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Posts Tagged ‘fanfiction’

post-Yuletide thinkiness

Yuletide being my first official foray* into fanfiction, I’d like to spend a little time thinking about it. Out loud, of course, because that’s what LJ is for.

(*Technically a lot of the stuff I made up in junior high was fanfiction, either of the “insert my own original character into this novel” or the “huh, I really like this setting, let me run amok in it with only passing references to the canon” varieties. But most of it never got written down, and none of it was really shared with anybody. Hence unofficial.)

I had to offer 4-8 different fandoms, and the ones I chose were: the Gabriel Knight computer games, K-20: The Fiend with Twenty Faces, Hard Boiled (the John Woo film with Chow Yun-Fat and Tony Leung), Into the Woods (the Sondheim musical), Shakespeare’s Hamlet, Norse mythology, and Francis James Child’s English and Scottish Popular Ballads.

How did I choose them, from a list of about four thousand? It was complicated.

anonymous Yuletiders are no longer anonymous

The big reveal has happened, and now I can tell you what I wrote for Yuletide.

Before I do that, though — it’s interesting, the ways in which this feels different than linking you to my stories on Beneath Ceaseless Skies or wherever. Those are written for a general audience; as a result, even when they’re connected to a pre-existing text (like the Onyx Court novels), I do my best to make sure they stand alone, and can be read by anybody who’s interested. In the case of Yuletide, though, they’re fanfic, which tends to be heavily in dialogue with the source text, often in ways that bypass the kind of exposition an independent story would need.

Which is a long and overly intellectual way of saying, I have no idea whether any of these stories will mean anything to people who don’t know the sources. Since two, possibly three, of them are on the obscure side, this is me throwing up my hands and going, “I dunno, people, read ’em if you want to.” <g>

And the four stories are . . . .

the internets love me

Now that the AO3 is no longer weeping for mercy, I feel safe in pointing you all at What I Got For Yuletide.

A few days before Christmas, I noticed I had two gifts listed on my profile. My assigned writer had turned in their piece, and some total stranger had decided to write me a little something extra. Not until Christmas, though, did I discover what they were. Remember that crazy crossover idea, the The Nightmare Before Christmas/Hogfather mashup I really wanted but had no guarantee I would get?

Dear Readers, I didn’t just get one story of that sort; I got two.

My assigned writer produced “‘Twas the Night,” in which an unexpected midair collision between two sleighs leaves Discworld’s Death and Halloweentown’s Jack Skellington debating the nature of reality while Sally and Susan Sto Helit team up to fix the problem. A bit less than six thousand words of awesomeness, featuring guest appearances by characters from both stories, including (eeeeee!) the Death of Rats.

Then! Somebody else browsed the list of prompts, saw what I had requested, and wrote me “The Ill-Advised Skeletal Exchange Program,” wherein Death and Jack Skellington are pen-pals and arrange a temporary swap. Sally is Helpful, and Susan is Not Amused, and the Death of Rats shows up again, because he’s just too awesome to leave out.

Folklorist Brain is entirely fascinated to see the differences and similarities that result when two writers produce their own takes on the same prompt. Yuletide Brain is bouncingly happy to have gotten an extra gift. Anybody who’s interested is welcome, nay, encouraged to share in the bounty; go read the stories, and if you get a 502 error just try again later, when the archive has once again staggered to its feet.

(I can’t tell you yet what I wrote for Yuletide; that has to wait until after New Year’s, when the authors are revealed. Until then, I’m having to sit on my hands not to respond to the comments I’ve received so far. If anybody wants to play the “guess what I wrote?” game, though, your clues are that I wrote four pieces, one over 4K, two in the 1-2K range, and one less than 1K for Yuletide Madness; none are for novels, and no two are in the same fandom or media type. Also, no RPF: the modern stuff squicks me and the historical stuff was too much like work. Given that there were over three thousand stories produced for Yuletide 2010, though, and I have no pre-existing track record of fanfic for you to base your guesses on, I don’t expect anybody to spot my work. If you do, I’ll find some prize to give you.)

in-flight wireless, facilitating Yuletide silliness

So I discovered I have longer to write “Coyotaje” than I thought, which means I was able to let myself stop pushing on a stone that really doesn’t want to roll yet. Still need to get the thing written soon, but as long as that one wasn’t moving forward, I let myself write a silly little treat for Yuletide, above and beyond the story I was assigned. The recipient is somebody I don’t know in the slightest — which pleases me, because there’s something delightful about total strangers writing stuff for each other. Friends writing stories as gifts is also nice, but when it’s a stranger, it’s all about shared love for the source. Somebody else going, “omg, you’ve seen/read/heard that, too? Isn’t it fabulous?”

