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Smart people saying smart things

The blogger Slacktivist has a periodic series of posts he titles “Smart people saying smart things,” where he links to and quotes from a handful of solid pieces by other writers. I’ve happened across several great posts recently, so I’m going to steal his approach and modify it a bit here.

A really good discussion of how things change when you got published, and how to bear in mind that meeting you may be a really big deal for a reader of yours — yes, even if you don’t think of yourself as being all that famous. If they love your work, they love your work, and it doesn’t matter if you haven’t sold as much as Author A or won as many awards as Novelist N. And while trying to be extraordinary for them may be daunting, you don’t have to be; simply meeting you is out of the ordinary. All you have to do is be a good kind of out of the ordinary — i.e., remember that this may mean more to them than it does to you, and don’t be a jackass. Also, if somebody’s a fan of your work, respect that; don’t grind down their joy by grinding yourself down in front of them. They may love a short story you’re embarrassed by. They may praise the exact thing you wish you could revise out of your last novel. That’s okay. Accept their delight as the gift it is.

I also want to call out one specific thing Mary Robinette said, about taking advantage of people. We see this cropping up a lot in allegations of sexual harassment: some guys are knowingly and maliciously using their social power to get what they want, but others are the equivalent of that guy with the enormous backpack who turns around without first checking to make sure there’s clearance for it. They don’t realize the pressure they’re applying simply by opening their mouths — and because they don’t realize it, they may apply it harmfully. We’re social monkeys; we like to do favors for the shiny monkeys, because then some of their shine rubs off on us. If you’re a published author and you ask a fan to do something for you, pay attention to what you’re doing. Don’t exploit their goodwill. Don’t ask them to do things that will be burdensome, or if you do, make sure you compensate them fairly. Always thank them.

A potted history of the different ways internet culture has dealt with trolls across its brief history, and why it keeps on burning us out. What she says about the internet changing so fast — I honestly hadn’t even heard the term “cancel” used in that context yet, because I am out on the very edge of the social media pond, and those ripples hadn’t yet reached me. But this lays out very clearly how we haven’t yet figured out a good way of dealing with social interaction online, and the effects that’s having on other parts of our lives, including the way we interact with narrative media. I don’t know what the solution is, but I hope one exists, and that we find it sooner rather than later. Because the anthropologist in my looks at what we’ve got and wonders how long we’re going to lurch along in a car that’s on fire before we either fix it or decide as a society that getting where we’re going faster isn’t worth the third-degree burns we suffer along the way.

Palmer means stoicism in the specific philosophical sense, not a general “grit your teeth and bear it” approach. I don’t know much about philosophy, so the majority of her post was news to me, and very interesting — tangentially the part about stoicism as a metaphysics, but more to the point, stoicism as ethics. She makes some good points about why it is well-suited to being the philosophy of those in power, and why even for the downtrodden it can be both a wonderful lifeline and a dangerous trap, encouraging us simply to accept the world the way it is, rather than striving to change it. And it also makes me think about writing fiction, and the unexamined assumptions that can be hard to get around in your worldbuilding . . . like the idea that we can change the world, not just in a localized sense, but a general progress one. Humans didn’t always have that idea, and it’s easy to forget that.

What happens when the “Tiffany problem” isn’t about small things like plausible medieval women’s names but rather the lived experience of people around you. I like her point about physical intuition, and how reading broadly can help us build up the kind of instinctive understanding that helps us process what is and is not likely to be true in other people’s lives. It’s an angle on the subject of empathy I haven’t seen before, and reminds me of a thing I’m still flailing at in the New Worlds Patreon, which is how to explain the instinctive feeling I have that some kinds of worldbuilding hang together plausibly and others don’t. Fundamentally, the answer is that I’ve read a lot about a lot of different cultures, so I have that intuition about the ways they work; I’m not sure it’s possible to boil that intuition down to a checklist of questions to ask, without doing the reading first.

(Also, this essay gives me some additional vocabulary to talk about what skills I still lack in the kitchen, so hey, bonus.)

Books read, March 2019

After February’s enormous binge, I read much less in March.

The Adventure Zone: Here There Be Gerblins, Clint McElroy, Griffin McElroy, Justin McElroy, Travis McElroy, and Cory Pietsch. You pretty much can’t be a gamer these days without having at least heard of The Adventure Zone, but I have no good space in my life for listening to podcasts. An episode here and there, sure, but not hundreds of them. So friends recommended I try the graphic novels they’ve started putting out, which also have the benefit of condensing the story — I know from my days studying RPGs in grad school just how diffuse and wandering things can be during actual play. I wasn’t impressed by the first half of this volume, which felt more or less like a typical D&D adventuring party (all male, though one of them is gay) doing the adventuring thing and failing to take anything seriously. It picked up more in the second half, though, and got interesting right at the end, when the characters get introduced to what looks like the real plot. (And, encouragingly, the improvement in the story coincides with female characters showing up.) I’m definitely willing to give the second volume a shot, as I understand the challenge of getting an episodic story moving properly in its first installment — especially one based on the hot mess that is most RPG narratives.

