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Posts Tagged ‘website’

since it’s already written . . . .

It’s amazing how, even when I have a recommendation already written, I can get eleven days into the month without finding the time to post it.

Up this month: Terry Pratchett’s Monstrous Regiment. It’s one of the later Discworld books, but even if you haven’t read any of that series, take a look at what I’ve got to say about it; this book stands just fine on its own, and is substantive at the same time that it’s funny. (Which is a pretty good achievement for any writer.)

odds and ends

First of all, Cat Rambo has done an interview with me over at Suite 101. She asks several nifty questions, both about my novels and my writing in general.

Also, Talebones #34 is available, containing “But Who Shall Lead the Dance? I haven’t had a chance yet to read the rest of the issue, but Talebones is good folks.

Regarding my default icon: the people have spoken. A custom icon leads the pack, but the Summer Queen is in second place with as many votes as all the other options got together. I will look into possibilities for something custom, and keep the Summer Queen until I find something I like better.

Finally, do please contribute to my recent post looking for suggested readings. I wish I had the time to assemble the list on my own by reading all the YBFH and YBSF anthologies out there, or the entire ouevre of the Hugo Award, but alas, I don’t. I need specific titles to choose from.

the other half of Swan Tower

Oh, hell. It just occured to me that maybe this is what I should use as my icon for teaching my fairy-tale class next fall.

That doesn’t bode so well for my students. <g>

Anyway, I mustered enough energy to do some updates on the Bryn Neuenschwander half of Swan Tower, which have been sorely overdue for a long time. There’s nothing dramatic, but I finally got my C.V. posted in legible form and put a tiny bit more content into the areas about my research. The next big project for over there is a doozy: I want to gather up sources I’ve found useful on RPGs or fairy tales and make an online annotated bibliography. God only knows when that will happen, but I would like to do it someday. In the meantime, these minor updates will have to do.

And with that, I am done with my website for today.

WARNING: construction ahead

I’m going to be messing around with LJ settings for a while this afternoon, so if anything starts going wonky over here, don’t mind me, I’m just screwing everything up. (Hopefully not permanently.)

Definitions of fantasy I don’t like, #1

I’ve been noodling for a while now with the idea of writing a series of small essays for my website about various genre definitions and how I feel about them — their pros, their cons, their applications, etc. Since Rob Sawyer has started a minor internet dust-up with some recent comments of his on the subject, I thought this seemed a good time to address one of them.

We’ll start with this statement:

Fantasy and SF, on the other hand, are diametrically opposed: one is reasoned, careful extrapolation of things that really could happen; the other, by definition, deals with things that never could happen.

Delany has done a finer-grained version of this in The Jewel-Hinged Jaw, which I’ll quote at length because I think any attempt at summary would end up being nearly as long:

(more…)

It is a very, very good thing that a month or two ago, when I actually had some spare time in which to read, I read a couple of good books and wrote up recommendations for them right away, to be used at later dates. Otherwise, I might have inaugurated my fifth year of recommendations by being late with the first one. (I very nearly was anyway.)

But the month isn’t over yet, and I have something to recommend to you: Blood and Iron, by Elizabeth Bear (aka matociquala). Tasty urban faerie fantasy goodness.

In other news, I’m off to VeriCon, in the soon-to-be hellishly cold wilds of Boston. The high tomorrow is supposed to be 12. I may, in fact, die.

iconage

I keep not getting around to the substantive posts I mean to make, so this will have to stand in lieu of them.

Some of you may have noticed my abundance of new icons. It’s because I’ve upgraded to a paid account, and can now have 35 instead of 6. I’m slowly filling up the slots; you can see my latest (and cutest) addition on this post, and the rest of them here. (Yes, folks, I finally have a Memento icon, well after I’m done running the game. I put it in there anyway, ’cause I have the space.)

I turn to you, my readers, for assistance in finding/making two new icons. The Long Room pic is my academic icon, but I’d like one for teaching specifically; I’m not sure what I want out of it, but not a generic apple-chalkboard-etc. kind of thing. Maybe something fairy-tale related, since I’ll mostly be using it next fall, when I teach my own course for the first time. Also, I would like an icon for my costuming endeavours, and again, I have no idea what it should look like — a sewing machine just doesn’t seem exciting. Something that reflects my tendency to end up in homicidal rages when I sew? (If you have the capacity to make animated gifs, let me know; I usually don’t favor those, but a montage of me-in-costume pics might be appropriate.)

Maybe a LARPing icon, too, so I can save the Roman d20 for tabletop gaming.

I mean, I have all these slots; I might as well use them. ^_^

Another year of recs

With a day to spare (why do I always leave these so late, even when I know what I’m going to be writing about?), I’ve finished and posted the last of my recommendations for this year. As advertised, it’s the last of the classical “primary sources” recommendations: Virgil’s Aeneid, rounding out the set begun with the Iliad and the Oydssey.

Magic versus Science

Occasionally I write essays for my website, and I decided a while ago that I would start posting them here in first-draft form, thereby to get any commentary people feel like providing, before putting them up on the site permanently. So here’s the first attempt at that.

