The most recent New Worlds Patreon post is a bonus one, focusing more on the concepts in worldbuilding rather than the content — in this case, liminality, as we approach the liminal moment of turning from one year to the next.
And since I think I forgot to link to last week’s post, go back and read about residence patterns if you missed it before!
A fairly busy year for me, all things considered. And a reminder that I need to go through my bibliography page and clean up all the things that still say “forthcoming” when they’re already out.
Novels
Novellas
Short stories
Collections
Nonfiction
Gaming fiction
As has been my wont, I participated in the Yuletide fanfic exchange this year, and has been my habit, I wrote four fics for it — my assignment, and three treats. If any of you currently reading your way through the archive would care to guess at my offerings, I will give you the following clues:
Any guesses?
Let’s talk about Star Wars and The Force.
Episode III, Revenge of the Sith, forever changed the way I think about the Force — in a fashion I’m still not convinced that George Lucas intended. You see, I walked out of the movie theatre convinced that this whole “light side” and “dark side” business is just Jedi propaganda. There are two sides . . . but they aren’t innately moral. There is simply the path of attachment, which gets called the dark side, and the path of detachment, which gets called the light side. And both of them can lead to good or to evil.
What persauded me of this? It’s been long enough since Episode III came out that I probably don’t need to put the answer behind a cut-tag, but just in case — and because I’m headed toward The Last Jedi spoilers, and because I’m about to get wordy again — I might as well.
So I saw The Last Jedi, and I liked it. I have to agree with Scalzi that it’s a good thing we got Rogue One before this: not because there’s a direct narrative connection between them, but because that film established precedent both for Star Wars movies that don’t quite have the Joseph Campbell feel, and for Star Wars movies that are dark without being grimdark.
The purpose of this post is to unpack that last bit. Which I’ll mostly do behind a cut-tag, to avoid spoiling those who haven’t seen the film yet (and also because dear lord, self, wordy much?), but out here I’ll say that what I mean by “dark without being grimdark” is that there’s never a sense of cynicism about the whole thing. Trust is not folly; honor is not a lie; it is possible to win and not always regret it afterwards. What The Last Jedi does is acknowledge that war has a cost, and you can’t have a Rebellion or a Resistance without risking, and often suffering, real loss.
Ah, you say, but didn’t The Empire Strikes Back establish precedent for dark Star Wars movies, long before Rogue One came along?
Yes and no. Let’s go behind the cut-tag.
The dust is settling at Patreon, with the planned changes to their fees taken off the table (hallelujah!). And so I continue with the New Worlds series, with the latest post covering fictive kinship — the ways someone can be family without being related by blood. Comment over there!
The most recent Patreon post is “Third Cousin Twice Removed”, about kinship terminology and which categories we differentiate or don’t.
For those who haven’t heard, Patreon is planning to institute some changes in how they handle the processing fees for pledges. Unfortunately, their plan for doing this involves charging the fees to patrons — which is especially bad for people who have made a lot of small pledges, since (for example) each $1 pledge will actually cost $1.38. Patreon creators are pretty united in saying this is a bad idea, since it’s already causing people to reduce their pledges or cancel them entirely; if you want to speak out against it, there’s a petition you can sign, or you can send a comment to Patreon directly via Zendesk (note that you’ll need to register at the end of the process for your message to go through). I encourage you to do this; the messages I’ve gotten from Patreon indicate that public pressure may already be having an effect, so let’s keep it up.
I haven’t said much here about my work on the current novel — the one that’s a followup to the Memoirs — in part because it is so unlike the process of writing any other novel so far, I’m too busy figuring out what I’m doing to spare much attention for reporting in.
But hey, it’s useful to talk about what happens when you write a Totally Different Kind of Book. So here goes.
If you’d like to order a photograph for someone on your holiday list (or for yourself! that’s okay, too!), my galleries are here! Aaaaaand, I have finally gotten off my duff and finished editing my pictures from the Okinawa trip this summer, so there are three new galleries: one for the trip as a whole, and then specific ones for the former royal estate of Shikina-en and one for Gyokusendo Cave.
Depending on where I order the print from, I can get it done on pretty much any medium you like: paper, glass, canvas, wood, aluminum, acrylic, etc. Sizes are flexible, too. If you’re interested, drop me a line!
Just a quick reminder: if you’d like to get one of my books signed for the holidays, Borderlands Books can help you out. Get in touch with them, place an order, and then they’ll let me know and I’ll go up there to take care of it.
But act fast! It’s a hike for me to visit the store, so it might take a week or so for me to arrange a time when I can swing by.