The Bird King, G. Willow Wilson. Read for review with the New York Journal of Books. I loved the setting of this one — at the tail end of the Reconquista, from the perspective of characters in the last Muslim state in Spain just as it falls to Ferdinand and Isabella — and the handling of religion, with multiple levels of piety from characters on both sides of that conflict and an antagonist who genuinely believes that it’s more compassionate to torture someone into converting than to let them burn in hell. The plot didn’t work as well for me, though. The central conceit of magical maps wound up being much less central than the cover copy led me to expect, and the whole business with the Bird King’s island felt to me like the kind of thing where either the elliptical approach is going to click for you and be amazing, or it’s going to fail to cohere much at all. For me it was the latter, especially when a threat reared up out of nowhere essentially saying “Remember me, from two hundred pages ago?” To which my answer was, “not really.” Not a bad book overall, but it didn’t hang together the way I was hoping.

Unraveling, Karen Lord. Also read for review with the New York Journal of Books. Speaking of things that are weird and elliptical . . . but in this case it worked for me. Several of the characters are not human (or at least mostly not) and don’t interact with time the way we do; much of the plot takes place in what amounts to a series of dreams or visions of what might happen. It’s a sequel to Redemption in Indigo, which I didn’t realize until after I was on a plane to Florida with Unraveling but not Redemption in Indigo in my bag; based on that, I can say that Unraveling works even without knowledge of the prior book, though it might read less weirdly with. And now I should go get Redemption in Indigo off my shelf, where it’s been sitting for far too long, waiting for me to read it.

A Cathedral of Myth and Bone: Stories, Kat Howard. Freebie book at ICFA, read on the plane home. As the title suggests, a large percentage of these stories riff off folklore in some fashion, and specifically off northern European folklore. The other running theme in them is Women Done Wrong By Men, which will probably speak deeply to some readers, but I am not one of them. The stories that wandered in a more New Weird/surrealist direction often didn’t click for me, but on the other hand I really enjoyed “Once, Future” (novelette at least, quite possibly novella-length), with a group of college students whose class assignment causes them to begin incarnating Arthurian legend, and also “The Calendar of Saints,” set in an alternate history where figures like Galileo are saints of the church, and following a female duelist who winds up at the center of a challenge to the holy Laws of Science.

Double release day!

I’m having nostalgic memories of when my first novel was released, thirteen years ago . . . on April Fool’s Day. (Yes, I spent rather a lot of time persuading myself that no, my editor wasn’t going to say “haha, fooled you!” and then the book wouldn’t come out.) This year I’m managing to dodge that day — which is good, because I have not one but two things out!

The first is New Worlds, Year Two: More Essays on the Art of Worldbuuilding, which you can get at Book View Cafe — i.e. direct from the publisher, and it’s a little bittersweet, because Vonda beta-read this for me — or Amazon US or UK, Barnes and Noble, Google Play, iTunes, Kobo, and Indigo. And if that’s not enough anthropological and worldbuilding goodness for you, there’s always New Worlds, Year One: A Writer’s Guide to the Art of Worldbuilding, the collection from the first year of the New Worlds Patreon.

The second thing out today is my short story “Vīs Dēlendī” at Uncanny Magazine. Their Kickstarter backers got this a while ago, and half of the contents went live earlier, but as of today the entire issue is available for free online: fiction, poetry, articles, and interviews. One (1) Internet Cookie to anyone who can identify the main folksong that inspired this story; fifty (50) Internet Cookies to anybody who can identify the other folksong that contributed to it, without which this refused to cohere into an actual story. (Offer null and void after the podcast interview with me goes live, wherein I talk about both songs.)

No joke! Go forth and enjoy!

RIP Vonda N. McIntyre

I saw this news several hours ago, but didn’t want it to come across as a terrible attempt at an April Fool’s joke. Vonda N. McIntyre, one of the founding members of Book View Cafe, has passed away. She was diagnosed with pancreatic cancer two months ago. The news of her illness rocked everyone at BVC; Vonda was a bedrock of our organization, and we’re still figuring out how many of us it will take to fill the gap she leaves behind.