After the brain-drain that was With Fate Conspire, this is, indeed, what I needed. Stories as play, without having to put on my professional hat. December is a good time of year for recharging, and I can feel myself getting excited about other things now. We’ll see how much I can get done before the calendar ticks over.

Right now, though, I’m on a plane, which was okay for polishing that Yuletide story, but not terribly good for drafting something new. Plus, I’m very sleepy, and can’t let myself nap. Time to find someway to keep myself awake.

this “early bedtime” thing is for the birds

An attempt to go to bed early last night backfired spectacularly, with me waking up in the wee hours of the morning and spending god knows how long attempting to go back to sleep, before giving up around 7 a.m.

Remember, folks, my usual schedule has bedtime around 3 a.m. and waking up at maybe 11 or so.

I suspect this afternoon will feature a sizeable nap. At least if I want to make it through kobudo and karate tonight without falling over.

On the bright side, the utter screwing up of my sleep schedule has produced the impossible, namely, me getting some writing done in the morning. Since my sleepless brain decided to entertain itself with my Yuletide story, I knocked out just shy of two thousand words when I got up. I probably have another thousand or so to go, putting it pretty near the average for Yuletide fics, if maybe a bit longish. Feels about right to me.

It’s an interesting challenge, writing this thing, trying to match the characters’ voices: the perennial difficulty of fanfiction, and not one I deal with much as a professional writer. And I have an extra challenge in that I’m trying to get one of the characters wrong in a deliberate fashion — but even that is proving complicated, because the manner of the wrongness also has to arise from the source. (I hope that’s sufficiently vague as to not give things away that I shouldn’t.) Suffice it to say, I made it through that part of the story, and we’ll see what I think of the result when I’ve slept. Hopefully by then I’ll have figured out how to do the next bit, too.

maybe it’s the fluoride

They really must put something in the water, because shower-time packs more story inspiration per minute than any other thing I do, and that includes driving.

Which is by way of saying I figured out the entire plot of my Yuletide story while washing my hair, and I am very pleased with it. Hopefully my recipient will be, too. I think I’m managing to play to the ideas they floated in their request letter, while also incorporating some nifty ideas of my own. (And best of all, it’s unlikely to balloon up to a ten thousand word monstrosity. Which is good, since this has to be done by the twentieth.)

Now, do I start work on the story, or spend more time reviewing the source? Decisions, decisions . . . .

Yuletide assignment

No, I can’t talk publicly about what I’m writing — as they said, anonymous Yuletiders are anonymous! — but I want the record to show that I totally called it.

(Okay, I called, like, three different possibilities, based on what I’d heard about the matching algorithm pairing the rarest things first. But I kept thinking I’d end up with this one, because there is potential for tasty irony in me writing it.)

Anyway, the extra-fun part is that once I get back from Thanksgiving and have the book off my desk, I get to revisit the source for my assignment! kurayami_hime, you should totally ping me for details. 🙂

don we now our gay apparel

So, I signed up for Yuletide.

In a few years, I have gone from “what’s this ‘Yuletide’ thing so-and-so posted about?” to “wtf, half my friends list is talking about this ‘Yuletide’ thing” to “now I’m the one posting about Yuletide.” If you’re like a me a few years ago, and have no idea what I’m talking about, here’s a quick rundown: it’s a fanfic gift exchange, where participants list types of stories they’d really like to get (source, characters, and some non-binding suggestions as to the nature of the story) and types of stories they’d be willing to write. Everybody gets matched up, and on Christmas Day the stories go live, anonymously; on New Years’ Day the authors are revealed.

What makes this interesting to me is that Yuletide is specifically intended to be for “rare” fandoms — sources for which there isn’t a lot of fanfic already out there. In other words, not your Harry Potters and so on. Some participants take this notion of rarity and run with it, clear off the edge of the map: the list of nominated fandoms includes things like, oh, Plato’s Dialogues. Or the song “Devil Went Down to Georgia.” Or Polynesian mythology. There is a section for twelfth-century historical figures; also ones for 13th-14th, 14th-15th, the 15th century itself, 16th-17th, and the Reformation. Reading the list sends me cycling through bafflement and squee: “I’ve never heard of that” alternating with “I’m not the only person who’s seen K-20: The Fiend with Twenty Faces!”

