Books read, October 2020

If I manage to post about November in a timely fashion, I will finally be caught up! (For now.)

A Phoenix First Must Burn: Sixteen Stories of Black Girl Magic, Resistance, and Hope, ed. Patrice Caldwell. Caldwell says in her introduction that “Though some of these stories contain sorrow, they ultimately are full of hope;” I found the balance to be tipped a bit more toward darkness than that led me to expect. Not a bad thing; just an observation. My favorite here was probably “Tender-Headed,” by Danny Lore, which is all about hairdressing — a very political crux, but that’s left implied, while the focus of the narrative is very much on the personal. And I’m a sucker for stories that connect magic with the everyday mundane in this kind of fashion.

The Silence of Bones, June Hur. YA historical fiction (no fantasy) set in Joseon Korea. The main character is a damo, a “police servant” responsible for examining the dead bodies of female victims and other tasks her male Confucian superiors can’t perform. She’s looking for her missing older brother, and all of this is paired with the persecution of Christians in that time period. The ending could be a setup for further adventures, which I would happily read, but the book appears to be a stand-alone (and works just fine that way). I definitely want to look for more of Hur’s work, though, since it looks like her novels are all set in different periods of Korean history.

Paris, 1200, John W. Baldwin. This was not as much of a “daily life” book as I was hoping for. Baldwin says up front that it can’t be, because we have very little evidence about what the life of an average person was like in that period, compared with a century or so later . . . but when your windows into French life at the turn of that century are the King of France and a very influential churchman, you’re really not getting anywhere near most people’s lived experience. I found the book dry in places, but if you want a better understanding of the church and state of the period — especially things like the transition from a peripatetic kingship with very little governmental structure to something more settled and bureaucratic — it’s useful for that.

Harukor: An Ainu Woman’s Tale, Honda Katsuichi, trans. Kyoko Selden. I’ve had this book on my shelf for years and only just now got around to reading it. It’s fascinating! The Ainu are the indigenous people of northern Japan, ethnically and linguistically distinct from their southern neighbors. This book is layered: the core of it is a historical fiction narrative about an Ainu woman a few centuries ago, followed by a brief narrative of her son during a period of turmoil (meant to be continued in a second book; I don’t know what the publication status of that one is), and prefaced by an ethnographic section by Honda giving both ethnographic and archaeological information on traditional Ainu life. Then Selden’s introduction puts Honda’s work in context, explaining for Anglophone audiences the oppression of the Ainu by mainland Japanese and how Honda is deliberately focusing on the celebration of Ainu culture as a way of awakening support for them among his own people. The thing I found most interesting is that Ainu oral tales are traditionally recited in the first person, which is why the fictional narrative that makes up the bulk of this book is likewise first-person (otherwise I would have found that an odd stylistic choice for someone who is not Ainu himself).

Persian Myths, Vesta Sarkhosh Curtis. An extremely short and broad overview of everything from the titular myths to more recent epics and legends. I noticed it on the shelf, thought, “I don’t believe I’ve ever actually read that,” and polished it off in a night. Not remotely in-depth, but there are worse Cliff Notes out there, even if this book is fairly old.

Tales from the Thousand and One Nights, trans. N.J. Dawood. My immediate reasons for reading this lie at the beginning of a long and winding road involving a short story collection and me having slight OCD tendencies, but it’s also good to get myself past the baseline familiarity bestowed by cultural osmosis and into some more specific tales. Even though this is just a selection of the tales, boy howdy can you see some patterns emerging. That’s generally how folklore works, though.

Burning Roses, S.L. Huang. Novella that pairs up Little Red Riding Hood and Hou Yi, both of them middle-aged and the latter as a woman, and makes them both deal with the pasts they’ve left behind. Without spoiling anything, I’ll say that I was very pleased to see the narrative swerve at the very end rather than stopping with the trajectory it was on — that made for a lovely surprise.

Night Parade of 100 Demons my own work doesn’t count.