I never had the pleasure of meeting her in person, but she was the beta-reader for my New Worlds collections — a wonderful mix of encouragement and suggestions. And, of course, she was an amazing writer; tributes to her work are popping up all over the place. We will all miss her greatly.

New Worlds: Trash

I haven’t nearly finished addressing the topic of cleanliness in human societies — we haven’t even started on personal hygiene — but since the month is nearly over, this segment of the New Worlds Patreon will wrap up for now with trash. Next week, for the fifth Friday in the month, I’ll be back with a bonus essay!

BVC Book Blast!

My fellow Book View Cafe members and I are exceedingly pleased to announce that our site is now ensconced in a much better hosting platform that will not give us the problems we were having in December and January. In celebration — and to thank you, our lovely readers, who have been so patient through all those troubles — we are having a SITE-WIDE SALE this week, 20% off everything in the store. No coupon hoops to jump through; just load up your cart, and we’ll apply the discount at checkout.

I’ve built up a surprisingly large pile of titles with BVC over the years. If you’re interested in picking one of those up, you can choose from:

Plus a great many more! We have Brenda Clough’s time-travel trilogy The River Twice, Meet Myself There, and The Fog of Time (which came out during our outages and really took it in the teeth as a consequence), and all kinds of titles from Sherwood Smith, Vonda N. McIntyre, Judith Tarr, Laura Anne Gilman, Linda Nagata, Katherine Kerr, and many, many more. We have fantasy, science fiction, historical fiction, mystery, romance, literary things, funny things, sexy things, informative things — all kinds of stuff. And it’s all 20% off. So come browse our catalogue and help us celebrate our new home!

Miss Sherlock

You remember some years ago, when Elementary premiered and people were so excited about the casting of Watson as an Asian-American woman?

Meet Miss Sherlock.

It’s a Japanese adaptation — live-action, not anime — where both leads are women. Even now, it’s still vanishingly rare to watch a woman get to be the character so brilliant everybody puts up with her complete lack of manners; add the layer that it’s a Japanese woman, and the effect is kind of startling. She barges into someone’s apartment with Watson (or rather, Wato-san) chasing after her wailing “SHOES!!!!”; after Sherlock, with clear irritation, takes her shoes off like a civilized human being should, she winds up storming out barefoot while Wato-san chases her again yelling “SHOES!!!!”, this time for the opposite reason.

There are so many mystery shows on TV these days that any given one tends to live and die not by its clever plots, but by its characters and their dynamics. I really like both of the main actresses here. Wato-san is adorable, and though she doesn’t measure up to Sherlock’s genius, she gets to have a personal life outside of being Sherlock’s designated apologizer. And Sherlock herself is elegant and sharp, with a ferocious smile. But when a villain starts monologuing about their reasons for the crime, Sherlock collapses onto the nearest couch with her hands over her ears and an expression that says “poke me when they’re done.”

I also like several of the side characters. Inspector Reimon, the Lestrade stand-in, is nice but not all that memorable, but my sister and I instantly shipped with Wato-san with his sidekick, Shibata, who is perfectly competent and has no patience with Sherlock’s b.s. — quite understandable given that he often takes the brunt of it. By contrast, Hatano-san, aka Mrs. Hudson, manages Sherlock quite nicely. Mycroft isn’t notably Mycroft-y — he’s fine, but not more brilliant than his sister — and, well, I won’t say anything about Moriarty, because spoilers.

The plots themselves range around a bit in terms of quality. Mostly good, but toward the end of the season it falls down a bit; Sherlock commits one unforgivably stupid mistake, and the villain’s ability to mess with people gets cranked up beyond plausiblity. Also, it is occasionally more gruesome than I expected, so if that’s an issue for you, be warned. (Not slasher porn levels of gruesome, just “wow, I didn’t expect you to show that wound directly and then shove somebody’s hand in it.”) But I very much hope they get a second season, because I would happily watch another eight episodes of this.

We watched it on HBO’s app; not sure where else it might be available. For those who are interested. 🙂

New Worlds: Public Sanitation

This week’s New Worlds Patreon essay delves into that most fragrant of topics: sanitation! To bait you into clicking that link rather than going “ew, no thanks,” I will use my favorite piece of historical trivia on this topic, which is that there was a time and place in history where human waste was so valuable, people literally stole it. To find out where, when, and why, head on over to Book View Cafe!

Caveat clicker

Apparently several of my old blog posts just appeared on people’s Dreamdwidth friendslists. All of them reference gambling, and had spam links inserted into them that were NOT there before. From this I conclude that my account was hacked somehow.

