Mitt Romney, Bubble Boy

In light of Romney’s self-inflicted gut wound this week, I find myself dwelling on this piece by Jeremiah Goulka, about how and why he ceased to be a Republican.

The enormity of the advantages I had always enjoyed started to truly sink in. Everyone begins life thinking that his or her normal is the normal. For the first time, I found myself paying attention to broken eggs rather than making omelets. Up until then, I hadn’t really seen most Americans as living, breathing, thinking, feeling, hoping, loving, dreaming, hurting people. My values shifted — from an individualistic celebration of success (that involved dividing the world into the morally deserving and the undeserving) to an interest in people as people.
[…]
My old Republican worldview was flawed because it was based upon a small and particularly rosy sliver of reality. To preserve that worldview, I had to believe that people had morally earned their “just” desserts, and I had to ignore those whining liberals who tried to point out that the world didn’t actually work that way.

Goulka says a lot more, going into detail about how Hurricane Katrina and the Iraq War pried the scales from his eyes, but that’s the part that I keep thinking about — because it’s the only way I can make sense of Mitt Romney.

I think the man has spent his entire life in a socio-economic bubble so hermetically sealed that he doesn’t even realize the world outside it exists. That’s how he can see forty-seven percent of this country as moochers selfishly glued to the governmental teat, shirking personal responsibility while the virtuous men of his class keep the country going. That’s why he thinks people making two hundred thousand dollars a year are middle class; that’s why he can say, with a straight face, that he “inherited nothing.” By his standards, those statements are true. But his standards are so skewed, the skew has completely vanished from his field of vision. He’s a poster boy for privilege: carrying so much of it, and so utterly blind to the knapsack on his back.

And it means that when he opens his mouth around people from outside his bubble, he comes across as a condescending dick. It’s happened again and again on the campaign trail, despite what I presume are the best efforts of his handlers to teach him less counter-productive habits; it happened on a massive scale at that fundraiser, because he never meant those words to be heard by the hoi polloi. It happens when they send Ann out to be his surrogate, because she’s been living in the same bubble, a world where she and Mitt were “struggling to make ends meet” back when they were living off his stock portfolio.

During the 2008 campaign, I remember somebody writing a cute post wherein they pretended the presidential election was a piece of fanfic, and criticized it for Obama’s Mary Sue qualities and the OOC way John McCain was being written, betraying all his principles in a cynical bid for the win. If 2012 were a workshop story, I’d be bleeding ink all over the page, lambasting the writer for saddling the Republican party with such an unrealistic caricature of arrogant, wealthy, self-interested self-absorption as their candidate. Because even when I can explain Mitt Romney, I have trouble believing that this really what we’ve ended up with.

Writing Fight Scenes: Smooth Moves

[This is a post in my series on how to write fight scenes. Other installments may be found under the tag.]

I’ve said before that you don’t actually have to give a blow-by-blow description of your fight in order to write a good scene, and in fact you often don’t want to. Going into detail slows the action down and risks confusing a reader who can’t visualize the movement very well.

But sometimes, at key moments, it can be good to describe specific moves. The sequence that leads to somebody being killed or disarmed or knocked to the ground can be worth focusing on — a brief snapshot that shows a character’s desperation, competence, etc. So let’s talk for a moment about how you can work that out, even if you don’t have a lot of training.

Warning: it involves looking like a complete weirdo. 🙂

Kids: try this at home!

things I have forgotten

Dynamics.

Oh, I remember what they are. Pianissimo, piano, mezzo-piano, mezzo-forte, etc. But what do they sound like? How quiet is mezzo-piano? How much louder than that is mezzo-forte?

I know this is a matter of interpretation, not actual decibels. But I’ve lost my sense of proportion for such things. And it’s even more complicated when you’re playing a digital piano: this thing has a volume knob and you can adjust the touch, so what constitutes quiet vs. loud depends not only on what I do with my hands, but what settings I’ve got the instrument on. It’s going to take me a while before I re-develop my feel for the dynamics of the pieces I’ve been playing.

