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The Value of Travel

I originally posted this as a reply to John Scalzi here, but it occurred to me that it was something that might be of interest to my local audience — especially since I’m posting all these photos from trips I’ve taken. 🙂

In discussing his own feelings about travel, Scalzi said:

The fact of the matter is I’m not hugely motivated by travel. This is not to say that I don’t enjoy it when I do it, nor that there are not places I would like to visit, but the fact of the matter is that for me, given the choice between visiting places and visiting people, I tend to want to visit people — a fact that means that my destinations are less about the locale than the company. I’d rather go to Spokane than Venice, in other words, if Spokane has people I like in it, and all Venice has is a bunch of buildings which are cool but which I will be able to see better in pictures.

To which I said:

I like seeing people, sure — but the second half of the comment is boggling to me, because it’s so radically different from my own view, in two respects.

First of all, seeing is only part of the experience. Looking at a picture is flat, whereas being there is a full-body surround-sound sensory experience. There’s sound, smell, the feeling of space or lack thereof, the process of walking through. Highgate Cemetery was more than its headstones; it was the blustery autumn day with the wind rushing through the trees raining leaves down on us and the tip of my nose going cold. Point Lobos is more than the cypresses; it’s the smell of the cypresses and the feel of the dirt under my feet and the distant barking of the sea lions. Furthermore, pictures will never show me even everything from the visual channel: they may show me the nave of the church, but usually not the ceiling, nor the floor with its worn grave slabs. They will show me the garden, but not the autumn leaf caught in the spider web between two trees. I would have to look at hundreds of pictures from Malbork Castle to capture what I saw there. (Heck, I took hundreds of pictures there!)

Second, the most memorable part to me is usually the bit I wouldn’t have thought to go looking for if I weren’t there. The first time I went to Japan, my sister and I went to see the famous temple of Ginkakuji, which I loved — but I loved even better the tiny shrine off to the left outside Ginkakuji, whose name I still don’t know. Or when I was in Winchester, and she and I walked to St. Cross outside of town; we went for the porter’s dole (old medieval tradition: even now — or at least in 1998 — if you walk up to the gate and ask for the dole, they will give you bread and water), but stayed for the courtyard with the enormous tree and the most amazingly plush grass I have ever flung myself full-length in. I can look at pictures of famous buildings in Venice, but I’m unlikely to see pictures of the stuff I wouldn’t think to look for.

I write all of this in the full awareness that I have been extremely fortunate in my travel opportunities. My father’s work has often taken him abroad, so he has a giant pile of frequent flyer miles, and both in childhood and now I’ve been able to afford trips to other countries: British Virgin Islands, Costa Rica, England, Scotland, Ireland, Wales, Israel, Japan, India, Poland, Greece, Italy, Turkey, France, the Bahamas. It’s created a positive feedback loop: these trips have led me to really enjoy travel and the different experiences I have when I go places, so as a result I arrange more trips when I can. As a replacement, pictures don’t even begin to cut it.

Not part of my comment to Scalzi, but I will add two further observations:

1) Clearly I do see value in pictures, though, or I wouldn’t take so damn many of them. 😛

2) What it says about my sociability that I am liable to travel to places rather than to people is left as an exercise for the reader.

Automated Processes

This is apropos of my recent post on cooking vs. driving. It seemed easier to make a new post than to respond individually to the multiple people who made related points. 🙂

When I talked about the “attention” either task requires, what I’m really referring to is the extent to which certain processes are automated or not. If you think back to when you first started driving, changing lanes involved something like the following steps:

  1. Look for a suitable gap
  2. Put on turn signal
  3. Check blind spot
  4. Move into gap
  5. End turn signal

(Or some variant thereof.)

Once you’ve been driving for a while, though, the process of changing lanes looks something more like this:

  1. Change lanes

All the smaller steps that go into the act are sufficiently automated that you don’t have to think about them, not to the degree that you did before.

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My appalling thought for the day

Musing to myself this morning:

Yeah, I just really don’t like cooking. I don’t know what goes on in the heads of people who do like cooking, that makes them enjoy the process. I just get bored

People like Desperance probably think about writing while they’re cooking.

You know — kind of like how you think about writing while you’re driving, and because of that, you actually enjoy being in the car for an hour. Why can’t you do that while cooking?

Well, because I have to pay attention while I’m cooking. Whereas while I’m driving —

Uh.

That didn’t come out right.

Open Book Thread: The Tropic of Serpents

On the heels of my Reddit AMA, it occurs to me that I should put up the discussion thread for The Tropic of Serpents. This is the place to ask any questions about that book or the series going forward; it is therefore also a spoiler zone, so consider yourself duly warned.

Reddit AMA on Tuesday March 11th

Have you ever wanted to ask me anything?

Well, tomorrow you’ll have your chance. At 4:30 Eastern time (1:30 Pacific time), I will be doing an AMA on Reddit — an “Ask Me Anything.” You’re free to ask about the Memoirs of Lady Trent or something else writing-related, but you’re by no means required to; if you want to know what my favorite food is or how my recent karate belt test went, those kinds of things are all fair game.

