ACA and the government shutdown

There’s not a lot I can say here. I’ve been ignoring political news for a while because I can’t bring myself to deal with it; most of what’s pissing me off is beyond my ability to affect in a meaningful way, so all reading about it does is raise my blood pressure. (Which sometimes could use it. But I don’t think that’s a medically recommended method of fixing the problem.)

Other people, however, have said very intelligent things.

First and foremost, Tobias Buckell, on EMTALA and how we got to this point. It says something about political coverage in the news that I? Had not actually heard of EMTALA before this. I had heard about it, sure. I knew that emergency rooms had to treat anybody who came in, and worry about payment later. I knew some (not all) of the problems that had produced. But I didn’t know what caused it. I didn’t know this was a law from Reagan’s presidency, and that legislators at the time had kicked down the road the question of how anybody was going to pay for it.

And you know, if I had the power to change one thing about our dysfunctional political system, that might be it: the overwhelming tendency to kick the payment can down the road. Defer spending on infrastructure and other vital things, until it collapses out from under you. I heard somebody say once that this is a fundamental weakness of democracy, and I believe it. When you need to worry about re-election, you go for the quick and easy points, not the things that need to be done but nobody will thank you for them.

Scalzi, as usual, has things to say, but for me his best line is in the comments. Someone there — clearly thinking he was scoring points by accusing Scalzi of bad rhetoric — said “In other words, the explanation for the behavior of your political opponents that seems most likely to you is that they are evil. This seems uncharitable and unimaginative.” To which Scalzi responded:

You know what, Leonard? Shutting down the whole of the government of the United States in order to force a change (or indeed repeal) in a law offers access to medical insurance to millions that don’t already have it or can’t afford it, because you otherwise don’t have the legislative majority to make changes, thereby putting hundreds of thousands of people out of work and costing the nation millions of dollars each day? That’s not a bad definition of banal evil.

Now I hear rumblings that these same folks will try to leverage the debt limit in order to get their way on the ACA. If that’s correct, a willingness to destroy the US’ global financial standing, and disrupting the entire planetary economy, would take the action out of “banal” to actual flat out evil.

To which I have to say, yeah. This shutdown is financially and economically destructive, and it amounts to the Republicans throwing a temper tantrum about a law they failed to prevent, because they would prefer we go back to the good ol’ days when millions of people went without medical care or died because they weren’t rich enough to be healthy.

Two words: Fuck. That.

ACA is not perfect. But this? Doesn’t help anybody.

And then I’ll just point you at Fred Clark of Slacktivist, who has said many good and important things: “The ‘debt limit’ Kobayashi Maru,” “What the shutdown means: Unnecessary pain,” “The longer the shutdown goes, the more it costs us all,” and a more general look at “Another proof of bad faith: The inconsistency of blacktracking.” (I prefer the term he quotes later, “pulling a one-hatey,” because that one’s applicable to circumstances other than those involving Obama. But both terms have a certain rhetorical charm.)

***

My entire life as an eligible voter, I have wished that I could respect the Republican Party. I would probably vote Democratic anyway, but I wish I could look at their behavior and say, “I understand where you’re coming from and I respect that, even if I disagree with you.” But I can’t. I just can’t. I look at them and see a pack of dishonest, amoral idealogues who cater to the basest impulses in our political discourse. We need a new Republican Party, stat. One that’s actually conservative, rather than reactionary. But I don’t think we’re going to get it any time soon.

Books read, September 2013

I did a terrible job of keeping records for September; I know there are things I forgot to put on this list. But all the ones I’m thinking of are the books I started and haven’t quite finished. (Rather a lot of those. But not because they’re bad; just because I’m not done with them yet. So that’s good, I guess.)

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Two — I mean three — more books!

Because late on a Friday is the best time to put out pieces of major news. 🙂

Many of you know that my intent has always been for the Memoirs of Lady Trent to be a five-book series, of which Tor had already purchased the first three. Well, as of today I am allowed to tell you that now we’re set for all five: they have offered a contract for the remaining two, ensuring that the entirety of Lady Trent’s story will be told.

