More like a joke on myself?

The other day I commented on Twitter that I’d written 6000 words that day: 2500 words of what I needed to be working on (Night Parade), and 3500 of surprise!fanfic for one of my own damn novels.

And I do mean fanfic, in the sense that the story I produced isn’t trying to do the things an independent short story would do. It will mean very little if you haven’t read the novel (and contain egregious spoilers to boot), and the conflict it’s resolving — at least in part — starts well outside the bounds of the story itself. So it’s not the kind of thing I could ever attempt to sell.

Ergo, the natural thing to do is post it online as a freebie.

And if I’m going to do that, I might as well post it on April Fool’s Day. Not because it’s some kind of bait-and-switch on you guys, but because what better day to share Oops, Accidental Fanfic?

So in congratulations for surviving March, and to provide a bit of entertainment as we go into April, I give you “The Long Fall,” a post-canon fic for Turning Darkness Into Light. WARNING: CONTAINS MAJOR SPOILERS.

(Also, side question for people who know fannish etiquette better than I do: would it be weird for me to post this to AO3? I haven’t made any secret of the connection between my pseud there and my professional identity, and I don’t know whether having me show up in my own fandom would feel out of place. It might be one thing if there were a hundred fics for the Memoirs, but as of now, there’s a whopping eighteen.)

about the Clarion West workshops

My apologies to everyone who wasn’t able to get into any of the free workshops Clarion West is offering. There was an initial delay, and then some technical difficulties that appear to mean people on certain browsers could see the registration links but others couldn’t, plus the overall demand was so high that courses filled up more or less instantaneously. I know a lot of people are disappointed.

The good news is, the CW staff are now aware of how much interest there is in this stuff, and are working to both set up future options and make sure it runs more smoothly next time. Apparently they were already intending to start offering more online options (since not everybody can travel in-person to their one-day workshops); the current situation just made them step up their timetable, is all. So if you weren’t able to register for the things that interested you, there will be more opportunities in the future — including my own workshops, because like CW, this is something I was thinking about doing anyway.

FREE Clarion workshops!

The Clarion West Writers’ Workshop is taking the extraordinary step of offering free online writing workshops for the next several weeks. (Extraordinary because they’re still paying the instructors, but not charging the students.) I had a splendid time teaching an in-person workshop for them last month, so I’m diving in to do a series of worldbuilding workshops inspired by the New Worlds Patreon. There will be four of them, each independent of the others, meaning that you only need to sign up for the one(s) that interest you. It’ll be first come, first served, with registration opening on Friday, March 27 at 12pm PST. The current list of workshops is here, so if any of them pique your interest, mark your calendars now!

I know that isolation is hard . . .

. . . but early data shows encouraging signs that it makes a substantial dent in the spread of the virus.

Not just that, but the Washington Post’s outbreak simulator visually demonstrates that a strong “social distancing” policy is the most effective strategy we’ve got.

So keep it up, y’all. I know it’s difficult, and I know there are knock-on problems for the economy and so forth, and none of us really know yet how all of this will end — at what point we’ll be able to go back to normal life. But right now, it’s doing good. It’s saving lives. It’s buying time for us to test antivirals and develop vaccines and manufacture more needed gear like masks, sanitizer, and medical equipment. It is doing exactly what it’s supposed to: flattening the curve, so that the impact of this gets spread out, and we don’t buckle entirely under the hit.

Stay safe, and keep others safe, too.

Need some distraction?

Following in the footsteps of a number of other authors, I’m offering a free ebook to anybody who wants one, because we’re going to need a lot of entertainment in the next few weeks of quarantine. To get one, all you have to do is drop me a line through this form and let me know which book you want EDIT and tell me which format! (Epub, for most readers, or mobi, for Kindle.) Nota bene: I can only provide books that are actually under my control, which is to say, my solo Book View Cafe titles. Those are as follows:

And now for something completely different

I could talk about how the Bay Area is officially going under a “shelter in place” order for the next three weeks, and the surreal sight of my local grocery store completely denuded of flour, rice, chicken, and other staples . . . but you know what? My brain is desperate for other material right now.

