Had you asked me a month ago, I would have described the Xanth series as somewhat puerile humorous fantasy that got kind of creepy about sexuality later on.

Now? I would describe it as somewhat puerile humorous fantasy that has had really awful attitudes about sexuality and gender baked into it from the start.

The change started with this post. If that isn’t enough, you can follow up with this tag, because she’s continued on into the later books (she’s partway through Castle Roogna now), giving me more than enough evidence to say this isn’t a fleeting problem. It’s pervasive. Xanth is horrible. In addition to the constant male gaze evaluating every female character (including human-animal hybrids) for their hotness or lack thereof, you have pretty women being stupid, ugly women being totally not worth anybody’s time, and the very few women who are both pretty and smart being untrustworthy schemers. You have women, countless women, who only exist to be used for men’s gratification. You have women’s protests against mistreatment being explicitly described as an act women practice to make themselves more attractive to men. You have marriage and raising a family being dreadful fates men are expected to run away from. You have men pretty much wanting to rape every woman they see, and being held up as wonderful paragons of morality when they refrain. You have a farce of a rape trial that is I guess supposed to be funny . . . somehow.

And that’s just Xanth. That isn’t even getting into his horror novel Firefly, which goes so far with the pedophilia that merely reading descriptions of the content (and the author’s justifications for same) has guaranteed I will never read anything written by Anthony ever again.

Sorry to rain on the parades of the people who remember the early Xanth books as being Not That Bad. They are. They really, really are. I mean, the original edition of A Spell for Chameleon contained the following passage (taken from that oh-so-funny mockery of a rape trial):

Bink felt sorry for his opposite. How could she avoid being seductive? She was a creature constructed for no other visible purpose than ra—than love.

Case closed.