Design Your Own Dragon: Winners!

I’m pleased to announce the winners of the Design Your Own Dragon contest!

Choosing the winning entries was much harder than I anticipated. Some of the criteria were straightforward; for example, the concept had to be one which fit into the paradigm of dragons in Isabella’s world, but did not duplicate too closely something already described in the series. (My apologies to those of you whose entries resembled breeds that will be appearing in Voyage of the Basilisk. You had no way of knowing those particular niches were already filled.) After I filtered for that, though, I still had quite a few possibilities. Then it was a matter of considering which ones could be most easily incorporated into the later books, which is easier said than done.

In the end, I narrowed it down to two winners. Without further ado, I give you: Yubin Kim’s honeyseeker, and Kate Parkinson’s Mrtyahaiman mew!

HONEYSEEKERS are nectar-loving arboreal creatures that thrive in eucalyptus forests. Typically 12~14 cm long, Honeyseekers are light-bodied with broad, manoeuvrable wings and a prehensile tail which allow them to cling to thin flowering branches, where they soak up nectar with their brush tipped tongue. During winter when blooms are scarce, Honeyseekers supplement their diet with insects caught with their clever foreclaws.

The species display sexual dimorphism and while the females are a drab muddy green, the males sport glittering black and yellow scales and a sapphire-blue crest. The males build nests and display to attract females, who then mate with those they judge worthy and leave after laying a single egg. When a sufficient number of eggs are gathered, the males incubate and raise the young alone.

When threatened, Honeyseekers breath a noxious spray in the eyes of the predator, a concentrate of toxins gathered from their close association with the eucalyptus. The Honeyseekers are thought to play a large role in the lifecycle of the tree and some blame them for the invasive spread of eucalyptus which are beginning replacing oak woodlands in certain forests.

MYRTYAHAIMAN MEW

A small drake measuring no more than thirty centimetres at the shoulder, this species is called the ‘noisy trickster’ by locals, as well as epithets not appropriate to repeat. Although they meet all other criteria, mews do not have any special property to their breath and are thus classified as draconic cousins rather than true drakes. Their name derives from their distinctive call which resembles the mew of a cat.

Mews are typically black with bronze tones to their scales, although brown and even albino specimens have been noted. Flocks of up to thirty individuals have been sighted but they are most often seen in groups of three or four. They are intelligent and resourceful creatures and are often attracted to human settlements, where they pillage shiny objects and scavenge through rubbish pits and middens. This behaviour has sometimes led to them becoming unpopular with humans.

Mews love fatty foods and have been known to land on the back of sheep to pick out pieces of flesh. There are legends of mews stampeding flocks of sheep or goats over cliffs to feast upon the remains, though this has never been reliably documented.

A gathering of mews is called a festival.

My thanks to everyone who participated; it was a lot of fun seeing what you all came up with!

Amazon is at it again

The one bright spot is, people are starting to notice.

In 2008, Amazon got into a pissing contest with Hachette, the smallest of the large publishers (and owners of Orbit, who published my first four novels). In 2010, it was Macmillan (owners of Tor, my current publisher). In 2012, Penguin. And now, in 2014, we’ve wrapped back around to Hachette. Books published by subsidaries of Hachette are currently shipping “in 2 to 5 weeks” — including Warrior, Witch, Midnight Never Come, and In Ashes Lie. Is it because there’s a problem with Hachette? Are they not supplying stock to Amazon in a timely fashion?

Nope. It’s because Amazon is trying, once again, to use its market share to strong-arm publishers into accepting unfavorable terms. Unfavorable for the publishers, unfavorable for writers — and ultimately, unfavorable for readers.

This isn’t an isolated incident. It’s an ongoing pattern of behavior. It’s something people have been warning about for years, but the response has usually been that Amazon is your friend. They sell things cheaply and ship really fast (just don’t think about how they treat their employees), and hey, 70% royalties on ebooks! Except that Amazon is demonstrably willing to tank the customer experience if it will help them gain more power in the marketplace. And the more they control, the less friendly they become. They are the abusive boyfriend who systematically isolates you from everybody in your life and then, once you have nowhere else to turn, shows his true colors.

