from a reader today, alerting me that he has made a page on Wikipedia for Doppelganger.

It’s odd little things like this that convince me, yes, I really am a published author. (Not that I thought the boxes of books were hallucinations or anything, but ya know. It can use reinforcement.)

hah!

I had to get up early this morning to help the boy take his car to the shop, and when I got
home, I couldn’t go back to sleep. I’m sure I’ll crash out in the early afternoon to make up
for it, but in the meantime, I’m awake, and I decided I should be productive (if not on the
things I really should focus on). So there’s now the usual page for “Nine Sketches,
in Charcoal and Blood,” and more to the point, I’ve finally caught up on recommendations! (I
know I’ve been deluging you all with them over the last few days; I apologize for that.) This
time around, in honor of the time of year, it’s Sergei Lukyanenko’s Russian fantasy Night Watch. I’m
fairly certain that’s the first translated fantasy novel I’ve ever finished reading; there’s a
dearth of the stuff in our genre anyway. And that puts me back on track, finally, for the
recommendations, after months of being very, very bad about posting them. (Now all I have to
do is be vaguely disciplined for two more months, and I’ll finish out the year on
schedule.)

another one finds a home

As a writer, of course, I love all my children equally, but I love some more equally than
others. One of the special ones found a home this morning: “Nine Sketches in Charcoal and
Blood,” the story that ambushed me out of nowhere a little less than two years ago, wrote half
of itself in no time at all, spent months not writing the other half of itself (and not
letting me do it, either), grew an ending, went out into the world, went to the Canadian
magazine On Spec back in March, and sold to them just now. I’m very pleased by this,
as I like it a great deal. (Which is not to say I don’t love my other children, too. The
ones I don’t love get buried in the backyard and never seen again.) It’ll be out some
time in 2007.

two at once

Somehow the month of October slipped mostly by without me making any progress in catching up on my book recommendations. So this afternoon I bit the bullet and did two at once, meaning that for the moment I’m technically not behind at all, and if I can do another by midnight on Tuesday, I’ll be back on track. (Don’t hold your breath.) In the meantime, though, you can entertain yourself with one from way back in August — an overview of the Odyssey — and last month’s novel, Keith Roberts’ alternate history Pavane.

Project Eat My Head

Ongoing endeavours with immediate deadlines on them:

  • AFS paper (status: 90% complete)
  • Collins course proposal (status: 80% complete)
  • C.V. revision (status: 95% complete)
  • midterm grading (status: 0% complete)
  • novel proposal (status: ??? complete)

For the first time in a while, my academic commitments are winning their ongoing war with
my writing to eat my head. One week from today, when the first three items are done with and
the fourth is (hopefully) mostly done, I’ll be able to breathe and look at other things. In
the meantime, I need to push them all toward completion. The status percentages looked a lot
scarier at the beginning of this weekend, though; say what else you will about the last few
days, but at least I managed to be productive with them.

Now I think I need some sleep.

a window into my life

There’s nothing quite like curling up on a cold, grey Sunday afternoon to read Maoist tracts on guerrilla warfare for the fantasy novel proposal you’re working on.

*^_^*

paper binge

Zokutou word meterZokutou word meterZokutou
word meter
3,064 /
4,000
(76.0%)

This is often how it works. In three hours or so, I go from having something that is only
barely recognizable as a fragment of the paper I’m supposed to be presenting at a
conference/turning in to a professor, to having very nearly a complete paper. Which goes a
long way toward reducing my stress level right now, since I’m supposed to be presenting this
thing in just over a week.

Yeah, I woke up a few days ago remembering with a very unpleasant jolt that I had forgotten
about, y’know, writing the damn thing. How could you tell?

Not done yet, but much closer, and it’s coming in at about the right length, too. Much of
it’s morphological summary of Stardust, which unfortunately makes it not my most
thrilling paper ever, but I try to sneak in some analysis/elucidation with the summary. And,
fortunately, it turns out to work, which I was kind of worried about when I got
started. I mean, it would suck to send in the abstract out of your ass, then find out months
later (mere weeks before the conference) that your central argument is flawed into
nonexistence.

But that hasn’t happened. So we can just pretend that fear never hit me.

back to press!

Here’s some good news I do understand: Doppelganger is going back to press!

It’s fantastic to have this happen to my first novel. This means that, while probably not every single copy of the first print run has been sold yet, it’s come close enough that they’re making more. In other words, it’s selling better than expected, by a lot.

I believe the word is “wah-hootie!”