At the World Fantasy Convention this year, there was one panel titled “The God or the Machine?,” which addressed the division (or non-division) of magic or science. It was, hands-down, the best panel I went to that weekend, because it got me thinking, and left me with useful thoughts. I like entertaining panels as much as the next person, but this kind’s even better.

Let me start with the things that I don’t think usefully distinguish magic and science from one another. (Top of the list is Frazier’s approach, where you’ve got magic when you’re a primitive society, religion when you get a little more advanced, and science when you reach the top. But enough about nineteenth-century armchair anthropology.)

I don’t think it’s useful to say that science works within the laws of nature, while magic violates them. Whose laws? What nature? This view takes modern, rationalist Western science as the default, which is problematic not just on our own planet (where there are plenty of people with other opinions) but in invented worlds, where the laws of nature may be whatever the author pleases. “The supernatural” isn’t a word I particularly like; if it exists, how is it not a part of nature, in the non-environmentalist sense? If it doesn’t exist, then doesn’t “the supernatural” really mean “the fake”? Bleh. Sure, magic may violate the laws of scientific nature, but you could just as easily say science violates the laws of magical nature. A dead-end, to my way of thinking.

Then there’s the idea that magic operates by/is a manifestation of will. While there’s some truth to this, I can poke two holes in it. First, a lot of magic systems require more than just will; even David Eddings’ Belgariad is based on the Will and the Word. Usually you need to do something. Second, isn’t there an element of will involved in science, too? “It is by will alone I set my mind in motion,” Piter de Vries says in Dune, but Mentats are human computers more than magicians. I’m also reminded of Apollo 13, when Jim Lovell says, “From now on, we live in a world where man has walked on the moon. And it’s not a miracle; we just decided to go.” Sure, they had to do more than just make the decision; they had to build things and develop technologies and work out mathematical equations. But so do magicians, much of the time. It may not take as many people, as much time and money and experimentation as the space program did, but both of them are based on an element of deciding you want to do something, and then doing what you have to in order to make it happen.

So what are you left with, at this point? Most of the time, we make the distinction based on trappings. If you chalk a circle on the floor, burn herbs, chant arcane mantras, et cetera, then you’re doing magic. If you take measurements and draw graphs and solve equations, then you’re doing science. Or we distinguish them by their effects: demon-summoning and fireball-throwing are magic, while genetic engineering and lasers are science. But I think we can agree that this is a pretty sloppy way to separate the two.

I never had a good answer to the question until Ted Chiang made a comment, during the WFC panel, that turned on the proverbial light-bulb over my head. He was talking about alchemy, which is a classic case of fuzzy distinction between magic and science; it has elements of both, and sort of slipped from one to the other over the course of centuries. What he pointed out was the idea, once common in alchemy (but lost by the time alchemy turned into chemistry), that the process of alchemical transformation was also a transformation of the alchemist, that the creation of the Philosopher’s Stone was also a process of spiritual refinement.

I thought through the real-world magical systems I have any familiarity with, since I’m of the opinion that any division between magic and science ought to hold true in our reality, not just made-up ones. And it seemed to me that every one I could think of includes some kind of element — call it spiritual, call it moral, call it personal — some element that influences the act based on the actor. Who is performing the steps matters, not just based on their knowledge (whether they do things correctly), but based on some more intangible quality. People are born with magical talent. People undergo spiritual training to acquire magical talent. People can only work magic if their hearts are pure (or foul). People form contracts with other entities which grant them the power to work magic.

Science, on the other hand, will work for anybody who knows what they’re doing and has the right equipment.

If you remove that personal element, making the procedure something anyone can do, then you have science, not magic. Even if it doesn’t obey the laws of science as we know them, it’s imaginary or invented science, not magic. Some parts of alchemy didn’t work in the slightest, but that didn’t stop them from being scientific in their approach. And you could write a very passable world where they do work.

I tend to be utilitarian when it comes to theoretical constructs; for me, the test of an idea is whether or not it clarifies things for me that were muddy before. And in this case, it does. I’ve always had an odd relationship to China Mièville’s Bas-Lag novels; theoretically they’re fantasy, and he says things in various places about thaumaturgical energy and the like, but it never felt quite right to me. I like my fantasy, my magic, to have a numinous quality — but lacking a way to codify what I meant about “the numinous,” it was hard for me to say how and why I found it absent in that setting. Looking at it in this light, I can see exactly what I was missing. When parts of Armada are mining ore that they refine to produce that thaumaturgical energy, when the process can be automated and industrialized, divorced from the people involved, then you can call it by magical terms all you like, but it feels like science to me, not magic.

(Whether or not that means I think his novels are SF instead of fantasy is a complicated question, and one for another post.)

This still doesn’t make the line between the two absolutely clear; alchemy, as I’ve said before, is a good example of something that is neither fish nor fowl. It holds more water, though, than any of the approaches I’ve heard bandied about before.

hah!