Also, I should mention in passing that I didn’t realize how accustomed I was to playing pieces out of instructional books until I started playing lots of new-to-me music that doesn’t have suggested fingerings marked on the page. <g> Howard Shore is a particular challenge on that front, or rather whoever arranged the Lord of the Rings score for piano is.

But I’ve had the Precious for nearly a month now, and I’ve played it virtually every day (barring when I was in Boston this past weekend — and even then, I managed to play a different piano one afternoon), so I think it’s safe to say that I’ll get plenty of practice in the months and years to come. 🙂

Lies and Prophecy

There are three kinds of lies: lies, damned lies, and prophecy.

Kim thought majoring in divination would prepare her for the future. But even with her foresight warning her of trouble, she’s taken by surprise when an unknown force attacks Julian, her enigmatic classmate and friend. Her gifts can’t protect him against further attacks and an inexplicable string of disappearances . . . and if she’s reading the omens right, Julian isn’t the only one in danger.

Kim knows she isn’t ready for this. But if she wants to save Julian — and herself — she’ll have to prove her own prophecies wrong.


Ladies and gentlemen, may I present my Book View Cafe debut?

Lies and Prophecy is, as anyone who has been reading the “Welcome to Welton” scenes will know, an urban fantasy set in a version of our world where about half the adult population has active psychic gifts. (At least, “urban fantasy” is the short description for it. I have sometimes been known to refer to this book as “near future alternate history mildly post-apocalyptic semi-YA urban fantasy with some mystery and romance in and maybe a smidge of science fiction if you squint right.” But they don’t really have a category for that.)

It is also available for purchase! You can buy directly from BVC, in both epub and mobi formats, suitable for iPads and Nooks and Kindles and so on, or whatever your e-book reading device of choice may be. BVC is the best route to go, in terms of benefit to me-the-writer, but if you prefer to order from some other venue, you can get it through Amazon right now, and other e-book retailers in the near future. If you prefer a dead tree edition, there will be one of those, too, but that (alas) is going to take a little while longer to happen. I’ll definitely announce it here when that becomes available, though, probably with pictures of me hugging it and squeezing it and generally acting like Gollum.

See, this is the first novel I ever finished. It’s been through more revisions than I can count, over a period of (yikes) thirteen years, but it is still my first, and that means it is very near and dear to my heart. These are the characters that never quite left my head, the story I kept revisiting and refining. And now it is, at last, out there for other people to read. I am more happy than I can say, and I’d like to take a moment to thank the BVC crew in general, and those who produced this book in particular: my cover designer Amy Sterling Casil, my formatter Chris Dolley, my copy-editor David Levine, and most especially Sherwood Smith, who has been my BVC mentor since I first approached her at a con and said “I think I’d like to join your group.”

I’ll have more to say in upcoming days, but for now, I hope you enjoy the book. 🙂

I am an aunt!

Directly, that is, as opposed to by marriage. (I have been an aunt-by-marriage for about two years now.)

A multitude of congratulations to my brother and his wife on the birth of their son.

Welcome to Welton: Kim (11/11)

Earle’s dining hall was a low and sprawling place, claustrophobic enough that I’d avoided it until now. I preferred Hurst, whose floor-to-ceiling windows made it feel more open and pleasant. But Liesel had recruited me for a social project tonight, and it wouldn’t kill me to eat here once, before I swore off it for the rest of my undergraduate life.

The space didn’t make it easy to find people, though. Liesel rose up on her toes to scan the room, then dropped down and shrugged. “I don’t see him. Let’s get food, then try to grab a table.”

Read the rest at the Book View Cafe.

And that’s the last of them! But tune in tomorrow for an announcement . . . .

Welcome to Welton: Liesel (10/11)

Liesel could tell, even before she settled into her seat for the Cairo Accords lecture, that the guy who always sat next to her had something he wanted to say. No empathy needed; she could read it in his posture, much more upright than his usual slouch, and the way he kept looking at her sidelong. But she’d been delayed on her way to class by a call from her mother, and there was no time for him to say anything before Professor Banerjee brought up the display and began lecturing.

She hoped he wasn’t going to ask her out. Robert wasn’t the type of guy who interested her—and besides, Michele’s flirting had continued well after Carmen stopped eating lunch with them. They’d gotten together the previous night to talk about the possibility of forming a Wiccan circle, if they could find enough other students they wanted to include, but the conversation had continued for a good hour and a half after that, long after Liesel should have gone home.