I’ve changed my password and edited those links out of the posts. But if you’ve seen things posted from me today that aren’t “On Cruising,” “Wheel of Time side post: On Women,” and “A Memory of Light Liveblog Part 2,” please let me know, so I can go clean them up. And if you’re getting comments suddenly on old posts of yours, check to see if they’ve been interfered with, too.

Book pre-orders and post backlogs

With the second year of the New Worlds Patreon having wrapped up, it’s time for it to emerge from its chrysalis as a beautiful butterfly ebook! New Worlds, Year Two: More Essays on the Art of Worldbuilding is now up for pre-order at Amazon US and UK, Barnes and Noble (Nook), Google Play, and Kobo. iTunes and Indigo will follow shortly. The book will be out on April 2nd!

NEW WORLDS, YEAR TWO by Marie Brennan

Also, a glitch with the plug-in I use to crosspost from my website to Dreamwidth recently glitched. Everything still crossposted . . . but on a private setting, which means none of you could see it. So if you missed it, the posts were, in sequence:

Goat cheese

The other day I was at the grocery store, and the cheese counter had samples out of something. Another customer was standing between me and the actual blocks of cheese the samples were taken from, so I had no idea what they were, but I went ahead and popped one in my mouth.

Train of thought: “Oh, wow, this is amazing, this is — UGH BLEAGH IT’S GOAT CHEESE GET IT OUT GET IT OUT GET IT OUT.”

I have no idea what’s going on chemically with goat cheese, but invariably I have this type of reaction, where for a second or two it’s lovely, and then I get hit by a freight train of something so unpleasantly pungent, it lingers with me for a good five minutes afterward. Much as with cilantro, I don’t think I could train myself into liking it if I tried for a year: when that taste kicks in, my brain utterly rejects the possibility that what I’m eating is food.

Those of you who like goat cheese — is that pungency a selling point for you? Or does it not even hit you in the same way? (Wikipedia describes goat’s cheese as “tart,” which is not remotely the taste I get off it.) I’m wondering if this is anything like the “supertaster” deal where some people can’t taste phenylthiocarbamide or propylthiouracil, while for others (I’m one) they are unspeakably bitter. I know my reaction to cheese in general is linked to the fact that I have a very strong sense of smell; your stinkier classes of cheese are Right Out for me because all I wind up tasting is the stink. But this wasn’t a strong-smelling cheese, and it still bowled me over with that unpleasant funk two seconds after I bit down. So I’m kind of curious what’s going on there, chemically speaking, and whether the experience is just qualitatively different for people who like the stuff.

New Worlds: Just Add Water (and Year Three!)

This week, the New Worlds Patreon launches into Year Three! As part of the celebration, I’ve added a monthly poll where my patrons at the $5 level and above can vote on the topic for the upcoming month . . . and my wonderful, amazing, fantabulous patrons voted for the thing I thought nobody than other me wanted to hear about, which is sanitation. So this month we’re starting off with water supplies, and in upcoming weeks I’ll be talking about bathing, trash heaps, and whether premodern cities really were open sewers or not.

The ebook for Year Two will be out in early April, with copies going to patrons at the $3 level and above before that. If you’d like to become a patron, you can do that right over here — let’s start Year Three together!

NEVER AFTER is out now!

Get yer pipin’ hot flash-length fairy tales here!

. . . you guys? I have NO IDEA what has happened with this book. For some reason it blew all my previous stats for pre-orders completely out of the water, and it’s continued to do so after release. It has sold more copies in its first day (including pre-orders) than Monstrous Beauty did in its first six months — that being the most comparable title in terms of price ($0.99) and content (very brief fairy tale retellings). I can point to lots of other variables, of course: I published Monstrous Beauty in 2014; my audience has probably grown since then. That one is more directly horror; this one is lighter-hearted with its twists. Maybe this one has a better title. Maybe it has better cover art. Maybe maybe maybe. The truth is, I have no way of knowing. (And this is why the publishing industry has so much trouble predicting what will be a bestseller and what will sink.)

All I know is, this has completely warped the bar graph Amazon uses to show me my sales. There’s now this giant spike, next to which my normal daily sales have been compressed to itty-bitty nubbins. 😛

(I’m not complaining. I’m just astonished. And wishing this had happened on a book that earned me more than thirty-five cents for every copy I sell . . .)

Anyway, Never After: Thirteen Twists on Familiar Tales is out now! And making a far bigger splash than I ever anticipated when I first thought, “hey, I could bundle up my flash retellings and put them out as a silly little side project for National Tell a Fairy Tale Day.”

New Worlds: Honeymoons (and anniversary announcement!)