I’m a solar-powered creature and don’t much like the darkness of winter, but I love the symbolism of this season: the rekindling of light in the darkness. It is, in a sense, our yearly miracle, and the fact that it’s caused by the elliptical orbit of the earth around the sun doesn’t make it any less magical to me.
We are now one year into my monthly series of tikkun olam posts. (Linked to the DW mirror because that’s where the most responses have been happening.) The darkness, as always, seems like it will go on forever. But if we’re to turn the corner and head back toward a brighter world, it won’t happen automatically; it takes effort, and the more of us who try, the faster it will go.
Tikkun olam: repairing the world. Volunteering, donating, performing acts of kindness. Whatever you have done in the last month to make the world a better place, whatever you have planned for upcoming days, share it here. You don’t have to apologize for not doing more or deprecate what you’ve done. Sometimes we’ve got more in us; sometimes we’ve got less. But anything is greater than nothing, and so anything, however small, is worth counting.
Over on the New Worlds Patreon, my theme for December is going to be kinship — the anthropological term for “family,” and a favorite subject in the field. We start with lineage, including a discussion of how people often misunderstand what matrilineality means. Comment over there!
The last November post for the New Worlds Patreon covers dining customs! How do you eat? When? Where? And with whom? All interesting questions to consider . . .
Okay, so the last time I posted about what I’d been reading was in February, at which time I noted that I’d fallen out of the habit of book-blogging and wanted to get back into it. Welp, clearly I fell right back out again.
My log for 2017 is not complete, I know — I failed to log things in my file as well as write about them here. And it will be even less complete as I exclude various things like my own work (re-read for editing purposes), things I’ve read for review or critique, things I’ve blogged about already, and the pile of folkloric epics I’ve been reading for research (the Epic of Gilgamesh, the Mahabharata, the Popol Vuh, the Kalevala, the Táin Bó Cuailnge, and a very abbreviated rendition of Journey to the West). But it’s still a decent pile, so let’s get started.
Have you ever given much thought to your kitchen, and how you would keep yourself fed without one?
Whether the answer is yes or no, come along to the latest New Worlds Patreon post and read all about kitchens!
This week on the New Worlds Patreon, I delve into things like the Columbian Exchange and how thyme used to be exotic to American cooks with a discussion of local and imported food. Comment over there!
I’m delighted to have another short story in Beneath Ceaseless Skies this week, and honored that Scott Andrews chose mine to be the 500th story published in the magazine. Go forth and read “The Şiret Mask,” aka Ten Pounds of Caper in a Five-Pound Sack! Or listen instead, if that’s your preference. And I hope you enjoy it half as much as I enjoyed writing it!
The past: Ars Historica is on sale now!
The past is prologue . . .
Kit Marlowe. Guy Fawkes. Ada Lovelace. Kings and sailors and sainted nuns populate these seven stories of historical fantasy by award-winning author Marie Brennan. They span the ages from the second century B.C.E. to the nineteenth century C.E., from ancient Persia to the London of the Onyx Court. Discover the secret histories, hear the stories that have never been told — until now.
The future: if you are able to vote today, please do.
The New Worlds Patreon launches into November with a discussion of where food comes from — and hint, the answer isn’t “the grocery store.”
If you’re NaNoWriMoing this year, check out the archives for fodder to feed your muse! And share it with any friends who might be interested. If you like what you see, consider becoming a patron: you a choice of rewards ranging from weekly photos to bonus essays to a chance to request posts, get feedback on your own work, and more.
Since a number of people seemed to like my previous post about TV shows I’ve been watching, I thought I might as well do a second one. This isn’t all stuff I’ve watched in the interim; quite a lot of it is stuff I watched before, and didn’t remember when I made that first post.
Powerless — another exhibit for the display case of “things I like get canceled,” this was a short-lived show about ordinary people in the DC world, set at a division of Wayne Enterprises responsible for making products to protect people against the fallout of the superheroic battles all around them. I’m a sucker for that kind of premise, and the characters were reasonably engaging; I enjoyed this even though the half-hour comedy format is one I often bounce off. But they didn’t even get to air all of their filmed episodes before the network pulled the plug.
Emerald City — speaking of things that got cancelled . . . man, this one was weird. I’m not even sure what I think of it. Is it good? Is it bad? All I know is, it had me intrigued. I initially dismissed it as “let’s grimdark up Oz,” but that sells the show short. There’s some fascinating worldbuilding around how witches fit into the setting, with the Wizard trying to suppress and control magic in favor of science, and I think I’d have to watch the show again to say for sure whether I think it did an interesting job delving into the complexity of a conflict where both sides have their points, or was just so muddled it couldn’t figure out what it was trying to say. Lots of great visuals, though, and I really liked the actress playing Mistress West.