I signed up because on the shuttle back from Sirens, I mentioned the Nightmare Before Christmas/Hogfather crossover fic I’m convinced the world really needs, and rachelmanija told me I should sign up for Yuletide and ask somebody to write it for me. I’d never really considered participating before then, because calling my involvement with the fanfic scene “minimal” would probably be overstating the case — but in a world where Francis James Child’s English and Scottish Popular Ballads can be listed as a fandom, why the hell not?

Aside from being curious to see what I receive, it’s going to be an interesting exercise from a writing standpoint. I haven’t often written to a prompt of any kind, and in this instance, I have very little notion what I’ll be asked to write. It isn’t completely an open field; I control what I’ve offered, in terms of fandoms and characters, and this year they added a functionality for additional tags, though that last one isn’t binding. The only requirement is that I produce a minimum of one thousand words about X people in Y setting. The recipient may ask for a particular kind of story, but I’m not obligated to produce it. I’ll probably try, though; the point is to make the reader happy, and that means giving them what they’re looking for, if I can. So this may be an enlightening challenge for me, depending on what my assignment turns out to be.

I have more to say on that front, actually, but we’re supposed to keep mum about what we’ve offered to write, so it will have to wait until Yuletide is over.

Anyway, lately my brain has been craving playtime with stories that cannot possibly be construed as any form of work. This fits the bill pretty well. I’m very curious to see what I’ll be assigned to write . . . .

Jim Hines Explains It All

Many years ago, I remember hearing an incredibly vague story about some fanfic writer who sued a professional author for writing a book they claimed was too similar to a pre-existing fanfic.

I suspect that was the product of this story going through a game of Telephone, with details being dropped at every turn. Jim Hines, Hero of the Revolution, has dug through the dustbin of the Internets to try and ascertain the actual facts of an incident in the early 90’s, involving Marion Zimmer Bradley and the fanfic writer Jean Lamb. Why? Because when arguments come up concerning fanfic, sooner or later somebody ends up trotting out this particular tale, often in moderately warped form (though rarely as warped as the version I heard). So it’s worth taking a step back and asking, what actually happened there?

We’ll never know for sure — particularly since, as Opusculus points out in one of the posts Jim links to, the incident almost certainly involved one of MZB’s ghostwriters, and none of the likely candidates has given a detailed account of the events. (Neither has Lamb, possibly — as suggested somewhere in the comment threads — on advise of counsel.) But if you’re interested in the boundary between fanfic and profic, and what kinds of legal issues can arise when something wanders across that boundary, definitely read Jim’s post, and follow the links if you have the time. At the very least, the story is not quite what folklore has made it out to be, and so the lessons to be taken away from it are not necessarily what you think.

Or at least what I thought, since I was operating from a very warped version of the facts. So I owe thanks to Jim for the breakdown.

on the topic of Authors Behaving Badly . . . .

So Diana Gabaldon’s ill-advised polemic against fanfic?

If you want to know my general opinion, I could just point you at this whole segment of my short story output, but I want to particularly highlight “The Gospel of Nachash” (an AU take on Genesis) and “The Last Wendy”. Because both are absolutely born of the fanfic impulse: looking at the existing story and thinking, “But I have something I want to say in response.” So clearly I believe that impulse is a valid one.

My policy on fanfic (or fan-anything) of my work is here. Short form: go right ahead, so long as you don’t profit or get in the way of my ability to profit. If you’re ever in doubt, ask, and I’ll let you know if the project in question is okay.

Frankly, I think it’s flattering. That anything I write could inspire someone else to their own art? Is amazing. I’m hardly going to spit on the result.

awesomeness and fair use

Most of you have probably seen this, as it’s been posted from here to Siberia, but:

I first saw it on sartorias‘ journal, and there’s been an interesting little debate over there. We can all agree, I think, that putting the little assertion on the video that it constitutes fair use means precisely jack; it wouldn’t do any good in court. Having said that — is this fair use?

Well, we can’t decide that, any more than the vidder can; the only thing that can really establish an answer (so far as I’m aware) is a court case. But I think it is. I saw commentators over on sartorias‘ LJ breaking the two halves apart, talking about how the vid definitely parodies Twilight but plays its Buffy scenes fairly straight. IANA IP expert, but I don’t think that’s the way to view it. The question is the purpose of the work as a whole, not its constituent parts. And I’d say, in my opinion, that the vid in its entirety does indeed pass that test.