If we had better anti-trust legislation in this country, Amazon would have been stopped long before this. But we don’t, and they haven’t been.

Back when they pulled the buy buttons off Macmillan books as a “negotiating tool,” I removed the Amazon links from my website. (Mostly. Scanning the pages, I see I left the Book Depository there; I don’t know if they hadn’t yet been bought by Amazon at the time.) I’m going to go through and scrub the remainder, with two exceptions: Audible (also owned by Amazon, but they are the publisher of my audio editions) and Kindle Direct Publishing (for the BVC-published ebooks). Notice a pattern there? I’m leaving up the links where Amazon has enough power over me that I can’t just walk away from them. I don’t like it, but I don’t feel I can choose differently. More than half of my ebook sales come via Amazon, and there is no way to buy the audiobooks that doesn’t put money in their pocket.

But they don’t control everything, at least not yet. You can get my books from Barnes and Noble — ebook and print alike. They aren’t perfect, but they’re Amazon’s main competitor. Or you can buy from Powell’s. Or from IndieBound. Or Books-a-Million. Or Indigo, if you’re Canadian. You can also get my ebooks from Book View Cafe or Kobo (and by the way, if you’re the sort of person who’s motivated by Amazon’s “author-friendly” habit of paying a 70% royalty, note that Kobo pays the same, while BVC pays me a 95% royalty instead). Maybe it won’t be as convenient as Amazon; you won’t get free two-day shipping. But that convenience is the bait: they use it to shift more and more business into their hands, and then they use what they hold to change the market to benefit them.

It isn’t illegal. But it also isn’t something I care to support. There are alternatives, and I encourage you to use them.

Goal! . . . and stretch goals!

(You have no idea how tempted I was to title this “Ni Presentas . . . Goal!” You have no idea mostly because I’m not sure whether anybody reading this blog even knows why the heck I would be tempted to say that in the first place.)

So, that Kickstarter I’m running? It made goal this morning. I woke up way earlier than I wanted to, because I had to drag myself to the airport for my Wiscon flight, and lo and behold: I found myself funded. In fact, we’re at $2060 right now.

Which is, in a word, refrackulawesome.

And if you’re familiar with Kickstarter, you know what that means: stretch goals! I have 25 days to go before this thing ends, so I might as well see how far we can go. If we hit $2500, I will share with all backers “The Music of Lies and Prophecy” — the track listing for the novel, with links to the songs (where possible) and notes on how and why I chose them. (I would share the soundtrack itself, but, um, copyright violations up the wazoo.) And if we hit $3000, I’ll write a short story in the setting!

If we go beyond that . . . well, you’ll just have to wait and see. 🙂

So if those sound tempting, you can mosey on over and back the project yourself. Or if you’ve already done that, spread the word to some friends! The more, the merrier.

A Year in Pictures – Rose Window of Notre Dame

Rose Window of Notre Dame
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I am stupidly proud of how well this shot came out, given the zoom involved and my lack of tripod; I had to brace against something on the far side of the cathedral to get it steady. This is, of course, one of the rose windows of Notre Dame — the north one, I believe — and yes, it is every bit as stunning as I’d been led to hope.

A Kickstarter for Chains and Memory

Fourteen and a half years ago, I completed the first draft of what at the time I thought was a stand-alone novel: Lies and Prophecy.

Within a year or two, though, I started getting Ideas. Fragments of ideas, anyway — bits and pieces about what would happen to Kim and Julian after the end of that novel. They piled up, and fed back into later drafts of Lies and Prophecy, until here we are more than a decade later, and those ideas have formed a can-can line and are performing choreographed routines in my head.

So I’ve decided to Kickstart them into reality.

My aim, if I meet my funding goal, is to draft the sequel of Chains and Memory this summer, while I’m doing the prep work for the fourth Memoir. In pursuit of that, I am offering a variety of book packages, plus other rewards like behind-the-scenes reports, t-shirts, tarot readings, and even the chance to appear as a character in the novel. Head on over to Kickstarter to check out the full list; it will be running for the next four weeks.

