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Posts Tagged ‘help me o internets’

Anybody have an old ARC of COLD-FORGED FLAME?

I have a tradition of keeping one copy of every version of my books: paperback, hardcover, audio, translation, etc. And that includes ARCs . . . but I never got one of Cold-Forged Flame (an oversight on my part). If you happen to have one of those lying around that you’d be willing to sell me, please let me know! My collection is incomplete. 🙂

Looking for East Asian actor recs

I’m trying to get a more solid image of a character in my mind, which is not a thing I’m very good at; it goes better when I have a casting to look at and then verbalize. But I’ve had to cast a bunch of East Asian male characters lately (mostly for my L5R game), and my brain keeps going back to the same well of possibilities, which is starting to run a little dry. And so I turn to you, the internets, and ask: please share with me names and pictures of East Asian actors or other public figures you especially like! Looking for somebody roughly in their twenties or thirties, i.e. not babyfaced but still fairly young. No particular guidelines as to facial type or personality; I really don’t know what I want this guy to look like, which is why I need brainstorming fodder.

mythic boundary markers

Brainstorming time!

I’d like you all to tell me what objects you might, from a mythical standpoint, associate with the delineation of boundaries and borders. I’m looking specifically for objects that might be a personal possession; walls and fences are obvious boundary markers, as are rivers, but neither are really the sort of thing a person could carry around with them. A sword, on the other hand, being a thing that cuts, could be the thing that marks the division between Here and Not Here, whether by literally drawing a line in the dirt or just symbolically cleaving things apart.

Can you think of/make an argument for other personal-sized objects that might represent geographical boundaries?

Can anybody ID this statue?

This is something of a long shot, but let’s give it a try anyway.

unidentified bust in Oberammergau

The above picture is one my parents took in the Bavarian town of Oberammergau. My father uses it in a class he teaches, and I’m told that every time he does, somebody asks, “who’s that?” Who the statue depicts is irrelevant to the subject matter of the class, but people want to know anyway.

Problem is, my parents didn’t take a picture of the plaque below the statue (they didn’t expect it to be relevant), so they have no idea. Attempts to pop the shot into Google Image Search have helpfully informed them that it’s a picture of a statue; attempts to Google “bust in Oberammergau” and similar phrases have turned up nothing useful, even when attempted in German. So our last-ditch option is to post it here and see whether anybody can tell us who we’re looking at — possibly somebody equipped with more than Google Translate, who can conduct a more nuanced German-language search.

(No, they don’t remember where they were in Oberammergau when they took the picture, either. Otherwise I could attempt some magic with Google Street View.)

Any takers?

an update on the title giveaway

I maaaaaaaaaaaaay have a title for the thing mentioned here.

(Par for my brain’s course: it isn’t anything anybody suggested to me. But getting suggestions kicked me out of the ruts I was stuck in.)

However! This does not mean you should stop sending me ideas. a) I haven’t formally committed to anything yet, so I can still change my mind, b) it’s fascinating to see what people suggest, and c) I’ll still be giving away a signed copy of Cold-Forged Flame to one person who’s contributed title possibilities. So keep ’em coming!

Let’s have a giveaway!

I’ve got all these copies of Cold-Forged Flame sitting around, and I’ve got a conundrum I’ve been stuck on for, uh, more than a year.

So, in the great tradition of the game Unexploded Cow, let’s use the one problem to solve the other!

Your challenge, should you choose to accept it, is to suggest to me a title that would be suitable for a collection of my secondary-world fantasy short stories. I know I don’t want to call it “[Reasonably Well-Known Item from the Table of Contents] and Other Stories”; I know that every quotation I’ve unearthed and phrase I’ve come up with that implies secondary-world-ness sounds trite; I know that I’m perfectly willing to use a random evocative-sounding phrase, but I haven’t thought of one I like for this purpose. Therefore I put it to you, the Great Internets, to help me figure out what to call a collection that will probably be putting out in 2017.

You have one week: from now until this time next Tuesday (or Wednesday, if you’re on that side of the planet), suggest titles to me. You can suggest more than one. You can suggest them on any version of this post, on Twitter, or by email. I will take them all into account. If I choose your title, you get a signed copy of Cold-Forged Flame! If I don’t find a title that clicks, I will choose one recipient at random! If I choose a title from someone who already has a copy of Cold-Forged Flame, I’ll choose a recipient at random anyway!

Lay ’em on me! Because I am well and truly stuck. >_<

And now for a disturbing question

I have reached new heights — or possibly depths — in asking for research recommendations.

Because I need stuff to read on the subject of torture.

(Consider that a trigger warning for the rest of this post, because yeah. It’s gonna be like that.)

For the purposes of the story I’m working on, what I need to look into are a) methods used and b) the short- and long-term effects of those methods. Discussions of the intel value or lack thereof are irrelevant for this project; the torture is being carried out for reasons other than the gathering of information. Ditto anything about the legality of such things, because this isn’t taking place in the real world. I’m focused on what the bad guys would be doing to the character (including considerations like “if they don’t want their victim to die from shock, how should they pace their actions”), how the character would plausibly respond to what’s happening (i.e. offering information they don’t care about, going catatonic, etc), and what kind of physical and emotional scars the victim would be left with afterward.