In the excitement of Book View Cafe’s new hosting provider being stable enough for the New Worlds Patreon to return to its usual home, I forgot to announce the latest essay here! Last Friday’s contribution was on honeymoons, and you can still head on over and add your thoughts.

I’m also pleased to announce a book giveaway to celebrate the second anniversary of the Patreon! Six lucky patrons will receive signed books from me. If you’d like to have a chance at a prize, just sign up before this Friday!

Get yer fairy tales on!

This missed posting for some reason, and I only just now noticed. But there is still time to pre-order!

*

About a year ago, I discovered that February 26th is National Tell a Fairy Tale Day.

Now, like many authors with an interest in folklore, I’ve tackled fairy tales before. I have a whole collection of them, Monstrous Beauty. But that represents only one part of my fairy tale ouevre — the part that’s the most horror-tinged. I have others.

And I thought, why not do something with those?

This happened about a year ago, so it was far too late to do anything for that year’s National Tell a Fairy Tale Day. But I looked ahead to 2019, and discovered that this year, February 26th would be a Tuesday — which is, traditionally, the day of the week when new books get released.

NEVER AFTER: THIRTEEN TWISTS ON FAMILIAR TALES by Marie Brennan

Ladies, gentlemen, and other civilized people, I give you Never After: Thirteen Twists on Familiar Tales. Available for pre-order now; due to be released — of course — two weeks days from now. It’s a tiny little thing; every one of those thirteen stories is flash-length, under 500 words, and two of them are about 100 words apiece, which is why the collection is priced at a mere $0.99 (or whatever that turns into in your local currency). You can pick up both that and Monstrous Beauty for two bucks, and have twenty fairy tales of variously warped sorts — the ones in Never After are not as dark as the ones in Monstrous Beauty, but I wouldn’t call them sweet and innocent, either . . .

Forget perfect princesses, handsome princes, and “happily ever after.” In this collection of thirteen flash-length fairy tale retellings, award-winning author Marie Brennan introduces you to a world of manipulative mirrors, treacherous pigs, and candy houses that will eat you right up. Each one is a subversive little gem, guaranteed to shock the Brothers Grimm.

Pre-order now!

New World: Wedding Customs

(This post is part of my Patreon-supported New Worlds series.)

A truly comprehensive survey of wedding customs around the world and throughout history would probably fill several volumes. I’m not going to attempt that; we’d get so far down into the weeds we’d never see the sun again. Instead I’m going to do a more top-level sweep of the steps involved in getting married, with some attention to the specifics of how those can manifest.

It starts with engagement, i.e. the promise to get married later on. This doesn’t have to last for a long time — it can be as short as the gap between “hey, want to get married?” and finding an Elvis impersonator at a drive-through Las Vegas chapel to hitch you two together — but the longer the gap is, the more preparation you can do. Today’s wedding-industrial complex pushes the ideal that you should do a lot of prep (and spend a lot of money on it), which echoes yesteryear’s necessity of assembling a wedding trousseau. (I’m reminded of Eleanor of Aquitaine’s line in The Lion in Winter, dismissing the likelihood that Richard and Alais will get married any time soon: “The needlework alone can last for years.”)

But even engagement can involve more than mere agreement. There may be a prenuptial contract to negotiate, or permission to secure: from parents, a master, a liege lord, or anyone else with the authority to gainsay a match. Posting the banns is or was required in a number of Christian countries, giving the general public a chance to raise objections — though usually only within set limits, e.g. “he’s got a wife in another town.” This also creates a mandatory waiting period, helping to stave off the buyer’s remorse that often afflicts the clients of those drive-through Vegas chapels.

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New Worlds: Courtship

(This post is part of my Patreon-supported New Worlds series.)

The counterpart to arranged marriages are ones where the spouses choose each other, often referred to as a “love match.” When there’s no matchmaker involved (be it a family member or trained professional), it’s up to interested parties to find and woo their own future husband or wife . . . which can be a very fraught process.

Before we dive too far into that, I should say that there’s often courtship involved in arranged marriages, too. The Japanese matchmaking process is called miai and means “looking at one another;” nowadays it begins with looking at a photograph, but in the past it might instead be kagemi, a “hidden look,” arranging for the man to secretly glimpse the woman without her knowing. If that goes well, the families proceed to their children meeting face-to-face, usually in a series of three dates before a decision is made. European nobility sent portraits as advertisements for their kids, and the prospective pair might exchange letters to get to know one another if they couldn’t meet in person.

But with love matches/autonomous marriage, courtship plays a much larger role, because it’s the means by which people even find possible spouses, conduct their evaluations, and seal the deal. So let’s dig into that.

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