The OA — speaking of weird-ass things . . . I really liked this one until very near to the end. Then it fell into one of my least favorite pits, which is the trick of going “is this stuff real or is the character just crazy?” And then it tried to waffle back from that edge, and bah, it kind of fell apart. But they’re apparently doing a second season? So I may give it a try. The premise is that a blind girl reappeared after going missing for years, and now she has her sight; she will barely talk to her family about what happened, but she gathers a group of random people together and tells them her story over a period of many nights, saying that she needs their help to rescue someone. I found all the flashback stuff about her absence surprisingly compelling, which is part of why I was annoyed when the show tried to pull that rug out from under me. It also didn’t help that the climactic bit of the final episode wound up looking a bit too much like a flash mob performance — I just couldn’t take it seriously, even though I’d liked that element before.
Travelers — like The OA, this is a Netflix show. People are sent back in time to try and prevent the calamity that created their future; it’s a common premise, but this one has several twists. To begin with, only their spirits are sent back, and they can only occupy the bodies of people who are about to die. Also, there are quite a lot of them, being inserted into the timeline in different positions where they might be able to influence events, receiving orders sent from the future . . . which sometimes conflict or change without warning, because the future has its own politics going on, complicating the lives of the “travelers.” I liked the dynamics that created, and I liked that the historical records used to decide where to send the travelers are not always accurate; one of the main characters finds himself in the body of a heroin addict, with all the associated complications, and another discovers that the entire known persona of her host body was pure invention, made up as part of a social therapy exercise. This also will have a second season.
People of Earth — haven’t seen the second season of this one yet. Another half-hour comedy show, this one about a support group for people who believe they’ve been kidnapped by aliens. It’s frequently surreal, but does a great job with the social dynamics of the group — and with the social dynamics of the aliens, who are in fact 100% real, and have their own workplace woes. It got surprisingly dramatic in a few places, which is part of why I liked it.
Riverdale — ALL THE DRAMA. Initially this looked like they grimdarked the Archie comics, and they sort of did, but the better comparison might be Veronica Mars. It starts with a murder and revolves around the characters trying to figure out whodunnit, with several heaping shovelfuls of over-the-top family twistedness — seriously, the Blossoms read like something straight out of V.C. Andrews. Competition for the title of Worst Parent in Riverdale is fierce, yo. But kudos for the writers apparently deciding that they really aren’t interested in the Archie/Betty/Veronica love triangle, and especially aren’t interested in making Betty and Veronica catfight over Archie. In fact, the younger generation are overall much better people than their parents are.
The Gifted — just started this one. Dystopian end of the X-Men universe, with the actual X-Men gone and mutants subject to horrific laws. It feels more than just a wee bit topical these days, especially since a number of the leading mutants in the story are people of color, and then you’ve got the white family whose father used to be on the enforcement side of that divide until his own kids turned out to be mutants, so now they’re finding out how the other half lives, so to speak. Not a cheery show, but I like the characters so far (three eps in).
Stitchers — watched more than a season of this, but drifted away when I realized I wasn’t all that invested. Core premise is silly SFnal cheese: a secret government agency has figured out how to hack into the brains of recently-deceased people and read their memories (in fragments) to solve their murders. But other than that it’s basically a police procedural with a layer of metaplot on top. It was fine to put on in the background while I did other things, but eventually I decided that if I wasn’t going to pay attention to it, I might as well stop.
Continuum — ditto this one, though I didn’t get in as far (I think only four or five eps), and might give it another shot, especially if anybody here recommends it. More time travel, but the characters didn’t engage me as much as the ones on Travelers did.
Once Upon a Time — this was my background show for a good long while. It’s . . . not actually good? And continually frustrated me by its common failure to actually get full value out of even its good ideas? I was basically there just for Hook, and that mostly because Alyc used him as the casting for an NPC in the game she’s running. But even with him, there was so much narrative potential left on the table — in part because this is the show that made me realize I’m getting very tired of the “dual timeline” format, flashing back and forth between Then and Now. Not only does it produce weird constraints on account of the writers trying to cram more and more into the backstory, but it means that any given episode can only devote half of its attention to either Then or Now, with the result that they’re both underdeveloped.
Quantico — speaking of the current ubiquity of the dual-timeline format. This show can be summed up to L5R fans as “what if the Kitsuki Investigator school was actually run by the Scorpion?” Toward the end of season one it got too over the top for my taste, and of course I doubt this bears any resemblance to actual FBI training. On the other hand, I loved how many women of color were in it, so if that’s a selling point to you and you don’t mind recrackulously over-the-top drama, check it out.
