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Posts Tagged ‘linkage’

awesomeness and fair use

Most of you have probably seen this, as it’s been posted from here to Siberia, but:

I first saw it on sartorias‘ journal, and there’s been an interesting little debate over there. We can all agree, I think, that putting the little assertion on the video that it constitutes fair use means precisely jack; it wouldn’t do any good in court. Having said that — is this fair use?

Well, we can’t decide that, any more than the vidder can; the only thing that can really establish an answer (so far as I’m aware) is a court case. But I think it is. I saw commentators over on sartorias‘ LJ breaking the two halves apart, talking about how the vid definitely parodies Twilight but plays its Buffy scenes fairly straight. IANA IP expert, but I don’t think that’s the way to view it. The question is the purpose of the work as a whole, not its constituent parts. And I’d say, in my opinion, that the vid in its entirety does indeed pass that test.

Collage can qualify as transformative work, so far as I’m aware; you can cut up and re-use copyrighted material in order to make a larger work. Montages are the same thing, in video. So if you put together a montage which serves a distinct purpose, one not identical to that of the original material, then yes, I think it should count as fair use. It’s possible, I suppose, that a judge could say this is fair use of Twilight (since Stephanie Meyer’s purpose was not to show Edward as a creepy, socially inept stalker who deserves staking), but not of Buffy (since Joss Whedon’s purpose was, among other things, to critique certain tropes of vampire narrative). But I see this as the layperson equivalent of using, oh, Judith Butler’s theories to comment on gender issues in Twilight. You apply one thing to another thing in order to make some points about it. Why should it be different just because the thing being applied is material from a media franchise, rather than the words of an academic 99% of the country has never heard of?

Of course, it is different. One of these entities has the money and possibly the will to pursue a court case over potential infringement; the other does not. But however practical that difference may be, the concept of it annoys me.

I think things like this should be fair use. I think society benefits from the ability to play things off one another in this fashion, to engage with them directly, rather than leaving them in hermetically-sealed containers such that we can only look at them through the glass. Will this vid financially damage Buffy and those who profit from it? Probably not. Will it damage Stephenie Meyer et al? Maybe. After all, Twilight is the target of the criticism here. But a negative review can do the same thing, and can include quotes from the text to boot. I see just as much original effort in the (exceedingly well-done) editing of these video clips as I do in the composition of that review.

(Tagging this “fanfiction” because it’s a crossover narrative in vid form, but mostly because this is part and parcel of my thoughts on fanfiction, so it’s better to keep them all under the same tag.)

All is right with the world.

Last night I stayed up late writing, and today I slept until late in the morning, and a week after returning home, I am finally back to my normal self. All is right with the world.

So it seems a good time for more linky. First up, another Mind Meld:

Many world-building science fiction and fantasy writers get their inspiration from real-life places. What real-life city seems the most fantastical or science fictional to you?

I of course start out by saying London, but use that as a jumping-off point for talking about what makes a place fantastical or science fictional to me.

Next, an interview I meant to link days ago, but was slapped down by brief illness: Lobster and Canary (not remotely to be confused with Cat and Muse), where I am interviewed by a fellow Harvard folk&mythie — though not one from my own time there. (Also, if you missed it during LJ’s problems last Friday, I point you once more at the interview with Alma Alexander.)

Third — because I might as well just make this a post of miscellanea — something I missed during LJ’s problems last Friday, putting me well behind the train when I finally saw it come through, but Catherynne Valente has posted the first chapter of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, which is utterly delightful. There will be new chapters every Monday, and there is a story behind why she’s conducting the project this way.

Fourth — utter silliness — “Total Eclipse of the Heart,” literalized, in case there’s anybody left on the planet who hasn’t seen it already. Basically, what if the lyrics to a song actually described what was happening in the music video?

Fifth, a cute poem explaining the whole Schroedinger’s Cat thing.

I have one more thing open in my browser that needs linky, but it needs more serious linky than this, so I’ll save it for now. Ladies and gents, as I startled my husband by loudly declaring to what I thought was an empty house, I’m finally back! I feel like myself again.

two things with me in them

It being the 16th, I’m over at SF Novelists again. This month’s post, “A matter of leverage,” is about my newest favorite metaphor for characterization. Go comment over there instead of here; you don’t need an account or anything to post.