I’ve never done one of these before. It should be an adventure . . . .

The Littlest Shodan-Ho Checks In

As of tonight, the belt I wear in karate class is black.

. . . mostly.

My actual rank is shodan-ho, which translates to something like “probationary first degree.” It means I wear a black belt with a white stripe. After my next test (which won’t be for months), I’ll wear a black belt with a red stripe, and then some number of months after that, I will be an actual honest-to-god black belt.

This means I have made it through the “brown belt blues,” i.e. the stretch of time where you feel like you’re making no progress at all. Our dojo has three degrees of brown belt (going from sankyu to ikkyu), and it’s a minimum of 45 classes between tests; at two classes a week, you spend a long time as a brown belt. Apparently a lot of people burn out and quit at that stage. (I myself am guilty of having slacked off for a while in there.) But now I’ve rounded the corner; the end is in sight.

Except of course it isn’t an end at all. Shodan basically just means that you’re considered “trained” — I’d give the serious side-eye to anybody below that rank who set themselves up as a teacher. There’s nigh-infinite room for improvement above that, though. The lowest-ranking teacher at our dojo is third dan, and Shihan himself is ninth. So, y’know. Shodan isn’t “mission accomplished; now I rest on my laurels.” But it’s a landmark, and one that is no longer quite so hypothetical. I could be there in a year and a half, if I’m consistent about making it to the dojo.

My test on Friday was kind of brutal, mostly because I was the only adult karate student testing this month, which means I had to go through the whole thing without any pauses. (Normally you get to rest while the other students perform their kata.) Stances, standing basics, moving basics, four karate kata (two pinan of my choice, jitte, and tomari passai), two sai kata (kihongata ichi and ni), two bo kata (donyukon ichi and ni), thirty-five shrimps, thirty push-ups, running in place for a minute. It took me ten minutes afterward to change out of my gi and repack my bag, I was moving so slowly. But I passed, and that’s the important part.

It’s very satisfying to look at how much I’ve learned. Not the number of kata, but the knowledge of how to perform them: the ability to think about something in jitte and connect it to a similar-but-different move in pinan san-dan, or to catch an error in my own movement before a senpai comes along to correct me. I’ve been doing this for a little over five years, and the progress is real.

Give me another year and a half, and you might even be able to call me fully trained. 🙂

Happy Book Day to Me

However long y’all have been waiting for this book, I think it was even longer for me. 😛 But at last all our impatience is rewarded, for The Tropic of Serpents is out today!

It’s ended up on several “anticipated books coming out soon” lists, which I have to admit makes me exceedingly pleased: Ranting Dragon, BuzzFeed, Kirkus, and at least one other I’ve misplaced. If you are looking to obtain your very own copy, I’ve got a list of places you may buy it without leaving your chair (though this note about buying from a store does still apply).

And now if you’ll excuse me, I have to go treat myself to a nice lunch . . . and maybe also a visit to the local B&N, to make sure it’s on the shelf/pester them to put it there if it’s not. 😉

Posting makes the Internet go ’round

I’m not doing a giant blog tour like last year, but I have contrived to be in a few places around the Internet recently:

1) On the Tor/Forge blog, These Are a Few of My Favorite Dragons. Can you guess which ones I picked? (Before you click on the link to see, of course.)

2) On Tor.com — not to be confused with the Tor/Forge blog — I participated in a series called “That Was Awesome! Writers on Writing.” The point of the series is to talk about awesome moments in other people’s books, perfect little twists or amazing scenes that just blew you away. Head on over to see what I chose. (Many of you, I think, will not be surprised in the slightest . . . .)

3) On Lawrence M. Schoen’s site, another post series, this one with the ominous title of “Eating Authors,” and the much less ominous theme of “writers talk about the fabulous meals they’ve had.” I chose to discuss the kaiseki meal Starlady took us to in Kyoto. Eight tiny courses of phenomenally good Japanese food, enough to make a gourmand weep for joy. 🙂

4) Okay, this one’s old, but I realized I’d forgotten to link to it when it first went up: Timing is the bane of existence” at SFNovelists. On the unexpected pitfalls of figuring out, not what will happen in your book, but when it will happen.

5) Not a link, but a reminder: I’ll be at FOGcon this weekend, and at Borderlands Books on Sunday at 7 p.m. I hope to see one or more of you there!

More reasons to hate Google Hangouts

Dear Google,

I’m so glad you decided to link all of my settings to my Google account, rather than to device on which I’m using that account. Because of your decision, I don’t get to say that I would like chat notifications on my tablet, but not on my phone. I either get notifications in both places, or in neither. This is perfect! I get to choose between never seeing chat messages unless I’m on my laptop (where I use Pidgin, a wonderful program that does all the things Hangouts won’t), or having my phone pester me with pinging and buzzing every single time somebody sends me a chat message. Which is fabulous when I’m, y’know, in a public place.