Intelligence Activities in Ancient Rome: Trust in the Gods, But Verify, Rose Mary Sheldon. The subtitle isn’t just a funny line; the author makes the point that augury was an early form of intelligence work, trying to get information on what might happen. Her focus here lands largely though not entirely on military intelligence (in part because she’s a colonel and a professor at the Virginia Military Institute, but also because that’s what we have the most evidence of). My main takeaway from this book is omgwtfbbq how did the Roman Republic manage to accomplish anything with that lack of organization — and there are some points on which the Empire wasn’t a lot better. Like, they were shockingly content to rely on other people to tell them when an invading force was headed their way. Sheldon also isn’t afraid to throw shade where it’s deserved; during her discussion of Caesar’s howling failures of intelligence-gathering during his lackluster attempts at Britain, she says that “more than half of his own campaigns were consumed in extricating himself from the results of his own mistakes. To spend over half a war extricating oneself from difficulties created by the enemy may or may not be good generalship; but to have to do so as a consequence of one’s own mistakes is incontestably bad generalship, even when the extrications are brilliant.” It got a bit too far into the weeds at the end, when it looked at the topic of signaling; I got the point about how defensive installations like Hadrian’s Wall were set up more to monitor and pass information on approaching forces than to stop them outright, and didn’t really need the in-depth analysis of why X fort on the limes in Germany was put in this particular location because it made for a better transmission chain. But it was interesting reading apart from that, and has led to an unexpected draft of a short story inspired by the clades Variana.

Trail of Shadows, D.G. Laderoute. Another Legend of the Five Rings clan novella, this one focusing on the Crab. I usually find the Crab relatively uninteresting, because their schtick is holding the line against the monsters of the Shsadowlands, but this one engaged me more . . . in part because the main character makes some excellent points about how his clan maybe valorizes holding the line too much. There’s a strong hint here of “adapt or die.” The narrative also goes into the Shinomen Mori instead of the Shadowlands, and I find weird mystical forests much more intriguing than a straight monster war. I particularly liked how the central conflict got resolved.

If you have a gift-giving holiday coming up . . .

. . . then this year, even more than most, please do consider buying from local businesses as much as you can. They’re hurting badly in the pandemic, whereas Amazon is in no danger of going under. And if what you want to buy is books, and you also want to support independent businesses (whether they’re local to you or not), I highly recommend Bookshop.org. Every time you buy from them, a portion of the proceeds goes to supporting independent bookstores.

(While I’m offering up good links: Ecosia is a search engine that both doesn’t track your data, and works to plant trees around the world. I’ve been using it for several months now.)

Adventures in Smelling Good

When I was at DragonCon last year, I picked up a bunch of ampoules of perfume from Black Phoenix Alchemy Lab (because Alyc and I were trying to work out scents for different characters in Rook and Rose — a project that would have gone more smoothly if either of us were a perfume aficionado). Recently, inspired by a friend’s explorations of their own stash, I decided I should actually experiment with these: not just smelling them in the vial, but putting them on, seeing what they were like initially vs. later on. (I have learned the term “drydown,” and the fact that I didn’t know it before is a measure of my ignorance in this realm.)

This is an interesting experiment because I have a very sensitive nose. I can smell alcohol on my husband’s breath hours after he drank it — not in a “hah, I caught his secret alcoholism” way, just in a “hmmm, I smell something; did you have a gin and tonic?” way. I take chicken packaging out to the trash bin immediately after prepping the raw chicken for dinner, because I will pick up the stench from it long before anybody else here thinks the kitchen smells funky. I refuse to smell the milk to see if it’s gone bad because if it has, I’m going to be having flashbacks to that for the rest of the day.

What I don’t have is the ability to parse what I’m smelling.

I think the musical equivalent here would be if I could pick up tiny whispers of sound, but couldn’t tell you what instruments are playing if you paid me. I recognize individual scents, but blend them together and it frequently becomes indistinguishable. I can listen “into” a piece of orchestral music to find what the French horns or the oboes are doing and follow along with them; the first BPAL ampoule I tried theoretically had sage in it, and even after going to my spice cabinet and huffing a container of sage for orientation, I still couldn’t find any trace of that in the perfume. The reviews commented on the pleasant mintiness or the warmth of the caramel: all I got was musk. (A gentle musk, probably because it was being mitigated by all those things I couldn’t pick out. But still.)

