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Posts Tagged ‘short stories’

Visiting the twentieth century

. . . it has been a remarkably long time since I printed out and mailed a short story somewhere.

Partly this is because I’ve put so few stories into submission the last two years. (And of that half-dozen, three have sold to the first place I sent them. Another sold on Try #2.) But it’s also because so few markets these days insist on paper submissions. They’ve mostly either gone digital, or gone away. Which phrasing makes it seem like I think there’s a connection; I don’t. But all the new markets I can think of take electronic submissions. And bit by bit, the paper places slip further down my priority list.

Yeah, I’m part of that generation. Make me walk to the post office, and odds improve that I’ll try somebody else first. There’s other places that pay as well, don’t require printouts and envelopes and paper clips and stamps, and frequently respond faster to boot. And by such means does the new crop of writers drift away from the old guard of magazines.

I’m supposed to be *finishing* stories, not *starting* them

zellandyne, I have 1,059 words of “The Wives of Paris” and it’s all your fault.

Not sure whose fault it is that I seem to be channeling yuki_onna-lite with this thing, though. It was supposed to be, I don’t know, like “Once a Goddess” or something. Instead I have a semi-bitter, self-aware narrative that’s already referenced Morgan le Fay and Hallgerðr, and narrowly missed having the Queen of Sheba join the party. (Lamia took her place.) It feels bizarrely like my story idea fell into somebody else’s paint can and came out the most unexpected color, not my usual look at all.

But hey. 1,059 words, and I’d probably stay up to write more (it’s almost time for Penthesilea to show up, unless I decide to really embrace the whole culture-mash thing and make it Scáthach instead), but I do have to get up at a reasonable hour tomorrow. So I’ll let this sit, and pray the paint can hasn’t vanished by the time I come back.

wrong project, but oh well

Man, I don’t know what it is. All I have to do is decide, “I’m working on Thing X!,” and I will without fail come up with ideas for Thing Y instead.

In the current instance, that means I decided I would try to finish “The Unquiet Grave” by the end of the month, and promptly put down 1,022 words on “Mad Maudlin” instead. Not really complaining — I don’t care which short story I make progress on, so long as it’s one of them — but I really wish I could find a way to leverage this for novels. As I said on matociquala‘s LJ the other day, it seems to me like there should be a way to do it. Contract for Book A, write Book B instead; then contract for Book C, somehow convince yourself you’re working on that one for realz, whereupon you write Book A. Or something. But I fear deadlines might make that tough to wrangle.

Time to go think about “The Unquiet Grave” some more, in the hopes of finishing “Mad Maudlin” in the near future.

First lines!

It seems to be that time of year (or whatever cycle this is on), when writers on my flist do the “first lines” meme. As in, we post the opening lines of our various unfinished stories, sometimes with commentary, in the hopes of maybe prodding one of them forward. In celebration of the new short story, let me go over the stuff I’ve got sitting around. (Counting only stuff that has at least a fragment written down. If we included things that consist of titles and vague ideas, or vague ideas without titles, or titles without vague ideas, we’d be here all month.)

It’s quite a list, all the same.

GOD I’ve missed this.

2,650 words today, and that’s a story. A complete short story, from beginning to end, knocked out in an evening because I just felt like it.

I don’t remember the last time I managed that. “Serpent, Wolf, and Half-Dead Thing” was similarly an idea that mugged me out of nowhere (rather than coming from my list of unfinished ideas), but it stalled several times on its way to completion. This one sent me to pace the upstairs hallway once or twice, but that was simply a matter of finding the words.

This feels really good. I need to find my way back to doing it more often.

Squeaking the deadline by at least three hairs.

I never pulled an all-nighter to write a paper, but apparently I will pull them for stories.

(It isn’t really an all-nighter. The sun hasn’t risen yet.)

