A Year in Pictures – Flowers at Ham House

Flowers at Ham House
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On this particular research trip to England (for In Ashes Lie), I had to be especially choosy about my pictures, because I’d forgotten to bring the cable that would let me offload them to my computer and my memory card was not that large. This is one of the keepers: the “cut flower” bed (i.e. the bed from which one would cut flowers and bring them inside) at Ham House, a lovely seventeenth-century manor. Ham House is the place I learned to understand the tulip mania of the period: while I’m accustomed to thinking of tulips as boring little cups, the cultivars there are gorgeous.

The Value of Travel

I originally posted this as a reply to John Scalzi here, but it occurred to me that it was something that might be of interest to my local audience — especially since I’m posting all these photos from trips I’ve taken. šŸ™‚

In discussing his own feelings about travel, Scalzi said:

The fact of the matter is I’m not hugely motivated by travel. This is not to say that I don’t enjoy it when I do it, nor that there are not places I would like to visit, but the fact of the matter is that for me, given the choice between visiting places and visiting people, I tend to want to visit people — a fact that means that my destinations are less about the locale than the company. I’d rather go to Spokane than Venice, in other words, if Spokane has people I like in it, and all Venice has is a bunch of buildings which are cool but which I will be able to see better in pictures.

To which I said:

I like seeing people, sure — but the second half of the comment is boggling to me, because it’s so radically different from my own view, in two respects.

First of all, seeing is only part of the experience. Looking at a picture is flat, whereas being there is a full-body surround-sound sensory experience. There’s sound, smell, the feeling of space or lack thereof, the process of walking through. Highgate Cemetery was more than its headstones; it was the blustery autumn day with the wind rushing through the trees raining leaves down on us and the tip of my nose going cold. Point Lobos is more than the cypresses; it’s the smell of the cypresses and the feel of the dirt under my feet and the distant barking of the sea lions. Furthermore, pictures will never show me even everything from the visual channel: they may show me the nave of the church, but usually not the ceiling, nor the floor with its worn grave slabs. They will show me the garden, but not the autumn leaf caught in the spider web between two trees. I would have to look at hundreds of pictures from Malbork Castle to capture what I saw there. (Heck, I took hundreds of pictures there!)

Second, the most memorable part to me is usually the bit I wouldn’t have thought to go looking for if I weren’t there. The first time I went to Japan, my sister and I went to see the famous temple of Ginkakuji, which I loved — but I loved even better the tiny shrine off to the left outside Ginkakuji, whose name I still don’t know. Or when I was in Winchester, and she and I walked to St. Cross outside of town; we went for the porter’s dole (old medieval tradition: even now — or at least in 1998 — if you walk up to the gate and ask for the dole, they will give you bread and water), but stayed for the courtyard with the enormous tree and the most amazingly plush grass I have ever flung myself full-length in. I can look at pictures of famous buildings in Venice, but I’m unlikely to see pictures of the stuff I wouldn’t think to look for.

I write all of this in the full awareness that I have been extremely fortunate in my travel opportunities. My father’s work has often taken him abroad, so he has a giant pile of frequent flyer miles, and both in childhood and now I’ve been able to afford trips to other countries: British Virgin Islands, Costa Rica, England, Scotland, Ireland, Wales, Israel, Japan, India, Poland, Greece, Italy, Turkey, France, the Bahamas. It’s created a positive feedback loop: these trips have led me to really enjoy travel and the different experiences I have when I go places, so as a result I arrange more trips when I can. As a replacement, pictures don’t even begin to cut it.

Not part of my comment to Scalzi, but I will add two further observations:

1) Clearly I do see value in pictures, though, or I wouldn’t take so damn many of them. šŸ˜›

2) What it says about my sociability that I am liable to travel to places rather than to people is left as an exercise for the reader.

A Year in Pictures – Statue on Wawel Cathedral

Statue on Wawel Cathedral
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Wawel Cathedral in Kraków is a weirdly eclectic building; it looks like several different buildings stapled together, with random statuary and such sprinkled around its exterior. I have no idea which Polish king this is supposed to be (I presume he’s a king), but I like the way he’s juxtaposed against the window behind.

Automated Processes

This is apropos of my recent post on cooking vs. driving. It seemed easier to make a new post than to respond individually to the multiple people who made related points. šŸ™‚

When I talked about the “attention” either task requires, what I’m really referring to is the extent to which certain processes are automated or not. If you think back to when you first started driving, changing lanes involved something like the following steps:

  1. Look for a suitable gap
  2. Put on turn signal
  3. Check blind spot
  4. Move into gap
  5. End turn signal

(Or some variant thereof.)

Once you’ve been driving for a while, though, the process of changing lanes looks something more like this:

  1. Change lanes

All the smaller steps that go into the act are sufficiently automated that you don’t have to think about them, not to the degree that you did before.

(more…)

A Year in Pictures – Point Lobos Egret

Point Lobos Egret
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We took a trip down to Point Lobos recently to enjoy the nature: cypress trees, seals, and egrets who apparently think nothing of perching on slender layers of flotsam. I caught this one just as he was about to take flight, which is a fine demonstration of the role of luck in photography.

My appalling thought for the day

Musing to myself this morning:

Yeah, I just really don’t like cooking. I don’t know what goes on in the heads of people who do like cooking, that makes them enjoy the process. I just get bored

People like Desperance probably think about writing while they’re cooking.

You know — kind of like how you think about writing while you’re driving, and because of that, you actually enjoy being in the car for an hour. Why can’t you do that while cooking?

Well, because I have to pay attention while I’m cooking. Whereas while I’m driving —

Uh.

That didn’t come out right.

A Year in Pictures – Amber Bird

Amber Bird
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Poland has amazing amber.