Of course, there’s an extra twist in this game, which is that (again, I am told; I know so little about this) individual skin chemistry can play all kinds of idiosyncratic games with the source material. Going back to music, it would be as if some audience members are sitting there going “holy crap, composer, enough with the trombones already” while others are grumbling that their ears never seem to be able to hear clarinets. So maybe the mint and the caramel and the sage just . . . weren’t actually there for me? I really don’t know.

Which means that this particular experiment is less about “let me explore random bits of the BPAL catalogue!” and more about “let me try to train my nose!” I have less than perfect hearing but a well-trained ear; the reverse is true when it comes to scent. But if one can learn to pick out the French horns and the oboes, I imagine one can also be taught to find mint in a cloud of musk.

Books read, September 2020

Still catching up (or at least trying not to fall more behind) . . . short list for this month because a large chunk of it was taken up by revisions on the second Rook and Rose book.

the second Rook and Rose book Doesn’t really count, even though I read through the whole thing. 🙂

A Natural History of the Senses, Diane Ackerman. This was an interesting but uneven book for me, and one that never quite fit into any particular category in my head. Ackerman is sometimes writing interesting explanations of how our brains process sensory information, and sometimes writing scattershot surveys of our culture around the different senses, and sometimes doing deep dives into random sub-topics of that, and there were places where I knew enough on the subject to say she was wrong about a particular thing, which made me give more of a side-eye to some of her other claims. But it’s also very lushly sensuous, in the strict sense of that term, so useful reading in some ways from a craft perspective.

The Last Uncharted Sky, Curtis Craddock. Third of the Risen Kingdoms trilogy. I went into this with slightly wrong expectations: the characters are sent off in search of a major craton (sky continent) that’s uninhabited — not a New World analogue; that one’s already been found and mentioned as part of the ongoing political game — more like finding Atlantis, in that it’s thought to be the location of something that might or might not be mythical. From that premise, I expected some amount of time spent getting there and then a fair bit spent exploring the place and looking for the possibly-mythical thing. Instead the book is 95% “getting to the craton” and 5% “dealing with stuff on the craton.” Which doesn’t make it bad; it just meant it didn’t scratch my itch for fun exploration. On the other hand, some fascinating exploration of how a few of the sorceries work, Seelenjager and Fenice most particularly. This might be the end of this series, but I would totally read more in this setting.

A Parliament of Bodies, Marshall Ryan Maresca. Also third of its trilogy, and also a book I went into with the wrong expectations. I knew Maresca had written or was writing other series in this setting, and it was clear from early on in this novel that there was overlap between them; Welling makes passing reference to some recent events I hadn’t seen happen which involved a character I recognized as being the protagonist of (I think) the first Maradaine trilogy, and I had a feeling two newly-introduced people were being set up for/had been ported in from one of the other trilogies. But it turns out Maresca is actually doing something more akin to an MCU-scale undertaking: this novel does not resolve its plot, nor the underlying metaplot, because all four series are coming together in a grand showdown in a different book. It’s an impressive narrative feat, but I have to admit it was somewhat jarring when I didn’t know it was coming.

Invisible Agents: Women and Espionage in Seventeenth-Century Britain, Nadine Akkerman. You know how sometimes people talk about women being “written out of history”? Akkerman demonstrates that more literally than I would have thought possible. The general point of this book is that women were up to their eyeballs in spying during the English Civil War, on both the Parlimentarian and Royalist sides . . . and in the former case, you can look at the draft versions of the council minutes where they record X sum being paid to Mrs. So-and-so for intelligence work, then compare it against the finished copy of those minutes and see that same woman being paid for “nursing.” Not as a way of protecting their assets against the enemy, either; it had more to do with women’s information being seen as less reliable than men’s, and Thurloe (the Parlimentarian spymaster) protecting his credibility by concealing those sources. There’s also a lot of class bound up in it, too: Royalists were more willing to credit their women, but their women also tended to be ladies of quality, while Parlimentarian spies were more often common-born. So anyway, this is a fascinating survey of specific women and what they did, the dynamics of espionage and credibility in the seventeenth-century, and some specific techniques for how stuff got done.