I’m also over at PodCastle, but this time in a new capacity — I’m the reader! Rachel Swirsky, editor of PodCastle and ironically-minded lady, recruited me to read a story called “In Ashes.” I haven’t listened to it myself, other than to check the sound levels before sending it off to Rachel for clean-up editing; I can’t stand listening to my own voice. (Because it never sounds the way it does in your own head, y’know?) But hopefully other people will enjoy it. If you want to comment on that one, PodCastle has both blog comment threads and a forum, so offer your feedback there.

FYI

The free stories I posted for International Pixel-Stained Technopeasant Day are now all available on AnthologyBuilder. In fact, there’s enough of my fiction up there now that you theoretically could put together your very own collection of Marie Brennan stories, since the minimum for an antho purchase is 50 pages of material. But I recommend finding a couple of other authors you like and making a bigger book, since $14.95 is kind of a lot to pay for nine stories, several of which are flash.

I really like the idea of AnthologyBuilder, and I hope it succeeds. This strikes me as the ideal approach to making an author’s short fiction backlist available, without depending on bookstore support for a collection.

What better way to fight diabetes than with books?

I meant to post this yesterday: Brenda Novak’s Online Auction to Benefit Diabetes Research. It’s an annual thing, apparently, and this year they contacted me to see if I’d like to donate. You can find me under Historical Fiction (a signed set of Midnight Never Come and In Ashes Lie) and Sci Fi and Fantasy (ditto Warrior and Witch), but more to the point, you can also find goodies by lots and lots of people who aren’t me. Not all of them are books, either.

The auction is huge, and it all goes to a good cause, so poke your nose on over there and see if you can’t find something for you or someone in your life.

more linky

Both of these are at least tangentially writing-related.

First, the humor: “Six Writers Who Accidentally Crapped Out Masterpieces”

Second, the analysis: Daily Kos on Dollhouse. Not normally a place I look for writing about TV, but I found it an interesting post. Truth is, I haven’t been watching Dollhouse, not because I think it sounds bad, but because I think it sounds like a concept that’s doomed to failure given the environment of TV production, and I don’t want to get attached to it only to have it pulled out from under me. But I suspect the analysis given there isn’t far off the mark. It doesn’t automatically negate the criticisms I’ve also heard — just because Whedon is trying to do this kind of thing doesn’t mean he’s succeeding — but I’m thinking of opening a betting pool as to how many papers on Dollhouse there will be at next year’s ICFA.

What a fascinating modern age we live in.

On the one hand, this is fascinating, and a great example of using modern technology to collate information usefully and accessibly.

On the other hand, I’m not sure how good it is for anybody’s peace of mind to be able to hit “refresh” on a map of swine flu cases.

Still — fascinating. And more interesting to me than the CDCEmergency Twitter feed.

odds ‘n ends

“A Tiny Feast” — The first paragraph made me think it was not my kind of story, but then I read on. The New Yorker does occasionally publish fantasy . . . .

More on Strunk & White — since the last piece I linked to had gone behind a paywall by the time I got around to doing so. Five perspectives on the book, none of them entirely flattering.

About that used copy of Ashes — Or rather, about other books in the same situation. Definitely there’s something a bit whiffy about the whole affair, though I couldn’t say for sure what’s going on.

Supposedly it takes five things to make a post. I guess that makes this 60% of a post, then.

writing-ish things

Important one first: John Klima of Electric Velocipede is looking to move some stock and help out his finances to boot. Head on over there to see what’s on offer — back issues of EV, plus chapbooks. If you’re looking for my fiction, issue #13 is the one you want; that has “Selection,” which might very well be the oddest short story I’ve ever written. It also has Rachel Swirsky’s excellent “How the World Became Quiet: A Post-Human Creation Myth,” which I suspect some of you would really dig. (If you perked up at the word “post-human,” then yes, I mean you.)

Sillier, but very true: a rant against Strunk and White’s The Elements of Style. I’ve become more jaundiced about that book over time, so it’s good to see my jaundice backed up with some evidence.

And a distinct moment of oddity: someone on Amazon claims to be selling a copy of In Ashes Lie for the low, low price of $1,000 dollars. Yes, that’s a comma, not a decimal point (and yes, that’s American-style notation). No, I have no idea what’s up with that. Even if they’ve gotten ahold of an early copy, a thousand bucks??? WTF, mate.