Sadly, my photos of it are mostly not as amazing, in part because I hadn’t yet got the hang of all the tricks that help make museum shots come out better. We went through not one but two museums of the stuff, though, one in Gdansk, the other at Malbork Castle, and I did not get tired of it at all. This is a modern sculpture using just a piece of amber; in the background you can see display cases full of more objects, most of them made entirely of the stuff. Utterly stunning.

A Year in Pictures – Notre Dame at Dusk

Notre Dame at Dusk
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This was my first sight of Notre Dame in Paris. The flat where we were staying was only about a five- or ten-minute walk from the cathedral, and so after arriving in the city, we strolled down there to take a look before it got completely dark out. (The light in the upper right is a streetlamp.) In the interests of full disclosure, I should say that my husband is actually the one who took this photo, at my request; I had not realized we were going to wander down there before dinner, so I didn’t have my camera with me.

A Year in Pictures – Bronze Artifacts

Bronze Artifacts
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This is on display in the part of the British Museum that is a re-creation of the place’s original style. I don’t know much about the items in the box, but in some ways that’s part of the point: the original style of the museum was not nearly so conscientious about labeling everything in detail. The tidy layout of the box is visually pleasing, though.

Open Book Thread: The Tropic of Serpents

On the heels of my Reddit AMA, it occurs to me that I should put up the discussion thread for The Tropic of Serpents. This is the place to ask any questions about that book or the series going forward; it is therefore also a spoiler zone, so consider yourself duly warned.

Reddit AMA on Tuesday March 11th

Have you ever wanted to ask me anything?

Well, tomorrow you’ll have your chance. At 4:30 Eastern time (1:30 Pacific time), I will be doing an AMA on Reddit — an “Ask Me Anything.” You’re free to ask about the Memoirs of Lady Trent or something else writing-related, but you’re by no means required to; if you want to know what my favorite food is or how my recent karate belt test went, those kinds of things are all fair game.

I’ve never done one of these before. It should be an adventure . . . .

The Littlest Shodan-Ho Checks In

As of tonight, the belt I wear in karate class is black.

. . . mostly.

My actual rank is shodan-ho, which translates to something like “probationary first degree.” It means I wear a black belt with a white stripe. After my next test (which won’t be for months), I’ll wear a black belt with a red stripe, and then some number of months after that, I will be an actual honest-to-god black belt.

This means I have made it through the “brown belt blues,” i.e. the stretch of time where you feel like you’re making no progress at all. Our dojo has three degrees of brown belt (going from sankyu to ikkyu), and it’s a minimum of 45 classes between tests; at two classes a week, you spend a long time as a brown belt. Apparently a lot of people burn out and quit at that stage. (I myself am guilty of having slacked off for a while in there.) But now I’ve rounded the corner; the end is in sight.

Except of course it isn’t an end at all. Shodan basically just means that you’re considered “trained” — I’d give the serious side-eye to anybody below that rank who set themselves up as a teacher. There’s nigh-infinite room for improvement above that, though. The lowest-ranking teacher at our dojo is third dan, and Shihan himself is ninth. So, y’know. Shodan isn’t “mission accomplished; now I rest on my laurels.” But it’s a landmark, and one that is no longer quite so hypothetical. I could be there in a year and a half, if I’m consistent about making it to the dojo.

My test on Friday was kind of brutal, mostly because I was the only adult karate student testing this month, which means I had to go through the whole thing without any pauses. (Normally you get to rest while the other students perform their kata.) Stances, standing basics, moving basics, four karate kata (two pinan of my choice, jitte, and tomari passai), two sai kata (kihongata ichi and ni), two bo kata (donyukon ichi and ni), thirty-five shrimps, thirty push-ups, running in place for a minute. It took me ten minutes afterward to change out of my gi and repack my bag, I was moving so slowly. But I passed, and that’s the important part.

It’s very satisfying to look at how much I’ve learned. Not the number of kata, but the knowledge of how to perform them: the ability to think about something in jitte and connect it to a similar-but-different move in pinan san-dan, or to catch an error in my own movement before a senpai comes along to correct me. I’ve been doing this for a little over five years, and the progress is real.

Give me another year and a half, and you might even be able to call me fully trained. šŸ™‚

A Year in Pictures – Trajan’s Column

Trajan's Column
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Trajan’s Column in Rome is one of those things that’s tough to photograph, because it’s tall and skinny and what makes it interesting is the intricate carvings that cover its surface. This is a detail shot of those carvings; now imagine 98 vertical feet of that. (It depicts Trajan’s victory in the Dacian Wars.) This is a case where Lightroom is very helpful: the carvings are not actually that distinct in normal light, but by fiddling with the settings I was able to bring them out so that the artistry can be fully appreciated.

A Year in Pictures – Wieliczka Dwarf

Wieliczka Dwarf
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Wieliczka needs a bit of explanation. It’s a 13th century salt mine that was in continuous operation until 2007, when the double whammy of low salt prices and flooding caused it to close down. But it’s still a major tourist destination, because in addition to the miles of tunnels (178 miles, to be prices) — only a tiny fraction of which are open to the public — the saline lakes, the underground churches, and the incredible architecture of supports propping the place up, there are the sculptures: all carved out of rock salt, most of them by miners, and frankly kind of amazing. This is one of the dwarves that are said to haunt the mine, lurking adorably in the darkness.

A Year in Pictures – Dominoes and Dice

Dominoes and Dice
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There’s a small exhibition in the Louvre that takes you down to the foundations of the old medieval castle that were discovered beneath the museum. It includes a couple of display cases showing items from those excavations, including these medieval dominoes and dice. Photographing through glass is always hard, but in this case I’m extremely pleased at how the small details of wear and staining came through.