Read the rest at the Book View Cafe.

One more to go! That will show up on Monday. And then regular blogging will resume, I promise.

Welcome to Welton: Kim (9/11)

A bout of shivering seized me, and my jaw ached as I clenched it to keep my teeth from chattering. Minnesota was not Georgia: I knew that, and yet here I was, soaking wet and outside late on a windy and none-too-warm night. All because I couldn’t let go of tradition.

It started when I was twelve. My gifts had manifested about a month earlier, and were still volatile enough that, although I’d enjoyed my birthday party, I felt twitchy and less than fully in control of myself. After my friends left, I went for a swim in our backyard pool, and ended up floating there for a good hour, thinking about everything in my life: manifestation, how I’d changed, where I was going. The next year, although I didn’t need the calming, I decided to to do it again. And every year since then, the same.

Read the rest at Book View Cafe.

I’m going out of town tomorrow morning, so it’s possible I won’t remember to post the link to the penultimate scene before I leave. But by now I figure you all know the drill, right?

Welcome to Welton: Robert (8/11)

Everyone knew the urban legends, of course. The freshman empath who snapped under the pressure of her roommate’s stress and, depending on the narrative variant, either drove the offender mad in a sudden burst of telepathic fury, or bashed her head in with a paperweight. According to the empath who sat next to Robert in their class on the Cairo Accords, there was no true historical incident behind the tales . . . but college was trying enough, and the psychic control of most eighteen-year-olds still imperfect enough, that breakdowns of a less violent sort did indeed occur.

Robert—who knew quite well that he had the empathic sensitivity of a whelk—did not expect to have any such difficulties himself.

But as it transpired, empathy was unnecessary, when living with a highly-stressed wilder.

Read the rest at Book View Cafe.

Welcome to Welton: Kim (7/11)

Several dozen of my fellow freshmen had shown up to the first meeting of the Div Club. A month and a half into the quarter, that number had dropped sharply. We might not be as dangerous as the pyros, but we weren’t as exciting, either.

At least, to anybody who wasn’t a hard-core divination geek. People still showed to the occasional meeting, and Akila told me they got lots of messages from students wanting to set up individual readings, but when it came to regular attendance, there were only maybe thirty of us—freshmen, sophomores, juniors, and seniors.

When I mentioned that to Liesel, she just grinned and said, “Thirty of you, eh?”

Read the rest at Book View Cafe.

This is the scene for which I had to invent a new form of cartomancy, very late one night, because I didn’t want to use tarot. Hopefully it’s at least vaguely plausible?

update on the Togashi Dynasty

I just sent in a draft of my L5R chapter, after beating my head bloody against it for the last week or so. Note to self: when estimating the amount of work involved in writing a chapter for a game book, word count on its own is not an adequate metric. This is not, repeat, not like writing fiction. It’s more like writing your undergraduate thesis.

I even have a bibliography. 4th edition books consulted in the writing of this chapter: core, Emerald Empire, Enemies of the Empire, Great Clans, Imperial Histories, Book of Air. Books consulted from previous editions: Way of the Dragon, Creatures of Rokugan, Legend of the Burning Sands. Also the L5R wiki. 4th edition books not consulted: Strongholds of the Empire. (And Second City, but that’s because my gaming store doesn’t have it in yet. Otherwise you bet your ass I’d have been eagerly looking up just what an Isawa Archaeologist does.)

Now I think I need to go feed myself and maybe drool at the TV for a little bit while I wait for my brain to regrow. I need it for some of these other projects whose deadlines are breathing down my neck . . . .

Welcome to Welton: Liesel (6/11)

“So, have any of you managed to spot him yet?” Carmen asked, sliding into the last chair at the lunch table.

Liesel shoved a forkful of salad in her mouth to keep from sighing. She liked Michele, a French student she’d met through the International Students’ Union. She liked one of Michele’s two roommates, Sara, who was sitting next to her. But Carmen . . . .

“Spot who?” Sara asked.