Something like 2K tonight, and now “And Blow Them at the Moon” is finally done. 8,120 words, which can certainly be tightened, though what the word-count effect will be of making the story actually work, I couldn’t tell you. And right now, I don’t care. I’ve got the damned thing on the page, and at the moment, that’s all that really matters.

Better.

Okay. I had to ignore the lunar eclipse and pull a new trick out of Magrat’s ear for the solar one, but at least it’s a cool trick. And I have 1,514 new words: two new scenes, which between them account for the time that had to elapse before Magrat went after Francis Tresham.

I’d love to get that scene written tonight, but it’s just not happening. Too much typing today — not just that wordage, but revision done on the earlier scenes, as I figured out what I was going to do next. And other stuff, too. So I’m going to get off the computer now.

But finishing in the next day or two suddenly looks a lot more feasible.

What am I trying to do?

Last night I didn’t add words to “And Blow Them at the Moon,” instead spending my evening re-reading the relevant chapters from my research, and thinking about the story. It’s important to ask myself: what am I trying to do? What are the things I want my narrative to accomplish?

Normally this isn’t the kind of thing I share publicly (it comes too close to spoilers), but this time I think I’ll think out loud. Behind a cut, though, so you don’t have to know anything more about the plot than you want to.

What do I need this story to do?

Four things, I think.

trying something entirely new

I don’t know how to get from where I left off last night to the end of the story — so instead I’m seeing if I can get from the end of the story to where I left off last night.

That is to say, earlier tonight I sat down and wrote a chunk of the final scene, then came back after a break and started writing the scene that comes before it. I’ll see how far I can get with that, then probably write the next one forward, and at that point I’ll have pretty much everything I know about this story. Whereupon I will hopefully figure out how to splice the two together.

This is utterly backwards for me, both literally and figuratively. I don’t write this way. But the other way wasn’t working, and hey, it’s only a short story; if I end up chucking out everything I wrote tonight, and everything I write tomorrow, it’s no huge loss. This may, like “Chrysalis,” be a story I need to write wrong before I can figure out how to write it right.

(I’m hoping for a result less broken than “Chrysalis” is. Fortunately, I’m also not attempting anything a tenth as arty as that story.)

1,173 very tangled words tonight. I think tomorrow I need to re-read chunks of my reference materials and get this crap straight in my head.

ETA: another 400 or so more. I remembered, or reconstructed, the way I wanted to handle what’s probably the most crucial turning point of the story; again, it may need replacing later, but at least I have it nailed down for the moment.

first you put the left down, and then the right

Since several people have suggested new wordmeters to me: does anybody know of one that, like the old Zokutou meter, allows you to show the new material you’ve added on since the last update? As in, yesterday I had 2064, today I wrote 1028, now I have 3098. I liked seeing the different-colored bit on the end of the bar, displaying your forward progress.

Anyway, that’s where I stand, after being not at all sure I was going to get anything written today. I know where I want the story to go, but getting there is proving to be the hard part.

John Johnson showed up in today’s work, for those of you sufficiently versed in your 1605 history to know who that is. (The real trick will be figuring out a sensible way to reveal him later, for those who don’t already know. I’m not trying to be terribly coy in-text about the fact that this is a Gunpowder Plot story, but since my protagonist doesn’t know that yet, there’s a fair bit of obfuscation happening as a consequence.)

Nggggh. Needs moar action, and also some way to use the eclipses. Surely I can come up with something.

antho update

As posted by squirrel_monkey, our esteemed editor Ekaterina Sedia:

