Modern Confederacy

Sometimes you read something that spins your understanding of a topic around like a whirligig and when it stops, you see things in an entirely new light.

Here’s what my teachers’ should have told me: “Reconstruction was the second phase of the Civil War. It lasted until 1877, when the Confederates won.”

Which is really just the lead-in for the part that has very direct relevance for today:

The Confederate sees a divinely ordained way things are supposed to be, and defends it at all costs. No process, no matter how orderly or democratic, can justify fundamental change.

When in the majority, Confederates protect the established order through democracy. If they are not in the majority, but have power, they protect it through the authority of law. If the law is against them, but they have social standing, they create shams of law, which are kept in place through the power of social disapproval. If disapproval is not enough, they keep the wrong people from claiming their legal rights by the threat of ostracism and economic retribution. If that is not intimidating enough, there are physical threats, then beatings and fires, and, if that fails, murder.

(See also “The New Racism: This Is How the Civil Rights Movement Ends.”)

The Cluster&#$@ of Xanth

Had you asked me a month ago, I would have described the Xanth series as somewhat puerile humorous fantasy that got kind of creepy about sexuality later on.

Now? I would describe it as somewhat puerile humorous fantasy that has had really awful attitudes about sexuality and gender baked into it from the start.

The change started with this post. If that isn’t enough, you can follow up with this tag, because she’s continued on into the later books (she’s partway through Castle Roogna now), giving me more than enough evidence to say this isn’t a fleeting problem. It’s pervasive. Xanth is horrible. In addition to the constant male gaze evaluating every female character (including human-animal hybrids) for their hotness or lack thereof, you have pretty women being stupid, ugly women being totally not worth anybody’s time, and the very few women who are both pretty and smart being untrustworthy schemers. You have women, countless women, who only exist to be used for men’s gratification. You have women’s protests against mistreatment being explicitly described as an act women practice to make themselves more attractive to men. You have marriage and raising a family being dreadful fates men are expected to run away from. You have men pretty much wanting to rape every woman they see, and being held up as wonderful paragons of morality when they refrain. You have a farce of a rape trial that is I guess supposed to be funny . . . somehow.

And that’s just Xanth. That isn’t even getting into his horror novel Firefly, which goes so far with the pedophilia that merely reading descriptions of the content (and the author’s justifications for same) has guaranteed I will never read anything written by Anthony ever again.

Sorry to rain on the parades of the people who remember the early Xanth books as being Not That Bad. They are. They really, really are. I mean, the original edition of A Spell for Chameleon contained the following passage (taken from that oh-so-funny mockery of a rape trial):

Bink felt sorry for his opposite. How could she avoid being seductive? She was a creature constructed for no other visible purpose than ra—than love.

Case closed.

A Year in Pictures – The Natural History Museum

Natural History Museum
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In honor of Worldcon starting today in London, here’s a place I’ve recommended to many friends of mine: the Natural History Museum, aka the Victorians’ cathedral to St. Darwin. This broad shot doesn’t really convey it, but the place is decorated within an inch of its life, with animals carved on columns and stair posts, the ceiling panels painted with botanical images. If you’re in London, it’s absolutely worth at least walking through the front door just to gape.

A Year in Pictures – Shuri-jou Courtyard

Shuri-jou Courtyard
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If you go to Okinawa, Shuri-jou is one of the top sites you’re likely to visit: a castle dating back to the Kingdom of Ryukyu, before the islands were made part of Japan. (Well, the reconstruction thereof. Like most things in Okinawa, it got bombed to oblivion in World War II.) The style of it is highly unusual, being strongly influenced by China, but also kind of its own thing.

No, I have no idea why the courtyard is stripey. 😛

A Year in Pictures – Knotwork at Sacre Coeur

Knotwork at Sacre Coeur
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I think of this kind of interlace as a Celtic thing, so I’m not sure why it’s to be found at the very tip-top of Sacre Coeur in Montmartre. Well-decorated with graffiti, of course . . . but there’s a point at which that stops actually feeling like defacement to me, and starts feeling like part of the site’s history.

Adventures in Surgical Recovery

My left ankle appears determined to play the Evil Twin, as it is getting up to all kinds of shenanigans that didn’t happen when I had surgery on my right ankle.

Let’s recap: when we last left our not-so-intrepid heroine, she’d dealt with an allergic reaction to her antibiotics, splitting headaches from her painkillers (which is just totally illogical and should be outlawed), and twitches of a sufficiently painful sort as to make her afraid she’d actually undone some of the surgeon’s work.

To that list, we may now add the following:

1) Recurrence of the exact same pain that caused me to go to the orthopedist in the first place. This is hopefully just part of the healing process, but when I called last Monday, they told me to make a new appointment if it didn’t stop by the end of the week. Well, I didn’t manage to call on Friday, and as of yesterday it was still happening (though less intensely and less frequently), but today it seems to be okay? We can hope.