You can also help me immensely by spreading the word! Whether it’s on a blog, or Twitter, or Facebook, or messages stuffed into bottles and dropped into the sea, any and all signal-boosting would be absolutely wonderful. I’ll be posting more information here over the next few weeks, and if you have any questions, please don’t hesitate to ask.

You have no idea how excited I am about this. 😀

A Year in Pictures – Savoy Decoration

Savoy Decoration
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If memory serves (which it may not), this is an old decoration from the Savoy. It’s definitely something near the end of the Museum of London galleries, when you’re up to the twentieth century, and it’s from some famous landmark like the Savoy; if I have it wrong, please do let me know. Anyway, I loved the effect of the light from above on the raised carvings.

A Year in Pictures – Flowering Tree Branch

Flowering Tree Branch
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I took this picture during my recent tour — the one bit of sightseeing I managed the whole trip. This is a flowering tree off the southwest corner of the Salt Lake City Temple, and I don’t know what kind of tree it is; people on Twitter suggested a weeping cherry, but all the photos I could find of such trees showed straight trunks and branches, rather than the taffy-twisted effect this tree had. Any identification would be much appreciated!

Nine Princes Nowhere to Be Found

I am croggled to discover that Zelazny’s Nine Princes in Amber is apparently not available as an ebook (not commercially, anyway — my library seems to only have it in electronic format). Furthermore, if I wish to purchase the dead tree edition new, my only option seems to be buying an enormous honkin’ omnibus of all ten main novels.

I would welcome evidence that I am wrong about this, likely on account of searching when it is nearly 3 a.m. here and I need sleep. But if it is indeed as it appears: what the heck? Why has the rights-holder not made the book more widely available? This is not some obscure novel nobody’s ever heard of except academics and three Yuletide fans; it’s a reasonably well-known classic. I want to give the rights-holder money, whoever they are. But they are making it annoying to do so. I don’t want a giant omnibus; I want the instant gratification of an ebook, which I can take with me to Wiscon, and then if I like the first one I’ll probably buy it and the rest in paper. I do not want to carry a brick on the plane.

Grrr. Argh.

hilarity

My most recent gem of WordPress spam:

Write more, thats all I have to say. Literally, it seems
as though you relied on the video to make your point. You obviously know what
youre talking about, why throw away your intelligence on just posting videos to your site when you could be giving us something informative to read?

Indeed. My problem is that I don’t write enough — I’m just throwing my intelligence away.

A Year in Pictures – Limpets

Limpets
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One of the effects from me becoming more interested in photography is, I’ve begun to appreciate details. Point Lobos is a very pretty area in Monterey, and I took many scene-sized pictures there . . . but I also found myself pausing to shoot things like this little line of limpets, clinging to a rock on the shore. A few years ago, I suspect I never would have even noticed them, much less taken this picture.

speaking of Ree . . . .

Possibly the easiest way for me to encapsulate the character I talked about in a previous post is by linking you to this song.

It’s an amazing remix all on its own. I love the way it builds, wave-like: it keeps climbing and then receding, stepping back to a quieter level when you expect it to bust out in full Linkin Park screamo yelling. 😛 But more than that, it fit beautifully with Ree at the pivotal moment of her story, the brink of her metamorphosis from the broken, lost thing she had been for eons back to her original self. “I’ve felt this way before” . . . she’d been shattered, and had tried to piece herself back together — thought she had succeeded — but then during the course of the game she was shattered again, falling back to square one, so far from her goal it was almost impossible for her to believe that she was actually closer to it than ever. “Against my will I stand beside my own reflection” . . . she sold half her soul to someone else, not realizing that was what she was doing, and she had to reclaim it. “Without a sense of confidence, I’m convinced that there’s just too much pressure to take” . . . the problem with her Seelie side was that it had too much confidence, without the fatalism of her Unseelie half to temper it, which is how she got broken again, and then the symbolism of the diamond and pressure over time pretty much guaranteed I had to use this song. This was Ree at her lowest point, one step away from victory, and the tension that builds throughout this evokes those days perfectly in my mind. There’s more to it than one song, but I can point to the song and say, this. This is why I can’t forget her story.