Read the rest at Book View Cafe.

And if you missed last week’s posts, you can read the first five scenes here.

last reminder

I should have said this before, but don’t forget that the Pe ‘Sla project is “flexible funding.” They’ll get the pledged money whether or not they hit their goal, so if you looked at it and thought “I shouldn’t bother, since it’s not going to happen anyway,” then please go back and bother.

Priorities

Look. I am glad for The Gamers: Hands of Fate. I am glad they met their fundraising goal, and that they also hit the stretch goal that means AEG (the company behind L5R) will be producing a card game based off the one they invented for the film. This is fun and exciting and cool, and I wouldn’t have linked to the project before if I didn’t want it to succeed.

But.

The Gamers has raised $384,264.

Pe ‘Sla: Help Save Lakota Sioux Sacred Land has raised $341,526.

According to the last update, they’ve managed to get a seat at the negotiation table. That’s good, and I’m sure it’s due in part to the money they’ve been able to raise. But I have no idea how much of the land they’re going to be able to buy with that money. All of it? I’d be surprised. They wouldn’t have set their goal at one million if three hundred grand was enough to do everything they needed.

The Internets are a great place. But they are also a place where people will stump up more money for a movie and a card game than for helping the Sioux Nation regain control of one of their most sacred sites.

I’m not surprised by this, mind you. But I do think it shows some wrong-headed priorities. There’s thirty-seven hours left on the Pe ‘Sla project; I hope they can bring in more before it’s done.

Welcome to Welton: Kim (5/11)

“There are three kinds of lies,” Professor Madison said on the first day of class, right after introducing herself and making sure everyone was in the correct lecture hall. “Lies, damned lies, and prophecy.”

My eyebrows rose. That wasn’t the sort of thing you expected to hear out of the woman teaching your intro divination course.

Read the rest at Book View Cafe.

what works and what doesn’t

As mentioned before, I’ve been deathmarching through a variety of projects lately. But my brain has hit the stage of “no worky don’ wanna YOU CAN’T MAKE ME” this afternoon, so I think a brief break might be in order. First I played a bit of piano, and now I figure I’ll talk about how that’s going.

1) As mentioned last year, when I spent a few hours dusting off my piano skills, I am slooooow at reading music. I do okay with stuff inside the treble clef, but once you involve ledger lines or (god help me) the bass clef, it gets trickier. And I’m prone to forgetting accidentals. I spend a fair bit of time peering at the music stand, and make more than a few mistakes.

2) My hands have also forgotten a lot. One of the basic skills of piano-playing is knowing how to position your fingers to play a third or a fifth or whatever, how far to shift your arm to move up an octave. I allllllmost remember that stuff, but not well enough ton trust my hands to do it without looking. (When I try, sometimes it works — and sometimes I miss by just the right interval for it to sound horrible.)

3) And yet, having said all that . . .

. . . sometimes I can just play.

I don’t mean the stuff I can just play by reflex. I mean that sometimes I’m peering at the music, going “okay, that’s an E-flat and, uh, what is that note –” and then I realize that while I was busy doing that, my hand went ahead and played it. Without me even knowing what I’m doing.

It happens the most often on pieces I used to play. Not the ones I memorized (the ones I can play by reflex — when I don’t totally blank on how they go), but things I played fifteen or twenty years ago. But sometimes it happens with new things, too, the ones that are arrangements of pieces I know. It’s because I know how they should sound: either from playing them before, or from listening to them a lot. And some part of my brain goes “this is how you make that sound,” without going through the intervening steps of reading the music or figuring out which keys to hit.

When that happens, it’s my sense of pitch at the wheel. I know the sounds, and they happen. Given more practice, I think it will return to a more conscious level of control, rather than the weird subconscious instinct it is right now. But at the moment? It’s freaky, man. <g>

Anyway, I have a whole pile of sheet music now: a lot of it old, some of it new, not all of it within reach of my skills even when I had ’em. But I intend to keep on trying . . . .

Welcome to Welton: Robert (4/11)

The chaotic arrangement of boxes— “arrangement” was too kind a word for it, really—made pacing damnably hard. Every time Robert went to shift them into a more useful formation, though, he was halted by doubts. It made no sense to pile them along the wall next to the window; what if they ended up putting a desk there? It all depended on the furniture. And that depended on how this suite was to be divided.