And! Bonus!

They have also made an offer for a third, unrelated book. That won’t be coming out until after this series is done, so it’s years off yet; don’t look for me to be talking about it all that much here. (Especially since it’s entirely possible that three or four years from now, we’ll decide that it ought to be something else than what we’re planning on right now.) But if you want a teaser, well, let’s just say it might be inspired by this song and involve a few weeks of research here. ^_^

So yeah, I’m bouncing over here. How about you?

Writing Fight Scene: now an ebook!

Remember how I was writing all those posts on how to write fight scenes? Well, it occurred to me that it might be nice to have them collated in a much easier-to-read format. And, y’know, to revise and expand them while I was at it.

Writing Fight Scenes coverLadies, gentlemen, and swordspeople of all types, I give you Writing Fight Scenes: The Ebook Version. Complete with all the posts from the blog series (now in improved order, with additional thoughts), plus a few illustrative examples. It is, of course, on sale at Book View Cafe, along with Kobo, Barnes and Noble (Nook), and Amazon (Kindle).

(This, by the way, is why I chose to put Lies and Prophecy on special at BVC this month. Not just to celebrate my birthday, but also because I knew I had this coming out, too. It’ll stay a dollar off until the end of the month.)

If you know of people for whom this might be of interest, please do point them at it! Nonfiction is sort of a new thing for me, so signal-boosting would be much appreciated.

Trans activism, language, and Yuletide

I know, I know — that’s a very motley assortment of things to stick in one post. But I’m going out of town tomorrow, and the rest of today is liable to be very busy, so I’d rather combine them than let one fall through the cracks.

The serious and important one first: I have signed on to this statement in support of trans-inclusive feminism. Because I know several people for whom this is not a matter of theory or debate, but their daily lives, and anything I can do to make that easier for them is absolutely worth doing.

Signing a statement is a minor thing, but I hope that mentioning it here is a larger one. And yes, I am thinking about ways to reflect this in my writing.

On a lighter note, my post at SF Novelists this month is “Lingua universalis fantasiae”, on the tendency of fantasy worlds to default to a “Common Tongue.” Comments on that post should go over there on SF Novelists, por favor.

Finally, and most frivolously, Yuletide nominations are open. Yes, I know it’s only September; we’re on a leisurely schedule this year, rather than cramming everything into November. The Yuletide member community is here as usual, if you are looking for more info and discussion.

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Before and After: or, The Magic of Lightroom

My father got moderately serious about photography some years ago, buying gear and software and taking lessons and so on. I, being less serious about photography, would occasionally ping him for tips, but resisted his suggestion that I invest in a program called Lightroom, because I wasn’t interested in doing all of that post-processing on photos.

Last fall, I made a mistake: I brought a couple of my Poland photos over on a thumb drive and asked my father to show me what Lightroom could do.

I could try to describe to you all the speed with which I fell. I could recount how I told my father on the spot that the only thing I wanted for Christmas was that program. I could rave at the magic even a simple click on “Auto-Tone” can work (on those occasions when Lightroom has good ideas — sometimes I have no idea what crack its algorithms are smoking). But pictures, words, conversion ratio thereof, ne? So here’s a shot I snapped at the Asian Art Museum today. Took this with my phone’s camera, through glass, so not what you would call ideal photography conditions in the first place.

Not only is it not a great photo, it isn’t even a great representation of what my eye saw, standing there. Apart from being fuzzy, it’s too yellow, and you can barely make out the designs on the body of the pot.

So when I got home, I popped my camera pics into Lightroom and commenced mucking about. Here is the result:

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where I’ve been; where I’ll be

I was offline for a bit (sort of) because my laptop had to go in for repair, leaving me mostly functioning off a tablet for the duration of its absence. Not conducive to blogging, nor to anything much resembling productivity. 😛

But! There are interesting things afoot, and I would like help from you all, dear readers, in prepping for them.