We now return you to your regularly scheduled whatever you’ve been doing.

I like it when snark meets activism.

Those of you who don’t follow American political news may not know that the Minnesota Senate race — you know, the one from last fall — is still pending. Norm Coleman is behind in votes, and has been throughout the process, but keeps pressing the appeals and recounts and so on, such that Al Franken (the apparent winner) still hasn’t been seated.

At least one of the factors in operation here is that the longer it takes to seat Franken, the longer the Democratic Party is without their fifty-ninth Senator. Which matters a fair bit on close votes.

Well, somebody came up with an amusing way to give the Republican Party incentive to drop the appeals. To whit: the “Give a Dollar a Day to Make Norm Go Away” campaign.

The idea’s simple: you sign up to auto-donate a dollar a day to the Progressive Change Campaign Committee. They cancel your subscription when Norm Coleman concedes. (If you’re worried he’ll drag this out for months, you can also set it to end at a certain date.) So the longer he hangs in there, the more money’s in the PCCC’s warchest, to be spent against Republican opponents.

This just amuses me. It’s kind of a “life -> lemons, you -> lemonade” kind of approach. And it’s just the faintest bit snarky, too, without being really mean-spirited.

I’ll be curious to see if Coleman files his new notice by Friday (the deadline) or not.

Correction: I got one detail confused with another race, so let me amend this to say: Coleman was ahead on election night, but (iirc) the margin was close enough to trigger an automatic recount under Minnesota law. Franken moved into the lead during that process.

Apparently I’m justified?

Delayed Sleep-Phase Syndrome.

I’m dubious of the value in labeling everything a “syndrome” or a “disorder” or a “condition,” but it’s a pretty apt descriptor of my habits. I can wake up at earlier hours, if I have to. But going to sleep before midnight is hard, unless I’m truly exhausted. And that’s been true for years, now.

And I rather liked this Achewood comic, which (while not exactly my attitude) does to some extent encapsulate my irritation that society treats sleeping late as somehow morally weak — nevermind how many hours of sleep you’re actually getting.

(Diagnosis and comic from toddalcott and comments therein.)

Amazon update

One of the negative features of kerfuffles is that the outrage tends to spread a lot farther than the eventual explanation does. Not that this explanation doesn’t have its own problems, but it’s better than the “lobotomy + homophobia = FAIL” equation people at first assumed.

According to the Seattle Post-Intelligencer, the thing was a consequence of what strikes me as an extraordinarily dumb programming decision. Somebody made an erroneous category-edit in France, and it propagated from Amazon.fr through to all the rest of them. This has more discussion of Amazon’s internal operations, and how errors like this end up happening.

What’s the line about never attributing to malevolence what can be explained by mere stupidity? I suspect Amazon’s site architecture could use some work.

two things that make me angry

I’ll put the important one first: a lengthy article on Dubai that frankly just turns my stomach, presenting both the dark underside and the artificially bright topside of that city. I presume not everybody in Dubai is like the Emiratis and expats quoted there, but that’s the image of Dubai I’ve seen marketed: a sunny playground for shopping and leisure, to be enjoyed by the wealthy — just don’t ask what’s propping it up.

The second one’s smaller, but closer to home: apprehension about Pixar’s latest, Up. Why the apprehension? Are they worried it will be a flop? No; in fact, everybody’s pretty much assuming it will be a critical and commercial success. But probably it won’t be as big of a hit as (say) Toy Story, and (perhaps more to the point) it doesn’t have all the merchandising opportunities of that film, and so nevermind that Pixar has yet to release a single film that could be termed a critical or commercial flop; some corners of the industry are worried that Pixar’s films aren’t as lucrative as they used to be, and this is a problem. Not that they aren’t profitable; they are. But that they aren’t always increasing in profits.

I find that outlook diseased. Here we have a rock-solid company that has, since its inception, turned out quality entertainment that also brings in a nice, healthy return on the investment of making it. But hits, it seems, aren’t enough; they must be mega-hits, and ever-growing in size, or Wall Street will flip out.

Can you say “unsustainable model”? I can.

Anyway. I’ve had those tabs open in my browser for a couple of days, but I decided not to rain on Easter Sunday with them, so you get them today. Enjoy. So to speak.