INTRODUCTION
WILD RIDE, Carrie Vaughn
SIDE EFFECTS MAY INCLUDE, Steve Duffy
COMPARISON OF EFFICACY RATES FOR SEVEN ANTIPATHETICS AS EMPLOYED AGAINST LYCANTHROPES, Marie Brennan
BEAUTIFUL GELREESH, Jeffrey Ford
SKIN IN THE GAME, Samantha Henderson
BLENDED, C.E. Murphy
LOCKED DOORS, Stephanie Burgis
WERELOVE, Laura Anne Gilman
IN SHEEP’S CLOTHING, Molly Tanzer
ROYAL BLOODLINES, Mike Resnick
DIRE WOLF, Genevieve Valentine
TAKE BACK THE NIGHT, Lawrence Schimmel
MONGREL, Maria Snyder
DEADFALL, Karen Everson
RED RIDING HOOD’S CHILD, N.K. Jemisin
ARE YOU A VAMPIRE OR A GOBLIN? Geoffrey Goodwin
THE PACK AND THE PICKUP ARTIST, Mike Brotherton
THE GARDEN, THE MOON, THE WALL, Amanda Downum
BLAMED FOR TRYING TO LIVE, Jesse Bullington
THE BARONY AT RODAL, Peter Bell
INSIDE OUT, Erzbet Yellowboy
GESTELLA, Susan Palwick

Running with the Pack is available for pre-order now; looks like it will be released in late May.

racing the deadline

<misses the Zokutou word meter>

1280 words on “And Blow Them at the Moon” today, plus a hundred or two fleshing out the first scene I’d written, for a current total of 2064. I really want to finish this by the end of the month, which is doable if a) I figure out how to get Magrat to learn some but not all of what’s going on and b) the story doesn’t balloon out of control. The idea is to keep it below 10K at all costs, and preferably shorter than that, since the markets for such a length are limited.

Also, I need to figure out what to do with the eclipses. There were two of them, one lunar and one solar, in the weeks leading up to the Gunpowder Plot going kablooey; surely I can come up with something interesting to make out of that.

Will ponder that as I go to sleep. Maybe I’ll wake up with an idea.

necessary sacrifices

I’ve started over on “And Blow Them at the Moon.” As much as I like the opening scene I’d written, it just doesn’t fit the story; it introduces an additional pov (a bad decision, if I want to keep this thing short) and the tone is too light-hearted. This is not, I fear, going to be a light-hearted story. Not given what happened to Father Garnet, and to the conspirators, in the end.

(Man, reading about the Gunpowder Plot is depressing. Especially Sir Everard Digby. Talk about a waste.)

So that’s 614 words of a new start, and already I think it’s better. Father Garnet praying in Thames Street, and Magrat confronting the fact that she is displaying conduct unbecoming to a church grim. I need to find a way to say more about him, but maybe that will fit into a later scene.

since I’ve been given the all-clear . . . .

“Comparison of Efficacy Rates for Seven Antipathetics as Employed Against Lycanthropes” — aka the Fake Werewolf Paper — will be in Ekaterina Sedia’s upcoming anthology Running with the Pack, coming out from Prime Books. I don’t have a full ToC yet, but the cover here lists Laura Anne Gilman, Carrie Vaughn, and C.E. Murphy, and Erzebet Yellowboy just announced her own sale, so that’s a total of five authors you can expect.

This was so totally not the story I intended to write when I sat down, but it’s the story that came out, and I’m very glad that it hit the target anyway.

step by step, we’ll get there

While I was in Boston, I finally figured out what “And Blow Them at the Moon” wants to be about. The Gunpowder Plot, obviously; but that’s a long and complicated tale to fit into a short story, and could easily turn into a tedious history lesson instead of an interesting piece of fiction. Ideally, this will not be like Deeds of Men — i.e. not pitched primarily at people who have already read one or both novels, and please God not twenty-one thousand words long again — what I want is a short story I can try and sell to a proper market. Which means I need some frame I can put on the Gunpowder Plot, a frame that consists of a character and an engaging emotional arc for same.

While being an Onyx Court story. And it needs to explain some of the weirdnesses in the history, most notably the Monteagle Letter. That’s not too much to ask for, right?

So I think I found it, and my 599 words I had in December are now 1,105. Not a huge amount of progress, but I think I’m going to have to do a lot of wrangling to make this thing happen; I suspect there will be a great deal of infodumping that later gets scrubbed out, as I sort through what actually matters to a) my protagonist and b) my reader. Which means my progress will likely remain slow. But I’m going to try to get this done soon; today I ordered a metric ton of research material for the next book, and I need to get my head out of the seventeenth century and into the nineteenth asap.