2) A muscle relaxant that refuses to either have its advertised effect of relaxing muscles (seriously, I swear I twitch just as much on it as off), or to have the side effect of drowsiness. Which sucks when you actually want the stuff to help you get to sleep.

3) Itching in and around the scars that makes me want to scratch my foot bloody — and that’s when I’m sitting down. When I get up to walk, I want to just chop my foot off and make the whole thing end. Fortunately, I can get this somewhat under control with a raft of oral antihistamines, anti-itch cream, and band-aids over the scars to protect them chafing.

4) A massive charley horse in my calf about ten minutes ago, that made me yell loudly enough to make my husband come running. The good news here is that my ankle is stable enough at this point for me to take it out of the boot and use a foam roller on my calf, which at least helps a little.

All of which I share partly to vent, and partly because I know I have enough writers reading my blog to think you all might as well get some anecdotal notes in case you ever have to write about a character recovering from something like this. >_<

I will be so glad when this is done.

A Year in Pictures – Sculptor’s Tools

Sculptor's Tools
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When we were in Zakopane, a mountain village in Poland, one of the places we stopped was a model country house with a sculptor’s workshop attached (wooden sculpture being a thing Zakopane is known for). I have a special fondness for this sort of thing: not a staged museum exhibit, but the actual detritus of a craftsman at work.

Hear ye, hear ye! (Also see, maybe buy)

For the Driftwood fans out there (I know there are more than a few of you), Wilson Fowlie has read “The Ascent of Unreason” for Podcastle. If you missed it when BCS podcasted it, or when they published the text version, head on over and give it a listen!

Also, in the “good causes” category of links: Pat Rothfuss, the brain behind the Worldbuilders fundraising charity for Heifer International, has decided he isn’t pouring enough time and effort into benefiting the world, so he’s expanded his enterprise into selling signed first editions from authors who wish to donate a few. I think I sent in ten copies of The Tropic of Serpents; no idea how many are left, but (as of me posting this) there’s at least one. The money goes to charity, so if you want a book and the warm glow of knowing you’ve done something good, this is a splendid chance to get both at once.

(I don’t have five things to make a post, but I do have this: another shout-out for A Natural History of Dragons over on io9, this time in the context of “10 Great Novels That Will Make You More Passionate About Science.” It’s a list that makes for some pretty interesting reading, I must say.)

A Year in Pictures – Locks on the Bridge

Notre Dame Bridge
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The bridges over the Seine have become a site for the “love padlock,” put there by couples who then throw the key into the river. This particular bridge is almost completely covered in them, and some enterprising soul came along and did a bit of graffiti across the locks themselves — making for a nice juxtaposition of medieval and modern.

A Year in Pictures – Vesuvius Through the Temple

Vesuvius Through the Temple
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This isn’t the most visually striking photo I’ve ever taken, but I count it among my five-star shots anyway. The mountain you see in the distance is Vesuvius, and the foreground is the ruins of the Temple of Apollo in Pompeii. I’ve had a minor obsession with Pompeii since I was ten, so the chance to go there in person was really the opportunity of a lifetime.

Back on the horse

Got started again on Chains and Memory last night. I wasn’t sure I’d recovered enough brain yet (between jet lag and the anaesthesia, I’ve been half-zombified for days; I spent most of Saturday alternating half-hour naps with an hour or so of wakefulness), but I decided to put my butt in the chair and see what happened. What happened was 1K of words, so I got to pat myself on the back for that and declare that I am officially Back to Work.

Of course, one day of writing does not actually Back to Work make. It’s a nice start, though, and it was actually rather pleasant to feel like I’m starting to recover. Now if you’ll excuse me, I have another 1K to crank out . . .

A Year in Pictures – Crouching Gargoyle

Crouching Gargoyle
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My trip to England and France last fall was the Trip of Gargoyles. (I’m only sad that the towers of Notre Dame were closed by a strike while we were in Paris, robbing me of a chance to photograph the gargoyles there.) This one is on the University Church of St. Mary the Virgin in Oxford, and seems to have something very important to say . . . .

A Year in Pictures – Shrine Above the Waves

Naminoue-gu
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Since I have set a new speed record for editing photos from a trip, it seems appropriate to start this week off with an image from my recent week in Okinawa. Naminoue-gu is quite literally the “Shrine Above the Waves” — perched on a cliff overlooking one of the beaches in Naha. As dramatic settings for a religious structure go, this may be the best one I’ve ever seen.

Okinawa!