This is one of those cases where I almost certainly will not get graphic within the story itself about what’s being done, but I very much need to work out the graphic details so that I’ll know how to write everything around it. If you can recommend a book or web resource to me that will help me do this right, I’d be very grateful. My knowledge of the subject all derives from early modern witchcraft trials, which is long on ways of maiming people for life but short on the details of how it affected the victims during and after. I’m sure people have written about this in recent times; I just don’t know how to find what I need.

Recommend poetry to me?

So here’s the thing: I read very little (basically no) poetry. When I find a thing I like, I really like it . . . but the rest of it more or less bounces off my skull without leaving a mark. Result is that I don’t read much poetry, because the odds of me finding one of those things that will embed itself in my brain instead of poinging off my cranium are too low to make it worth the effort.

But! I have an internet at my disposal!

So those of you who are lovers of poetry: please recommend things to me that you think I would like. To assist in narrowing down that field, here are things I know I like in poetry:

* Narrative, because brain likey story.
* Aural devices, such as meter, rhyme, alliteration, and so forth. (With exceedingly rare exceptions, I bounce hardest of all off free verse.)
* Generally a darker mood; not sure why, but poems about how happy somebody is tend to draw less of my attention.
* Allusions to things I know about, be it mythology or pop culture or what have you.

I would also be interested in seeing the poetically-minded among you ramble on about why you like poetry: how you read it, what you think about when you consider a poem, etc. Theoretically we had a “poetry appreciation” segment in my high school English classes, but, well. High school.

I’ll put specific examples of what I like behind the cut, for space reasons.

(more…)

Oblique specificity of description

That phrase probably makes no sense, but it’s the best I can do.

There’s a thing certain writers are capable of: Dorothy Dunnett and Dorothy Sayers are the ones who come immediately to mind, and Sonya Taaffe (she has a Patreon for her movie reviews — I’m just sayin’), but I’m sure there are others I’m not thinking of at the moment. These people are brilliant at describing characters. And what makes them brilliant is what, for lack of a better term, I keep thinking of as “oblique specificity.”

By this I mean something like the “telling detail” writing-advice books are always going on about, but leveled up. It’s the ability to find that one thing about a character, be it physical or psychological, that isn’t in the list of the top ten features that would probably come to mind if somebody said “describe a character,” but winds up encapsulating them in just a few words. And it’s the ability to make those words not the ones you expected: the line that sparked this post is from the Peter Wimsey novel Murder Must Advertise, where Lord Peter is playing a cricket match and accidentally goes to town when up ’til then he’s pretended to be just an ordinary guy. There are lots of phrases I would think of to describe how he starts showing a higher degree of power than he’s exhibited before, but “opening up wrathful shoulders” is not one of them — and yet, it works.

I want to read more authors like this. (Because I want to dissect what they’re doing until I’ve figured out how it ticks.) So: recommend authors to me?

I’d especially love to see this done in different contexts, because one thing Dunnett, Sayers, and Taaffe share is that they’re all writing from a more omniscient perspective than you’d ordinarily see in a modern novel. I think the added distance helps, because description doesn’t have to be delivered through the perspective of a character; not all characters are really suited to that kind of descriptive artistry. Though no examples are leaping to mind at the moment, I’m pretty sure I’ve seen a variant of this done with first-person narrators, using the narrative voice to give descriptions more punch than they would otherwise have, but I’m not sure that’s always quite the same thing that I’m thinking of. (Since I’m kind of vague on what exactly I’m thinking of, this distinction is subject to debate.) I think I’ve seen it much less, though, with third-person limited narration, which lacks both the unfiltered individuality of good first-person narration and the analytical distance of omniscient. Then again, maybe that’s just a function of who I’ve been reading. I welcome any and all recommendations, especially if you can quote lines to show me how that author approaches it.

But do keep it limited to description of characters, rather than other things. Scene-setting and action and so forth are worthy topics in their own right, but right now it’s the evocation of character that I’m particularly interested in dissecting.

a thing I would love to watch

We had our usual Oscar party the other night, and at one point during all the interviewing (which I mostly don’t listen to, because I’m there to enjoy the fashion), I caught Faye Dunaway saying something about how Brie Larson is an amazing actress.

And it got me thinking: I would love to watch something that involves one or more actors sitting around discussing clips from different performances, talking about what makes them so awesome. What little touches of timing or intonation really bring the character to life, what techniques are being used, etc — basically, the kind of thing I sometimes get up to with fellow writers, when we let our professional squee flags fly and really dig into the craft aspects of our job. I genuinely don’t know what a craft-based appreciation of acting would look like, what kinds of things an actor notices and admires while the rest of us are just sitting there going, “that was a really great scene.” Tony Zhou’s “Every Frame a Painting” series gets into this from the standpoint of cinematography and directing, but not acting; I’d love to get that angle as well.

Can anybody recommend examples of this? A YouTube series, a commentary track on a DVD, anything like that.