And, y’know, it would be nice to get a story done in the first week or two of the year. Good omens and all.

Three places to find me today

1) I mentioned Patrick Rothfuss’ “Worldbuilders” charity event for Heifer International before; my own donations went up today, along with a lot of books from some awesome people. For every $10 you donate to the charity, Pat will match $5 and put your name into the drawing at the end. Donate $50, get your name in five times, plus $25 of a matching donation. See other posts on his blog for other great prizes.

2) “The Twa Corbies” is live on Podcastle. I quite enjoyed this reading; Elie Hirschman, who did the voicework for it, is a lot better at the ravens than I am. 🙂

3) SF Novelists day again; this time, continuing my discussion of ways authors do female characters wrong, we talk about virgins and whores. Comments for this should be left on the SF Novelists blog; no registration required.

also on the short story front

I mentioned before that Mike Allen bought “The Gospel of Nachash;” well, now you can see the rest of the table of contents.

And that is, in fact, the TOC — that’s the order the stories will be in. Yeah, I’m at the front. No, I don’t know what Mike has been smoking. One member of my crit group could barely get through the story because of the KJV style; I’m already anticipating that at least one review will hate it on the same grounds. And yet Mike wants to start off with me. I guess he’s done well with this editing thing so far, so I’ll trust him, but yeesh . . . talk about pressure!

Also at that link, you’ll find him talking about Norilana Books, the publishers of the Clockwork Phoenix anthologies. He says some important things about them, better than I can, but for my part I’ll just encourage you all to go look through their inventory and see if there’s anything up your alley. If not one of the CP volumes, how about another anthology? They’ve revived the Sword and Sorceress series, and started one called Lace and Blade that’s full of romantic highwayman-style goodness. Or there are novels, both originals and reprints of classics. They’ve got quite a list, so check them out, and maybe pick up a book or two.

One down, one to go.

No progress on “And Blow Them at the Moon,” but I’ve finished off “Comparison of Efficacy Rates for Seven Antipathetics as Employed Against Lycanthropes,” which is competing with “Letter Found in a Chest Belonging to the Marquis de Montseraille Following the Death of That Worthy Individual” for the achievement of being my most ridiculous title yet.

Yeah, I just wrote a fake academic paper. As a short story.

I blame Patricia Briggs’ husband.

crawling out of the sickbed

I came down with a cold right after Thanksgiving that seems to have segued with hardly a pause into a second cold, which means I’ve been sick for all of December so far. Bear with me as I try to get some actual business done here.

First of all, and I should have posted this sooner: Epic fantasy author Patrick Rothfuss is putting his fame to good use by raising money for Heifer International. More details at that link, and all of the related posts can be found under this tag, but the short form is that he’s selling off lottery tickets for a giant mountain of prizes, including signed books from many fabulous authors (and also me). Go forth and win swag in the name of a good cause.

Second: this seems an ideal time to remind people of the existence of Anthology Builder, a service that lets you buy short stories and have them bound into a print-on-demand anthology of your own design. My own stories are here, and there’s enough of them now to make a decent-sized antho (especially since you can print Deeds of Men); or you can mix and match with other authors. AB has built up quite a nice selection now, and this is a great way to try out the short fiction of various writers you’ve heard good things about.

Third: I am 599 words into “And Blow Them at the Moon,” aka the Onyx Court Gunpowder Plot story. I’m still not sure how exactly this thing is going to end, but it’s begun with Cornwall’s two most incompetent knockers trying to dig a hole for their own faerie palace in Westminster, which is amusing me. And being amused seems like a good way to start.

The goal is to finish that story and another one that needs a proper title before the end of the month. Whether or not I will manage both depends in large part on whether I can manage to find my way out of these stupid colds.