To whit, the [profile] kniedzw and I are going to England. (Mostly to London, though we’ll be attending a friend’s wedding in Oxfordshire, and I’ll be winding up in Brighton at the end for World Fantasy. Also, we’re probably going to pop over to Paris for a bit to see his old roommate.) We’ll be there from October 11th through the end of the month . . .

. . . and I have no idea where we should stay.

“But [personal profile] swan_tower,” you say, “haven’t you stayed in London, like, a bazillion times?” Why yes, yes I have — for values of “a bazillion” that equal half a dozen or so, that is. But the first of those, I stayed with a friend’s sister, and the last four, I stayed in the cheapest hostel possible, neither of which are really what we’re looking for in this case. (The remaining time — or possibly two — I have no memory at all of where I stayed.) I honestly don’t even know what neighborhood we should aim for. We’re there for sightseeing, not research, so I don’t need to be smack dab in the middle of the City. In fact, I’d prefer not to be, since you can’t get food there after 6 p.m. 😛

Where should we look at? Our price range is flexible; we’re not looking for luxury, but we want better than a backpacker hostel. Convenience to a Tube station is key, though probably not hard to get. Moderately central location preferable, i.e. maybe we could save a bundle by staying somewhere out in Richmond but it isn’t worth trekking back and forth.

Recommendations? And feel free to propose nifty things to see in London that I haven’t already done.

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forgot to mention my birthday present

I meant to include this with my birthday post, since I have a long-standing tradition that I’m allowed to be unreservedly egotistical on my birthday. 🙂 The day before, Annalee Newitz posted this faboo review of A Natural History of Dragons on io9 — which, given the magnitude of that site’s readership, is quite a shiny thing to receive.

It will motivate me to crawl through the salt mines of page-proofing The Tropic of Serpents. 🙂

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Books read, August 2013

Lost quite a bit of this month to travel and being ill. Feh to the latter. (I did, however, get massive amounts of photo-editing done. This is not reading, but it is satisfying.)

Sorcery and Cecelia, Patricia C. Wrede and Caroline Stevermer. Re-read, because I felt like it. Still an enjoyable little romantic alt-Regency fantasy romp.

Child of a Hidden Sea, Alyx Dellamonica. Not yet published; read for blurbing purposes. I’m still trying to put my thoughts into words, but it’s a nifty adult portal fantasy about Stormwrack, a world made up of hundreds of islands, with dozens of different cultures among them. The ways in which the Fleet maintains peace in Stormwrack are interesting.

Tooth and Claw, Jo Walton. Had started this ages ago, then got interrupted. This is about as different of a book as one can get from A Natural History of Dragons while still having both books be describable with the words “Victorian” and “dragons.” If you’re the sort of person who would be entertained by seeing nineteenth-century literary tropes recast with a lot more teeth and claws and fire-breathing, this book is for you. I was entertained.

The Stories: Five Years of Original Fiction on Tor.com. Didn’t actually read all of this, but given its RIDICULOUS SIZE, I feel quite comfortable with deeming it an entire book’s worth of reading regardless. Tor.com released a free ebook containing the first five years of fiction published on their site. As you might expect from anything that large (with that many editors choosing what to buy), the quality is highly variable — hence me skipping stories. Some just weren’t my cup of tea, but some were actively bad, and not every author has a good handle on how to write a tie-in story to promote their novel. (Some of them, however, have a very good handle on it. So it isn’t like you should just skip all the tie-ins.)

Brief aside for a rant: my GOD is this ebook badly formatted. The text itself is generally fine, but the table of contents?

  • 4. The Department of Alterations, by Gennifer Albin
  • Title Page
  • Copyright Notice
  • Contents
  • Begin Reading
  • mac29_ep04
  • mac30_ep05
  • mac31_ep06
  • mac32_ep07
  • mac33_bm01
  • 5. The Fermi Paradox is Our Business Model, by Charlie Jane Anders

It’s all like that. Separate ToC entries for every element in the book, many of them with useless names, like those five lines of gibberish. And for at least three-quarters of the story, the ToC entry for the actual text is “Begin Reading,” which means that the running footer doesn’t actually tell you which story you’re reading. I hope that if Tor.com does this again, they take a moment to clean up the text, because the formatting here looks really unprofessional.