This is less coherent than I wanted it to be; I blame the narcotics. 😛

I went to Okinawa! As many of you know. The main purpose was a karate and kobudo (weapons) seminar; there was also time built in for sightseeing, which is relevant because Shihan’s planning to do another seminar in three years, but that one is intended to be all training, all the time. It is also possibly intended for a different time of year, because yare yare, the heat and humidity. I said I was going to be training in an un-airconditioned budokan; this turned out to be mostly not true, as Shihan got them to turn on the A/C for most of our scheduled training. But we also had one unscheduled afternoon block — about which more later — with nothing but a couple of very inadequate fans, so I got to experience something more like the full misery for at least a couple of hours. More than enough to be grateful it wasn’t the entire time, I can tell you that! (Though even with A/C, it was quite warm. Japan, unlike my home state of Texas, does not feel obliged to chill every indoor space to 55 degrees Fahrenheit.)

The prefectural budokan is an odd place: concrete walls studded with random bits of stained glass, highly functional but with lovely hardwood floors in most places, and then the exterior looks a bit like a stylized samurai helm. Our first day we shared the place with a swarm of children there for a tournament; we also saw a number of kendo groups come and go. It clearly gets plenty of use, and has three separate training halls as well as a weight room and a konbini and so forth. As for the training, it was both very intense and not. Each block was two hours long, usually without a break, and sometimes I was doing things like learning kusanku that drove me into the ground. But periodically Shihan would stop everybody to expound upon some point of technique or history, so you did at least get breathers. I suspect the experience was a bit more valuable for the people from Germany and Denmark and Spain and so on; people from our dojo get advice from Shihan on a regular basis, and are taught by people who are still being trained by him directly. The other RBKD dojo are a bit further removed, and so get that kind of guidance much more rarely. But it was very nifty to see them all, and to realize we truly are part of an international organization for the promotion of shorin-ryu karate.

Where sightseeing is concerned . . . I realized a while ago that I kept saying I was going to Okinawa, not to Japan. The difference matters. Those islands were only added to Japan in the relatively recent past, and culturally speaking, they have a lot of influences from Taiwan and China that make them distinct from the home islands (not to mention, of course, the indigenous Ryukyuan culture). We went to Shuri-jou, to Naminoue-guu, to Fukushuu-en, to the Churaumi Aquarium to see the whale sharks. We went to a small island called Kourijima, and that wound up not really working at all: I don’t know what happened, but we had nowhere near enough space for everybody who came. Shihan told us monks sleep on only one tatami mat; well, the American contingent had fourteen people in an eight-mat room, with no futon or even pillows. (Half the group ended up sleeping on the wooden porch; one of them got bit badly enough that he ended up going to the hospital to have the water blisters lanced.) So Kourijima got cut a day short, which is why we were back in Naha for an extra afternoon of training. But we were there long enough to have “beach training,” which Shihan ought to have called “ocean training” instead: he literally marched us into the water and made us do kata there. (It turns out that you can do the upper-body half of naifanchi shodan quite well while treading water.)

As instructed by my sister, I ate spam fried rice. I ate chanpuru (though not with goya). I ate Okinawan soba; I could not have avoided it if I tried, because it got served as a side dish with practically every meal I ordered. We got to see traditional Okinawan dancing at the welcome dinner; Shihan’s wife Tomoko-sensei is to Okinawan dancing what he is to karate, basically, though health issues mean she doesn’t practice regularly anymore. We bought CDs of traditional Okinawan music and also heard the same group sing “Let It Go” in Japanese. All in all, an excellent trip . . . except for the Kourijima part. 😛

And oh yes, there are pictures. Expect to see many of those in the days to come.

The Rocky Road to Recovery

So that twitch I mentioned yesterday? It recurred this morning, badly enough to catapult me straight out of sleep into grabbing my leg and yelping. Which worried me enough that I called the doctor and he had me come in for a quick examination at the end of their lunch hour.

Turns out all is well; I have been reassured that this is neither a result of something going wrong, nor likely to be a cause of it. The surgeon’s assistant theorizes that they aggravated some of the nerves in that area during the operation, which is why I’m in more pain generally than I was last time, and hurting even more when I twitch. The surgeon himself also mentioned that there’s been a new development in this procedure since I had it done on my right ankle: a teeny-tiny anchor he drilled into the bone to help secure the ligament. Which goes a long way toward explaining why the aftermath of this particular surgery is feeling more like my first one (when I was nine and they drilled into the bone) than my second (when I was twenty-nine and they didn’t).

Upshot is that I have a prescription for a muscle relaxant to take at night, and I’m no longer expecting to go off the Vicodin and onto Advil in the next day or two, like I did last time. In theory I was hoping to get back to work tomorrow, but we’ll see how much of my brain survives the barrage of drugs that “may make you drowsy” (read: will put me down for the count). Oh yeah, and I’m still getting over the jet lag. My plan of sleeping these issues off simultaneously is still going according to plan, at least.