This is such a brilliant move on your part. Even better than that time you decided to take away the nice Talk app and replace it with Hangouts, where I don’t get to see whether somebody’s status is Active or Away or Do Not Disturb. I just love having companies strip away utility and force me into some marketer’s pre-determined idea of how I’m going to use the program, rather than the way I was using the program. You’re doing a bang-up job of understanding your audience; if you didn’t have such a firm grasp of what we wanted, you wouldn’t be so successful at giving us the exact opposite.

No love,
Me

Five Things Make a Post That Is Not About Supernatural

1) The funny thing about having a release date early in the month is that it sneaks up on you. After all, we’re still in February. That means The Tropic of Serpents won’t be out for a while yet, right? Wrong — it’s out next Tuesday, i.e. March 4th. (For those of you in the U.S. and Canada, at least. UK folks, your street date is the 20th of June. After that, Tor and Titan should be publishing more or less simultaneously, so you won’t have the added wait.)

Kirkus, by the way, not only gave Tropic a starred review; they listed it as one of their Best Bets for March. They even used the cover art as the top image for the post, which is yet another sign that Todd Lockwood and Irene Gallo are awesome.

2) If you are in the San Francisco Bay Area, you’ll have a chance to hear me read from The Tropic of Serpents at 7 p.m. on Sunday, March 9th, at Borderlands Books. It’s my intent to also publicly announce the title for the third book there, as an added treat for my hometown peeps. 😉

3) Also for Bay Area types, I’m going to be at FOGcon weekend after next. I unfortunately had to back out of one of my panels because of a karate belt test on Friday night, but I’ll still be doing several things that weekend:

  • Friday, 3-4:15 p.m. Narnia, Hogwarts, and Oz, Oh My!
    What are our favorite secret worlds? What do we love about them? Why is a secret world so useful for storytelling? What can we learn from the ways used to access these places? What about worlds which exclude some people from accessing them, such as adults or non-magical people–are these worlds problematic or necessary? Or somewhere between the two?
    M: Tim Susman. Marie Brennan, Valerie Estelle Frankel, Naamen Gobert Tilahun
  • Saturday, 10:30-11:45 Secret History and Alternate History; their similarities, differences, and how to write them
    Tim Powers, in books like Declare and The Drawing of the Dark, has brought us into the realm of secret history — the events that really took place around known historical facts. Harry Turtledove, Philip K. Dick, and many others have brought us into the realm of alternate history — the what-if-things-had-been-different. (Indeed, one could argue that Mary Gentle’s Ash is secret alternate history!) What about these works fascinates us, and how do we put them together?
    M: Bradford Lyau. Marie Brennan, Tim Powers, Tim Susman
  • Saturday, 4:30-5:45 Reading
    Marie Brennan, Alyc Helms, Michael R. Underwood

4) In non-Tropic-related news, I participated in the Book of Apex blog tour over at Books Without Any Pictures. There’s a review of my story “Waiting for Beauty,” a brief interview, and a guest post wherein I talk about how writing historical fiction helped me become better at worldbuilding in general.

5) And Now For Something Completely Different: I really love both of these art sets, one of Disney princess in historically accurate costumes (the last image is the best!), and one of celebrities cosplaying as Disney characters.

Supernatural Re-Watch: “Faith” and the Dumber Than Dean Award

I promise I’ll post something other than photos and Supernatural analysis eventually. 😛 My brain’s a little wrung out from revision, so right now I’m just kind of coasting along, recovering.

Also — speaking of a wrung-out brain — ignore what I said last post about discussing “Scarecrow” some more. I managed to get my wires crossed, and mashed “Scarecrow” and “Shadow” together in my head. (They’re both one word starting with S, and they both have Meg, okay? And I don’t have much functioning grey matter at the moment.)

Instead, we will talk about “Faith” and the Dumber Than Dean Award.

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Supernatural Re-Watch: Pilot

As I said before, I won’t be blogging each episode individually. That would be way too much work, not to mention that I don’t have something interesting to say about every. single. ep. But the pilot, being the thing that launches the whole series, does get its own post.

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Supernatural Re-Watch

So I’m almost done with the revision of the third Memoir, I just turned in my next chapter for L5R, the number of pictures left to edit is down to two digits, and the next ten months are jam-packed full of time-consuming things I intend to do.

Which means it’s a perfect time to start a new giant project!

(Or at least it’s a perfect time for my brain to suggest a new giant project.)

I’ve decided I’m in a mood to re-watch Supernatural. And if I’m going to do that, I might as well blog my way through, because one of my reasons for re-watching it is to take a look at its macro-level narrative structure. Eric Kripke, the showrunner, did a remarkably good job of blending a strongly episodic, Monster of the Week format with a long-term metaplot and thematic development, and I’d like to take a look at how he did it. I won’t be blogging each episode individually, but rather commenting on structural stuff as it comes up during the course of the show.

This will involve spoilers. Lots of them. I’ll put everything behind cuts, but if you already know the show or don’t care about being spoiled, feel free to share your thoughts!

Before I get started on the actual blogging, let me share how I got into this show, and why I find it interesting enough to merit this kind of project.

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