(Irritatingly, I now realize I committed some historical errors in my references to the Sealed Knot and Lady Dysart’s involvement with same during Part III of In Ashes Lie. I can be forgiven the ones that I couldn’t have known about because the relevant information wasn’t published until a decade after I wrote the book, but for crying out loud, I should have noticed that Lady Dysart’s father was dead by then. Grumble mutter hrmph.)

We’re not done yet

So Biden has won both the popular vote and the electoral college. Yay! This is, of course, an enormous relief to me.

. . . but if you think that means we can all now cruise along and not worry, think again.

We still have a pandemic to deal with, and it’s not magically going to go away because of an election. Neither is climate change. We need to fix our broken system of immigration, and demilitarize our police. There are countless problems that still need to be addressed, and the momentum for addressing them is going to come from us.

Especially since . . . y’all, this election should not have been remotely close. By any objective metric, Trump has been a disastrously bad president — the sort who should have been catapulted out of office without thinking twice. In previous decades, he would have been. Instead, the election was close enough that it took days to count the votes to the point where news outlets could cautiously say that Biden appears to have won. Because in addition to the problems I listed above, we’ve got a problem right here in our own body politic.

And that problem is quite simply white supremacy. Not just in the active, obvious, neo-Nazi sense, but in the creeping sense where fifty-seven percent of white people voted for the most incompetent president most of them have seen in their lifetimes. You can’t just blame it on QAnon conspiracy theories — and the reason those conspiracy theories are meeting with such an eager audience is, at its root, still white supremacy. Fred Clark at Slacktivist (himself a white evangelical) has for years now been charting out how much of American white evangelicalism is driven by white supremacy: built on a base of justifying slavery, continued in the opposition to the Civil Rights movement, and now desperately seeking grounds to say that no really, they’re still the good guys by embracing overheated lies which tell them at least they’re better than those Satanic baby-killers underneath the local Pizza Hut. Imprisoning immigrants at the border? White supremacy. Our inhumane carceral system? A replacement for Jim Crow laws. Housing policy? Time and again, looking for ways to keep people of color out, to keep them down. And it’s no accident that the voter suppression efforts disproportionately hit those communities. I’m not going to say there are no other factors playing into this mess, but white supremacy is the poison at the root of this tree.

If you are glad that Trump is on his way out of office, thank the black voters, the Latine voters, the Asian voters, the Native American voters. Because if it had been left up to white people, he would have won with ease. Sure, 42% of my own demographic looked at the corrupt, incompetent, pathologically dishonest bigot and said, “please, let’s not.” But that’s not enough. It isn’t remotely enough. We’ve got to leach this poison out, and that means getting more white people to take positive action.

As soon as I’m done posting this, I’m going to go donate to the campaigns for Raphael Warnock and Jon Ossoff, who are headed into runoffs in Georgia. I’m also planning on writing more letters through Vote Forward, which specifically seeks to encourage underrepresented demographics (such as voters of color) to step up to the ballot box. You can donate to Black Lives Matter, the Native American Rights Fund, LUPE, and more. Give your support to the people white supremacy wants to keep down. The more power they have, the stronger we all will be.

For your Halloween delectation

Aconyte Books, publishers of The Night Parade of 100 Demons, have put together a free sampler for you with chapters from five of their recent or upcoming novels — mine included! Do not be unduly alarmed (or later disappointed) by the title “Terrifying Halloween Tales;” I am in there by dint of my novel concerning rather a lot of supernatural creatures of a malicious sort, not because it’s anything you’d call horror. But if you want a sneak peek at the story (or at any of the others), here’s your chance!

History with Magic StoryBundle!