He’d been waiting since yesterday, which didn’t help. All the freshmen were moved in, and the upperclassmen—those not helping with the process—would arrive tomorrow; everyone other than Robert himself was at orientation or supper. They’d timed it well, he had to allow: the grand arrival would occur when no one was looking.

Read the rest at Book View Cafe.

. . . I promise there will be more content soon. It just has to wait for me to stop deathmarching through my current projects. (I wrote four thousand words yesterday, and need to do at least two thousand more today.)

Welcome to Welton: Kim (3/11)

I shouldn’t have felt grateful that a work crisis forced my mother to fly home a day early. Not only was that bad news, but I’d been glad of her help as I settled in. Apart from that one interrupted conversation, she’d refrained from saying anything about CM, and got along well with Liesel.

But in the end, I was still a college freshman, and ready to get out from under the parental wing.

Liesel and I headed off to orientation, which someone with a sense of the dramatic had decided to hold at the campus monument. As memorials to First Manifestation went, it was tasteful: a circular plaza of dark green marble, edged with three grey arches for the three branches of the psychic sciences. No lists of the dead, or of cities burned; just the seals of the countries that had signed onto the Cairo Accords after the chaos died down. It should have been bakingly hot, but a pleasant breeze blew steadily — so steadily that I wondered if it had magical help.

Read the rest at Book View Cafe

Books Read, August 2012

I utterly forgot to keep track of my reading in August. Some combination of travel and psychotic deadlines, I guess, but mostly just brain failure. What follows below is the stuff I can recall emember finishing; I want to say there was more, but if there was, I don’t remember it.

Team Human, Justine Larbalestier and Sarah Rees Brennan. YA urban fantasy, with the tag line “Friends don’t let friends date vampires.” It’s actually less anti-vampire than that sentence would have you believe, though, which kind of disappointed me; I was in the mood for a book about how no, vampires aren’t just a different kind of human, and no, dating them is never going to be a good idea. It’s still a fun read, but it wasn’t quite what I was looking for.

1861: The Civil War Awakening, Adam Goodheart. This is, in some ways, a Civil War book for people who aren’t very interested in the Civil War. Because it isn’t about the battles and so on, which is what you probably think of first if you say “I’m not very interested in the Civil War.” It is, instead, a social history of the attitudes in the lead-up to and early days of the war, and how certain ideas (like secession and abolition) moved from being nearly unthinkable to being inevitable. You may, from time to time, find yourself wanting to punch various historical figures in the face, but that’s their fault, not Goodheart’s. I found it highly readable.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler, E.L. Konigsburg. One of several childhood favorites I picked up at a used bookstore. This one was slightly less cool than I remembered; the parts that involved hiding out in the museum were a smaller portion of the book than I remembered, and Claudia was a little more abrasive. But even when she was being abrasive, the book wasn’t setting her up as a snotty know-it-all who needs to be taken down a peg, which is what this character type usually gets, so I appreciated that. And, y’know, the idea of running away to hide out in a museum is still really cool. 🙂

The Egypt Game, Zilpha Keatley Snyder. When I was a kid, books didn’t divide very cleanly into “fantasy/not fantasy” in my head — largely because of my tendency to read magic into things that didn’t actually have any. This was faintly true of the Konigsburg above, and far more so of this book. It still feels magical to me, even now, with the kids and their game, nevermind that there’s nothing actually supernatural in it. There is, however, startling diversity: the story takes place in southern California, and actually feels like it, with lots of non-white characters. I’d put it up there with The Westing Game for childhood books that turn out to have merits I never recognized at the time.

Welcome to Welton: Liesel

The dark-haired girl leaning against the window sill straightened in a rush. “Yeah, this is 509. You must be Liesel.”

“And you’re Kimberly.”

“Kim.” She stuck her hand out toward Liesel, with easy confidence. Liesel guessed she spent a lot of time around adults. Her grip was firm, but not a challenge. “This is my mother, Dr. Argant.”

Read the rest at Book View Cafe