Collage can qualify as transformative work, so far as I’m aware; you can cut up and re-use copyrighted material in order to make a larger work. Montages are the same thing, in video. So if you put together a montage which serves a distinct purpose, one not identical to that of the original material, then yes, I think it should count as fair use. It’s possible, I suppose, that a judge could say this is fair use of Twilight (since Stephanie Meyer’s purpose was not to show Edward as a creepy, socially inept stalker who deserves staking), but not of Buffy (since Joss Whedon’s purpose was, among other things, to critique certain tropes of vampire narrative). But I see this as the layperson equivalent of using, oh, Judith Butler’s theories to comment on gender issues in Twilight. You apply one thing to another thing in order to make some points about it. Why should it be different just because the thing being applied is material from a media franchise, rather than the words of an academic 99% of the country has never heard of?

Of course, it is different. One of these entities has the money and possibly the will to pursue a court case over potential infringement; the other does not. But however practical that difference may be, the concept of it annoys me.

I think things like this should be fair use. I think society benefits from the ability to play things off one another in this fashion, to engage with them directly, rather than leaving them in hermetically-sealed containers such that we can only look at them through the glass. Will this vid financially damage Buffy and those who profit from it? Probably not. Will it damage Stephenie Meyer et al? Maybe. After all, Twilight is the target of the criticism here. But a negative review can do the same thing, and can include quotes from the text to boot. I see just as much original effort in the (exceedingly well-done) editing of these video clips as I do in the composition of that review.

(Tagging this “fanfiction” because it’s a crossover narrative in vid form, but mostly because this is part and parcel of my thoughts on fanfiction, so it’s better to keep them all under the same tag.)

three links for my fandom friends

Okay, so the truth is I just stole these wholesale from toft_froggy. But I know I’ve got people on my flist who think thinky thoughts about fanfic, and I suspect these links will provoke much thinky thoughtness for them.

What Started It All: thingswithwings posting about Merlin fandom and the ways in which fandom migrations occur. (Can I just say I love the phrase “fandom migrations”? The mental images are great.)

In Which the Comments Blew Up: various people pick apart reasons for participating in a fandom and what it means to say it’s “just for fun/pleasure.” (Okay, I didn’t read the whole thread, because there’s a bit where it explodes and I didn’t feel like following it. But I read the stuff I didn’t have to hit “expand” for.)

A Typological (Not Typical) Response: miriam_heddy sorts out patterns in the comments to the previous post — so you don’t have to! (Haven’t read the comments here, though. I only have so much time in my life.)

My take? I think there is a degree of social responsibility in choosing one’s fandom, because if giant flocks of ficcers descend upon a show, then it’s a form of positive feedback to the people who write and produce that show. And if they can attract massive fan interest despite being racist and sexist and what-have-you, then I do think it encourages more writing in that vein. (Or at the very least, it doesn’t encourage them to improve.) So I sympathize with thingswithwings‘s reaction, in the vein of, dude, what if we poured all this love and creative effort into stuff that doesn’t have those flaws? And I do not — sorry, folks — sympathize much with the “but life is hard and I watch this stuff for brainless fun” response, because if your brainless fun involves consuming intellectual poison (“women with power are eeeevil!,” frex), then yes, I’m going to judge you for that. Things can be fun and good. What a novel idea!

Huh. I must be getting over the Respiratory Bug of Suck Unidentified Viral Infection, if I have the energy to engage with this.

Edited to add: An excellent comment by cryptoxin, which very tidily (though with heavy use of academispeak) sums up the aspect I latched onto in the original post. Rather than making tempests in teacups about whether thingswithwings is just upset that everybody’s leaving her fandom for a new one, I wish more people would engage with this part of the question.

So true.

And it makes my academic brain glee over the way fanfiction has given us an entirely new vocabulary with which to describe the world.

three kinds of fanfic

So I’m trying to feed my brain for a story I want to write, that requires me to be jazzed up for gritty pre-Christian Anglo-Saxon goodness. Ergo, one thing I’m doing is watching lots of adaptations of Beowulf. And it occurs to me: thanks, perhaps, to the nature of the poem (which cannot be ported into cinema without changes; it would make a terrible film as written), the films I’ve seen have all taken distinct liberties with the text. As a result, I find that I can, without much hesitation, classify all three* of them as different varieties of Beowulf fanfic.