The Spice Islands Voyage, Tim Severin. I’ve been reading this in bits and pieces for, ye gods, I don’t know how long. It’s written by a guy who sailed around Indonesia in a locally-built prahu to recreate the voyage Alfred Wallace was on when he figured out evolution. (There’s an aside about how we don’t know, but have reason to strongly suspect, that Wallace’s letter to Darwin did not in fact arrive right after the latter figured out evolution for himself, but right before, and played a large role in Darwin’s work.) The text goes back and forth between telling the story of Wallace’s voyage, and recounting how the modern crew are checking up on the state of the environment and wildlife in the places he went. In many cases, the latter is kind of depressing — but not always. I sort of wish the book had been more firmly one of those things, rather than being both, but it was still a useful read.

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Happy my birthday to you!

I’m borrowing my approach from [personal profile] mrissa, who says, quite reasonably, that one should of course hope for others to have a happy time of it on one’s own birthday.

I can’t be a proper hobbit and give presents to you all, but I do have one thing: for the entire month of September, Lies and Prophecy is a dollar off at Book View Cafe. (I’m also going to have something else for you guys later this month, but it isn’t ready quite yet.)

Have a lovely day! I certainly intend to.

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Lady Trent Supports the Ada Initiative

The Ada Initiative, which “supports women in open technology and culture,” is running a fundraising drive. They’re currently about seventeen thousand dollars short of their goal, with four days to go.

I read the reviews for A Natural History of Dragons, and I see a lot of readers mentioning how much it means to them that Isabella is a scientist, and how resonant they find her struggle against the restrictions placed on her gender. As much as I’d like to say that struggle is over today, let’s face it: we as a society aren’t that perfect. Women still face obstacles on that path, and harassment at the end of it; especially in the open-source tech world, there’s a lot of lower-level primate chest-thumping that makes the environment kind of toxic to women (and to men who like the idea of having women in their community). That’s one of several things the Ada Initiative — named for Ada Lovelace, of course — works to counteract.

So if this is the kind of thing that matters to you, and if you can spare a bit of money, please consider donating. There was a matching donation offer from Jacob Kaplan-Moss, up to $5000, but I think we may have burned through that already, or near to it — the meter had more than twenty-five thousand dollars to go when I saw that announcement yesterday. But it’s still true that if you donate $128 (whether in a lump sum or installments), you get this lovely pendant, which is indeed “schwag done right.”

Let’s see if we can’t get them over the finish line.

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Big news at Book View Cafe

Y’all, I have been sitting on this for months. You have no idea how good I’ve been, not even hinting at it before now.

Book View Cafe Signs Deal with Audible

This thing is huge. More than a hundred titles, and that’s just the beginning; I can’t divulge details, but we’re going to continue working with Audible going forward, creating audio adaptations for more of our catalogue. (So while neither Lies and Prophecy nor Deeds of Men are part of this deal, there might be news about them at some point in the future. Maybe. <cough cough>)

And honestly, this is only the most publicly visible awesome thing that’s been happening at BVC. We have partnerships with places like Overdrive, which supplies ebooks to libraries, and are even looking into selling foreign rights. Day by day — thanks to the efforts of my fellow members — the organization is growing into something really amazing.

(Oh, and check out our spiffy new front page while you’re at it. Isn’t it shiny?)

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short stories and my brain

My father is the kind of guy who makes charts and graphs of everything that doesn’t run away fast enough. I am not that bad . . . but I, er, may have inherited some of the tendency.