So! Please recommend to me what you consider to be the best recorded performances of each of Shakespeare’s plays. I do mean each: not just the ones that have been done a bunch of times, like Hamlet or Romeo and Juliet, but anything for which Shakespeare’s authorship is moderately certain. Cymbeline? The Winter’s Tale? Movies, TV miniseries, filmed stage performances, any of those are fine, but not adaptations that use the plot without the script (e.g. 10 Things I Hate About You).

This question brought to you by me thinking, hmmmm, I’ve written some Shakespeare fanfic for Yuletide — I wonder if I could sell some short stories in that vein? I need grist for the mill, basically.

(And feel free to pass the link to this post along to anybody who might have recommendations.)

Beware the Night Parade!

Hey, remember when I wrote a novella for Legend of the Five Rings?

Now I’m writing a novel for them. 😀

To my great surprise, despite the abundant evidence that some of the past writers for L5R had read extensively in Japanese culture and folklore, nobody seems to have ever done anything with the Night Parade of One Hundred Demons. So when I was told that Asmodee, the parent company for L5R, was starting up a fiction imprint for (among other things) game-related titles, and that they were interested in having me write a novel for them, my mind gravitated more or less instantly toward this concept. (Me? Make a beeline for the folklore thing? Strange.)

This is actually what I’m drafting right now, so it’s nice to be able to talk about it! The book is currently slated to come out in January of next year, so you won’t have to wait too long . . .

New story at Daily Science Fiction!

Half an hour before the end of 2019, I got an email notifying me that the magazine Daily Science Fiction wanted to buy my flash story “Cruel Sisters” (available to read for free at that link) — a story which may be glossed as “that continuity error had bugged me for years, thanks a lot, Loreena McKennitt.” Except it’s actual thanks now rather than sarcastic, because in the end I got a story and a sale out of it.

New Worlds: Legal Systems

I’ve been putting off tackling the topic of law in the New Worlds Patreon for about three years now, because it’s so complex and interwoven with other things. But I finally made myself put it into the poll, and my patrons voted for it, so as a law-abiding Patreon creator, I have obeyed their wishes. Starting with the basics of legal systems — themselves rarely the direct subject of fiction, but a necessary foundation for what comes after. Comment over there!

I aten’t dead

I am resurfacing to let you know that “From the Editorial Page of the Falchester Weekly Reviewfinally has an audio version! Brought to you by the lovely folks at Cast of Wonders, including the inestimable Alasdair Stuart, who does a splendid turn as Mr. Benjamin Talbot, F.P.C.

In the meanwhile . . . yeah, it’s been dead around here, hasn’t it? In early February I went to Seattle to teach a one-day workshop at Clarion West on writing fight scenes, and while I was there I seem to have picked up a cold that knocked me flat for a solid week. When I picked myself up from that, I found out a hacker had apparently compromised my laptop, necessitating a complete re-OS for security. I’m still in the process of getting everything set up again after that. And then — because February was a month, let me tell you — somebody attempted to steal the catalytic converter out of our Prius while my husband and I were at the dojo. They didn’t succeed, possibly because they got scared off . . . but they sawed through a hose and partway through the exhaust pipe. So now we’re waiting to hear from insurance whether the repair bill would be high enough to warrant just totaling the car.

Yeah.

Now, I should make it clear that this is not an apocalyptic problem for us. We’re annoyed, because the Prius has been trundling along pretty well for going on thirteen years now; it’s long since paid off, and life without making regular car payments has been nice. We can afford to make new car payments, though, and I think my husband’s irritation is tempered by the possibility that we might go from having a hybrid to a fully electric car (something he’s been keeping his eye on for a while, though we weren’t intending to buy any time soon). Still — it isn’t fun.

And my February was really not as full of productivity as it probably needed to be. So if you’ll excuse me, I need to go attempt to make March better on that count.

Online version of the Writing Fight Scenes workshop!

I know that some people who were interested in my fight scenes workshop weren’t able to make it out to Seattle this past weekend. I have good news for you: I’m teaching an online version this upcoming weekend! From 1-3 p.m. Pacific time (4-6 p.m. Eastern), through the Rambo Academy for Wayward Writers. To register, send an email to catrambo@gmail.com saying you’d like to sign up for this one, and telling Cat whether you would prefer to pay via Paypal, Venmo, or some other route; whether or not you are a former student or Patreon supporter of hers; and how you heard about Cat’s classes. There are also three scholarship slots available, if you are unable to pay — details at that link. (Note that she particularly encourages QUILTBAG and POC people to apply.)