In order of release:

1. The 13th Warrior — Crossover fic. It’s Beowulf meets ibn Fadlan! Crichton apparently read the journal of an Arab traveler who met some Norsemen on the Volga river, and decided to use that as his connection point for splicing the Arab into the Beowulf story. Which probably looked utterly nonsensical to the many people out there who have no idea who ibn Fadlan was, and thought they were chucking an Arab in just for laughs. (Incidentally, the alteration of Grendel came about from Crichton imagining a relic population of Neandertals living into more modern times. I think Eaters of the Dead may be my favorite book of his, actually.)

2. Beowulf and Grendel — Sympathy for the devil, or whatever formal name it may have among fanfic writers. Grendel attacks Heorot because Hrothgar killed Grendel-Dad back when Grendel was a kid. Grendel-Dad was killed because, well, he took Hrothgar’s fish — I think that’s what Hrothgar said near the end of the film — and anyway, he’s a troll, a big hairy lug who can’t really speak, so that’s all the justification anybody needs. This story also sticks in an utterly non-canonical character, the prophetess Selma, for the purposes of illuminating its chosen theme. (Which would be annoying as hell if she didn’t get such good dialogue.)

3. Beowulf (the Zemeckis/Avary/Gaiman one) — Textual interrogation. This is the kind of story where the fanficcers screenwriters looked at the original and started asking questions. Why does Grendel attack Heorot, but not hurt Hrothgar? Why does Beowulf bring back no evidence of having killed Grendel’s mother? Why does the narrative then leapfrog over decades and end with some random dragon? Then they invented their own reasons to plug what, from the viewpoint of modern fiction, look like narrative holes.

For the record, I think The 13th Warrior still stands as my favorite, but oddly — and in direct contravention of general opinion, I think — Beowulf and Grendel comes second. They filmed in Iceland, which I think claims the Oscar for Best Supporting Landmass**, and they do a good job with the muddy, shabby nature of even kingly life back then. More importantly, it’s got the kind of smart-ass lines I like in my Norse/Anglo-Saxon/whatever epics — delivered in a veritable Babel of accents, I might add, ranging from Selma’s American to Beowulf’s Scottish and on from there. The Zemeckis Beowulf, sadly, just didn’t engage me, despite the surge of glee I felt when Gaiman described their desired aesthetic as being “a kind of Dark Ages Trainspotting, full of mead and blood and madness.” I never warmed to the motion-capture CGI or felt it justified its usage, and the rampant*** phallic imagery got to be a bit much.

Time to go read the poem, I think, and try to poke this story idea into becoming an actual story. I need to figure out who dies at the beginning; without that, I don’t have much to go on.

* “Three” because I’m not including the science-fictional Beowulf movie with Christopher Lambert. I saw it years ago, and all I remember is that it was terrible enough that I don’t want to see it again.

** First awarded to New Zealand for The Lord of the Rings.

*** Yes, I chose that word on purpose.

I promised you a goodie . . . .

So the auction (which has raised over forty-three thousand dollars, at last count — good god!) included an offer from the inestimable yhlee: an original music composition, to a prompt of the buyer’s choosing.

I jumped on the “Buy It Now” price like a rabid weasel three minutes after the auction opened, and chose as my prompt . . . the Onyx Court series.

That’s right: my books now have a theme song.

Want to hear it? You can download the recording from my website. (Right-click and save, natch.) If you would like to hear the early draft, that’s available, too. Share as you please; just make sure to credit Yoon Ha Lee as the composer and artist, and my series as the inspiration.

***

This seems as good a time as any to mention my policy regarding fan work. It hasn’t really come up yet, but someday it might, so for future reference, here’s my stance.

If you want to compose your own music, or draw some art, or write a story, or whatever, based on Midnight Never Come or anything else of mine, then so long as you aren’t using it for commercial purposes or trying to lay claim to the original work itself, I say have fun.

If commercial profit comes into the picture (you’re a musician who wants to record the song on your next album) or you might be stepping on the toes of a right reserved in my contract (a student film), then please contact me so we can work something out. Even if what we work out is just a thumbs-up to whatever you had in mind in exchange for a link to my site, it’s better to make that clear. I’m unlikely to object or to charge you some exorbitant fee. (Unless you’re a major Hollywood studio, in which case I’m getting a media agent and instructing that person to take you for all they can. (I should be so lucky.))

In the case of things like music and visual art, I’d be flattered if you let me know this is happening. If it’s fanfic, I’m unlikely to read the work in question; legal twitchery aside (what if you write something and then someday I use a similar idea?), it would probably just hurt my brain to see other people’s takes on my characters. But I do believe that fan work is a sign that readers are engaged with the story, so I don’t mind people playing around with my ideas. If you feel so inspired, then by all means, go right ahead.