I had to get up early this morning to help the boy take his car to the shop, and when I got
home, I couldn’t go back to sleep. I’m sure I’ll crash out in the early afternoon to make up
for it, but in the meantime, I’m awake, and I decided I should be productive (if not on the
things I really should focus on). So there’s now the usual page for “Nine Sketches,
in Charcoal and Blood,” and more to the point, I’ve finally caught up on recommendations! (I
know I’ve been deluging you all with them over the last few days; I apologize for that.) This
time around, in honor of the time of year, it’s Sergei Lukyanenko’s Russian fantasy Night Watch. I’m
fairly certain that’s the first translated fantasy novel I’ve ever finished reading; there’s a
dearth of the stuff in our genre anyway. And that puts me back on track, finally, for the
recommendations, after months of being very, very bad about posting them. (Now all I have to
do is be vaguely disciplined for two more months, and I’ll finish out the year on
schedule.)

two at once

Somehow the month of October slipped mostly by without me making any progress in catching up on my book recommendations. So this afternoon I bit the bullet and did two at once, meaning that for the moment I’m technically not behind at all, and if I can do another by midnight on Tuesday, I’ll be back on track. (Don’t hold your breath.) In the meantime, though, you can entertain yourself with one from way back in August — an overview of the Odyssey — and last month’s novel, Keith Roberts’ alternate history Pavane.

not quite three months behind

Since September isn’t quite over yet, technically I’ve only fallen two months behind with my recommendations. Or rather, I’m now one month behind, but that’ll go back up to two on Sunday, since I doubt I’ll manage another one tomorrow. But I’ve written one (the July one) for Charles Stross’ The Family Trade. It’s more lukewarm than my usual, since I have some personal issues unrelated to the book’s quality, but I think it’s worth taking a look at.

more excerpt, and a contest

One week to go until the official street date for Warrior and Witch. You can now read a sample of Chapter Two online. (Sorry for cutting off where I do, but my contract limits me in how much I can post.)

Also, we return to the land of tuckerizing! The deal is the same as it was with Doppelganger: be the first person to e-mail me a picture of Warrior and Witch in a store, and I’ll name a character after you in the urban fantasy I’m working on. (You’ll probably be a senator or representative.) And even if you’re not the first, I very much appreciate reports (with or without pictures) of sightings in different places. Go forth, and find my book!

excerpt and other goodies

If you’ve read Doppelganger already, then check out the page on my site for Warrior and Witch, newly updated with all kinds of goodies — including the first chapter of the novel! It’s the revised version of what got printed in the back of the first book, and next week (one week from street date!) I’ll be adding a section from the second chapter.

If you haven’t read Doppelganger already, then please don’t follow either of those links, as they lead to spoilers that make Baby Jesus cry. Go read the first book instead.

Patrick O’Brian in Mid-Air

I’m sure three-quarters of the people reading this journal have already caught at least some of the hoopla over these books, but I finally got around to reading Naomi Novik’s elegant alternate Napoleonic novel His Majesty’s Dragon. Short form: think Patrick O’Brian, but on dragon-back. My recommendation for it (and its subsequent series) is up on my site.

May is up

I’m back on schedule! The recommendation for this month (and it really is this month; I’m not behind any more) is John Myers Myers’ novel Silverlock. As a teaser to lure you into clicking on that link and finding out what the book is about, I have this to offer: how many novels involve a guy who variously calls himself Golias, Taliesin, Amergin, Demodocus, and Orpheus singing, in Heorot (and in properly alliterative Norse verse), the epic saga of the Alamo?

Forward Movement

As Amazon has finally posted the cover image for Warrior and Witch, and Doppelganger has been out for over a month, I took some time to update the sequel’s webpage with things like the back cover copy. SPOILER WARNING: do NOT go look at that page if you haven’t yet finished the first book.

The revisions I promised my agent got sent off yesterday, so you know what that means? Yes, little chickadees — it means it’s time for me to make good on my promise to Kit that I would pay attention to him soon. Stupid amounts of research for not a very long story, here I come. (Again.)

catching up

I’m making good on that promise to catch up with my recommendations.

For those who are new to my journal, a quick story. Last year, finding that my spare time for reading was scanty enough that maintaining a monthly fiction recommendation was getting hard, I set aside three months of the year (April, August, and December) for “primary source” recommendations (or folklore recommendations, as I call them on the page). My reason was that these sources are the bedrock on which fantasy is built, but few people seem to read them. And I particularly wanted to bring them to the attention of fantasy writers, since the genre as a whole will be well-served if its people familiarize themselves with something more than an adaptation of an adaptation of an adaptation, the way it so often seems to go. (Tobias Buckell has a good piece on this called “Original Source Creativity,” though at present I can’t find it on his site.)

Last year’s primary sources were Beowulf, The Canterbury Tales, and the Old Testament — three foundational works with a profound effect on English literature. I like the idea of organizing these around a theme, so this shall be the Classical Year, opening with the Iliad.

And with that, I’m back on schedule, provided I can get something posted for May in the next twenty-three days. That should be manageable, right?