New Worlds: Toys

Another month, another theme for the New Worlds Patreon! To kick off our spin through leisure activities, we’re starting at the young end, with toys for children. Or, y’know, objects “for ritual use.” Depending on how much the archaeologists are throwing their hands up into the air and shrugging. 🙂

Comment over there!

Books read lately

I keep falling out of the habit of recording what I read, much less posting about it — the last such post covered my reading from August of last year. But I remember some of the things I’ve been reading, and an incomplete booklog is better than nothing, so.

A Golden Fury, Samantha Cohoe. Sent to me for blurbing purposes. Historical fantasy focused on alchemy, with a very interesting spin on the Philosopher’s Stone and what it really means. The beginning was fine, and then the story hit a point where it really took off for me — I inhaled quite a bit of it in the space of about a day. Ultimately I was left with a few questions about how the logic of it all hung together (there was an instance of someone being uber-selective about a thing for unclear reasons, to seemingly counterproductive result), but I enjoyed the overall tale a fair bit.

A Hero Born, Jin Yong. Read for review in the New York Journal of Books. This is the first in a projected four volumes translating the Chinese wuxia novel commonly known in English as Legend of the Condor Heroes, which I think might be compared to The Lord of the Rings in terms of both the author’s erudition and the popularity of the work. Reading it is kind of a fascinating experience, because I’m very accustomed to seeing the visual manifestation of these ideas, but have read relatively little of them in prose format. It is also not remotely paced like a modern Western fantasy novel — for example, one hundred and six pages into the story, one of the two main characters is finally born. A lot of page count is devoted to describing the characters’ various battles, which means the amount of actual incident is fairly small for the length of the book. But I’m very glad to get this translation, and hope to review the future volumes, too.

China’s Golden Age: Everyday Life in the Tang Dynasty, Charles Benn. I love this kind of book. Benn is no Liza Picard, but then again few people are, and as overviews of a specific (albeit long) period go, this one is both specific and comprehensive. It’s clear he’s drawing from a lot of primary sources, because there are all kinds of incredibly random details about various incidents that happened in various locations, of a sort you would only cite if you read something that said, yep, this definitely happened.

Heroine Complex, Sarah Kuhn. Second book of her series about Asian-American superheroines in San Francisco, this time focusing on the character of Aveda Jupiter, aka Annie Chang — and I put the names in that order on purpose, because much of Aveda’s problem is that she really, really would like to forget that she’s normal human Annie Chang underneath it all. It’s frustrating to watch her spending most of the book doubling down on her errors (hint: the way to repair your relationships with the people around you is not to recommit to pretending you have no squishy vulnerabilities and in fact have never even met such a thing), but it’s clearly in service to her eventually getting past that mistake.

Crown Duel, Sherwood Smith.
Court Duel, Sherwood Smith. Listing these two together because I read them in the Book View Cafe edition (which is also the Definitive Edition). I can see why it is both a duology and a unified story; although ultimately there’s a single struggle going on, the first half of that struggle is carried out in a very different fashion (more warfare-oriented) than the second half (more politics-oriented). Which is, among other things, a nice antidote to the idea that all you need is a good climactic battle to settle things: here that’s just the midpoint of the process of achieving change.

Order of the Stick: Dungeon Crawlin’ Fools, Rich Burlew.
Order of the Stick: No Cure for the Paladin Blues, Rich Burlew.
Order of the Stick: War and XPs, Rich Burlew.
Order of the Stick: Don’t Split the Party, Rich Burlew.
Order of the Stick: Blood Runs in the Family, Rich Burlew.
Order of the Stick: The Origin of PCs, Rich Burlew.
Order of the Stick: Start of Darkness, Rich Burlew.
Order of the Stick: Snips, Snails, and Dragon Tails, Rich Burlew.
Order of the Stick: Good Deeds Gone Unpunished, Rich Burlew. Re-reads for all but the final title listed here. I spent much of late November and early December mainlining the collections of The Order of the Stick for my Yuletide story, but it also served as a good refresher before Burlew launches into the final arc of the series. I, uh, had pretty much forgotten Blood Runs in the Family. Like, to the scale of “they went to the desert? For a whole book? Ohhhhhh, right — yeah, the stuff with Gerard Draketooth.” Not because it wasn’t memorable, but because it was so long ago that I read it. Given the incredible gut-punch that volume delivers to one of the characters, I’m a little embarrassed that is slipped my mind.