When I make soundtracks for characters, or for games I run, or for novels, many of the songs are filler. They go in because I want the whole story in music, and so I pick the best matches I can; in the really good soundtracks, even the filler is pretty solid. But this? This is why I go to the effort. For the one or two or five songs that are the story, the ones that become so linked with the narrative that they end up feeding back into it, and it can be eight years later and hearing them still brings the story to life in my head. This is Galen walking into the chamber below the Monument. This is Dead Rick getting his memories back. Here’s the entire second half of Doppelganger, according to my half-dozing brain when I was in the middle of writing the book; I can quite literally map segments of the novel to the various stages in the music, because my subconscious had decided this was the outline it was writing to. (Much like what happened here, though that was on a smaller scale.)

It’s no accident that I also love film scores. Pairing music with story — turning music into story — is one of my favorite things. Since I’m not a composer, I have to settle for the mix-tape approach. Sometimes it works out very, very well.

A Year in Pictures – Halebidu Frieze

Halebidu Frieze
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Indian temples are very frustrating things to photograph, because the decoration on them isn’t done in discrete blocks: it’s an ongoing mass of things, friezes like this one banding the exterior, sculptures rubbing shoulders with elaborately carved columns — basically no square foot left plain. I suspect this frieze depicts military glory, since there appears to be someone crouching beneath the hooves of that horse, but as you can see the top edge has rather been damaged.

Tour report, and one day to go!

Design Your Own Dragon ends tomorrow night! Get your entry in while the getting is good . . . .

Me, I’m home from tour. The fact that I am exceedingly glad to be back has more to do with the wear and tear of shifting from hotel to airport to cab to store than to do with the tour events themselves, which were splendid. Mary Robinette Kowal and I drew some pretty good crowds together, and it turns out we make for compatible traveling companions — which was by no means a guarantee! We’d met a couple of times before, at conventions and such, and of course our books make a good pairing with each other . . . but that didn’t necessarily mean we’d get along on the road. Despite Mary having her own hashtag for travel woes, I quite liked traveling with her. It turns out we see eye-to-eye on a number of fronts, ranging from fiction to how early we should get to the airport, and that’s valuable when you’re spending a week and a half together and suffering the aforementioned wear and tear.

Plus! There were costumes! And dragon bones!

I foolishly did not get anyone to take photos on my own phone, so rather than stealing other people’s pictures, I will link you to them. This report at A Truant Disposition shows the whole thing pretty well, from my dress and Mary’s to our respective song-and-dance bit (a mini puppet show on her part, a mini naturalist lecture on mine). Geeky Library has some more, and I quite like this photo from @ghostwritingcow on Twitter. The “dragon bones” are the thing I alluded to before the tour: Mary suggested I obtain replica dinosaur fossils from Skulls Unlimited, and use them as dragon substitutes. For the curious, the skull and the smaller claw are from a velociraptor, while the tooth is from a T-Rex and the larger claw is from a megaraptor. (The tiny skull, which I don’t think got photographed, is actually supposed to be a “dragon skull;” Mary picked it up at a natural history museum in Utah.)

Touring is a lot more fun in company, I have to say. Not only does it jazz up the event itself, by giving you somebody to riff off of, it does a lot to mitigate the “oh god I’m in another airport” drudgery of the travel itself. So props to Tor for putting us together, and I hope for a chance to do something like this again in the future.

A Year in Pictures – Polish Church Interior

Polish Church Interior
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I don’t actually know the name of this church, which is a pity. It’s somewhere in Zakopane, or at least that general region; we weren’t able to go in, so this photo is taken through a window in the door. The woodworking is absolutely gorgeous, and I love the warmth it creates.

A Year in Pictures – Sainte-Chapelle Relief

Sainte-Chapelle Relief
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I rather suspect this relief decoration is new, because it is not nearly weathered enough to have been there for more than maybe a hundred years or so. But I imagine it’s intended to be the type of carving that might have adorned the place in the past; given how much care they’re taking with restoring the building, it may even be a direct reproduction. It was next to the entrance, and I thought it was quite cool; then I walked inside and discovered it was only a tiny, greyscale taste of the glory within. 😀