DRIFTWOOD in the New Decameron
When all this quarantine business was just getting started, Maya Chhabra had a very clever idea: just as Boccacio’s Decameron was based around the idea of a group of quarantined people in a time of plague telling stories to entertain each other (think Chaucer’s Canterbury Tales, but in a house), she would start up a charity Patreon for a New Decameron, posting short stories, poems, and novel excerpts from participating writers, with the bulk of the proceeds going to Cittadini del Mondo, a charity running a library and clinic for refugees in Rome.
As of today, those participating writers include me! A selection from Driftwood is the latest installment, and conveniently, you can get 20% off the book if you pre-order.
While I’m here, I’d like to say something else. Right now and in the next few weeks, a lot of areas in the United States are loosening their pandemic restrictions. In far too many places, they’re not doing it because the disease has been confined to a traceable amount, nor because they’ve got sufficient testing to catch and suppress future surges; they’re doing it because, well, we’ve been doing this for a while now, and we’re bored, or because any number of bodies are worth sacrificing on the altar of our economy. If you live in an area where the virus is still a threat, I urge you to remain as locked-down as you can. Both to protect yourself from the people who think this has all been blown out of proportion and it’s “just a bad flu” (or worse, that it’s a politically-motivated conspiracy), and to do what small part you can to blunt the impact of opening up too much too soon. The New Decameron has been running for fifty-four days now; that’s fifty-four days’ worth of content to entertain you at home. After which there are many ebooks and streaming media and other ways to alleviate the boredom. If you’re someone who can’t remain sequestered at home, I hope you’re able to stay safe regardless.