A Declaration of the Rights of Magicians, H.G. Parry. Read for blurbing purposes. This is the first half of a historical fantasy duology set in the late eighteenth century, and it manages to pack both the French Revolution and the Haitian Revolution in, while also covering what was happening in Britain at the same time, because those things are very interconnected. I felt like the Haitian end got a little short-changed here, maybe in part because of viewpoint choices: the British and French ends follow some very famous individuals like Pitt the Younger, William Wilberforce, and Robespierre, but the Haitian end doesn’t follow (say) Toussaint L’Ouverture. Instead our viewpoint there is a female character who is, so far as my research has been able to turn up, invented for the story — and while she interacts with Toussaint et alii, it makes for a different, and more distant, angle on the events. But I also have the feeling we’ll see more of Haiti in the second half of the duology. Meanwhile, Parry does an excellent job of making the historical figures feel like real people rather than animated wax models. And it’s no small achievement, packing fifteen years of history into a single novel.

Jurassic Park, Michael Crichton. Re-read for research purposes, because I’m noodling around with an idea that would have some of the “trapped on a dangerous island and there’s a ticking clock for getting to safety” feel to it. I last read this when it came out, soooo, like thirty years ago? Criminy. The concept remains an excellent one, but the book version spends much more time on build-up than I remembered, with lots of one-off looks at the situation through the eyes of various minor characters. I had also (mercifully) forgotten how badly it did by its female characters: Ellie Sattler’s face-off with the velociraptors is good, but I could have done without every male character ogling or commenting on her legs, and Lexie basically does nothing but cause problems or make existing ones worse. Dennis Nedry is also pretty much the walking stereotype of the fat, greedy, computer nerd slob — and unfortunately, while I remember the film doing better by the women, I don’t believe they changed him at all.

Daily Life in Ancient Mesopotamia, Karen Rhea Nemet-Nejat. Speaking of not being Liza Picard . . . it took me ages to get through this book, even though I love daily-life stuff, and at first I thought it was because Nemet-Nejat’s writing is very dry and factual, with little to no authorial personality coloring anything (apart from mentioning one artistic motif being repeated “ad nauseam”). Then I thought it was because it’s covering such a huge span of time. But while both of those things are part of it, ultimately I think the problem is that nothing here flows: a paragraph will start off with a line about X, but then the rest of the paragraph has to do with Q instead, and then the next paragraph is about V. So all the information in it winds up feeling disjointed, which makes it hard to maintain momentum while reading it.

Kingdom of Souls, Rena Barron. I liked the setting and concept of this one (which are based heavily on African inspirations, and I think specifically West African), especially the part where it avoids simplistically saying “Group A good, Group B bad.” But I had flow issues here, too — things like certain bits of exposition feeling like they arrived in the wrong place, or revelations at the end being insufficiently set up, or the narrative spending lots of time on interstitial bits and then very little on climactic moments. I also realized three-quarters of the way through that the protagonist had accomplished almost nothing meaningful: most of the things she attempts to do fail, and the ones that succeed rarely seem to have any significant effect on the trajectory of the plot. It’s possible to write a story that specifically explores helplessness or constraints on agency, but it didn’t feel to me like this was trying to be that story; it just felt like the gears never quite meshed.

Emerald Empire. This is the fifth-edition setting book for the Legend of the Five Rings RPG. Most of its content is already familiar to me (through my familiarity with fourth ed), but I decided I should read it properly to familiarize myself more thoroughly with the places where the new owner of the game has changed things. Most of those places have to do with the spiritual and religious side of Rokugan — toning it down from the “everything is Tainted and shugenja are basically wizards” feeling AEG fell into and instead making things more nuanced, subtle, and integrated with the rest of daily life. Which I appreciate.