Longtime readers of this journal know that I have lamented repeatedly over the years my failure to write more short stories. I’ve done four this year, and have ambitions for more, which on the one hand feels like a lot and on the other feels like very little at all: even if I make it up to six, that’s not very many, right? Obviously not that many compared to my friends who are Short Story Writers in the more active sense, but also not very many compared to my own efforts in ye olden days.

But I was curious. So I sat down and I graphed how many stories I’ve had published in each year, and how many I’ve written. And then I did some math.

My average short story production, since the year I figured out how to write short stories, has been slightly more than 5.

Okay, that number is skewed. I’ve been less productive lately, after all. On the other hand, I might as well say it’s skewed in the other direction: there were three years (2001, 2002, and 2004) where I wrote way more. Ten stories, nine stories, sixteen stories.

All stories are not created equal. Of those sixteen, six were flash. Two others barely cleared a thousand words. A couple of the actual short stories weren’t good enough to be published; one wasn’t even good enough to submit anywhere. Compare with 2011, where I only wrote three pieces of short fiction, but one was a novelette, one was a novella, and all three of them have been published.

I am not a sixteen-story-a-year writer. 2004 is the true outlier. Unit uantity may have declined since then, but quality has increased. I’d still like to get my rate up, of course; it would be nice if my average were six stories a year. But six would not be me slacking off. Six would be a good, solid rate of production.

***

Which is as good a time as any to say that I’m trying to finish either “A River Flowing Nowhere” or “Fate, Hope, Friendship, Foe,” or (the dark-horse candidate) “The Unquiet Grave.” So what does my brain hand me? Ideas for the untitled ghost-princes story, of course, and also the weird Snow White retelling.

Brains. I tell ya.

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Storytelling in Treble Clef

I don’t know what it was — my early education in piano; natural sense of pitch; heck, maybe even the ballet training — but something apparently wired my brain to closely associate music with stories. And over the last ten years or so, I’ve taken that tendency and made it foundational to how I work.

I’ve been thinking about this because I finally, after a variety of false starts, have figured out the “sound” for the Dragon Age game [profile] kniedzw and I are running. I realized that Ramin Djawadi’s music for Game of Thrones fit really well, so I went looking for more of his work, and simultaneously started browsing through the scores for other shows in the genre John Perich dubbed Blood, Tits, and Scowling. Trevor Morris’ work on The Tudors and The Borgias falls into precisely the tone I’m looking for. So I’m slowly acquiring music and building out playlists for various moods — creepy scenes, grand scenes, battle scenes, etc. And as I do so, the game coheres in my head.

This is why I was asking for Polynesian music earlier (and by all means, bring on more recommendations!). It isn’t that I can’t write a book without building playlists for it . . . at least, I don’t think so? I used to do it all the time. I’d have one or two “theme songs,” and that was all I needed. But now, figuring out the sound of a story is part of my process. And it isn’t just cat-vacuuming, I promise! In order to pick music, I need to know the feel I’m going for — so picking music helps me decide on a feel. When I make an actual soundtrack, with track titles and everything, I make decisions about what the important parts of the story are, and what their shape is or should be. It’s a musical outline.

Approaching it this way gets me thinking about the story from a new angle, with a different part of my brain. Music can route around all the fiddly little details and get to the heart of it, the mood and response I’m trying to evoke. Sometimes it even creates the story.

So if you’ll pardon me, I need to go check out the soundtrack to Rome.

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Signal-boosting for various things

SF Signal is giving away two copies of Clockwork Phoenix 4 (which, you may recall, includes my Anglish story “What Still Abides”). Trade paperbacks, and all you have to do is send in an e-mail to enter.

Daily Science Fiction is running a fundraising drive via Kickstarter, to cover a year and a half of publication costs. They’re two-thirds of the way there, with eleven days to go; take a look, both at the project and the site itself, and if you like what you see, give ’em a bit of love.

Laura Anne Gilman has a new book out, Heart of Briar, which is loosely based on “Tam Lin.” And you know how I loves me some “Tam Lin” retellings . . . .

And finally, just for grins, “The Devil Came Up to Boston.”

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