If you could use some distraction right now, may I offer the History with Magic StoryBundle? It includes my novel Midnight Never Come, the first of the Onyx Court series, and ten other excellent books by Natania Barron, Alma Alexander, Jo Graham, Karen Lord, A.M. Tuomala, Robin Shortt, Nina Munteanu, Su Wei, E.N. McMahon, and Stefan Mears. To quote from the organizer’s blog post:

The stories in this bundle range widely over cultures and eras: from Tang imperial China and medieval Samarkand to post-reform czarist Russia and Belle Époque Boston, to Depression-era Mississippi and contemporary Senegal; from god avatars in shifting configurations across parallel universes and twinned conduits who collapse quantum-entangled history lines to plotting faeries in Elizabeth I’s court, ancient souls who act as spies for Napoleon, struggling exiled dissidents in Cultural-Revolution China and dueling magicians in Portland, Oregon. Full of rousing, sweeping derring-do and jeopardies, risky missions and fraught choices, intricate alliances and jarring betrayals, it's all here—with the layers of real history, and its very concrete consequences, glimmering like fata morganas through the gauze of fiction.

a cover collage for the History with Magic StoryBundle

It is very shiny and you can get it here, for about the next three weeks.

Truly, The Face of Stars is the card of good luck

Alyc and I have netted a STARRED review from Booklist for The Mask of Mirrors! The choice quote:

“For those who like their revenge plots served with the intrigue of The Goblin Emperor, the colonial conflict of The City of Brass, the panache of Swordspoint, and the richly detailed settings of Guy Gavriel Kay.”

. . . yeah, I’m basically rolling around in that like catnip.

The book comes out January 19th, which feels like it’s foreeeeeeeeeever from now. You can pre-order it here!

Book read, August 2020

Continuing the process of catching up . . .

New Suns: Original Speculative Fiction by People of Color, ed. Nisi Shawl. A short story collection from last year that ranges all over the SF/F map, providing all kinds of tasty variety. I think my favorite was “The Virtue of Unfaithful Translations,” by Minsoo Kang; it’s not a very conventional short story, being more of a fictional historical commentary, but it’s a great look at the role of translators in diplomacy and how they can influence politics — which then closes out with an appended note wherein someone else chides the historian for neglecting the the perspective of the female character in that history.

Angel of the Crows, Katherine Addison. How you feel about this book will depend heavily on how overdosed you feel on Sherlock Holmes, because the author’s note at the end straight-up admits that the novel began as Sherlock wingfic — that is to say, fanfic where one of the characters has wings. But although the plot largely consists of bits of Holmes canon stapled together in sequence, there’s been real work done here on the worldbuilding, creating a nineteenth century with “angels” who are the spirits of public buildings. Crow, the Sherlock replacement, is an anomaly among his fellow angels: he has no habitation, yet he’s somehow avoided falling back into the ranks of the Nameless, the undifferentiated masses of angels with no home. There are other changes as well, some of them specifically doing what they can to file the racism off of the source material, but I found the most interesting part of it by far to be the new supernatural elements and the story built around those. I would happily have read a novel merely set in this alternate history with no Holmesiana to it at all.

A Labyrinth of Scions and Sorcery, Curtis Craddock. Second of the Risen Kingdoms trilogy, which I posted about before. I continue to really enjoy multiple aspects of this: the highly quotable lines that crop up from time to time, the rich worldbuilding (which begins exploring some of the other sorceries in this world, and also addresses the issue of bloodshadows seeming to be the most horrible form of sorcery by showing they can be used for something other than evil — it’s just that most of the nobility don’t bother), and the real complexity of the intrigue. I particularly appreciate the Grand Leon as an example of realpolitik: he’s genuinely reform-minded in some good ways, but that doesn’t make him nice. You know how some middle books of a trilogy feel like they’re either treading water or rehashing the first plot in a new form? This is definitely not one of those.

The Unstrung Harp, Edward Gorey. The traditional re-read, performed upon completion of a novel draft.

Star Daughter, Shveta Thakrar. (Disclosure: the author is a friend.) Speaking of openly being inspired by something . . . what if you took Neil Gaiman’s Stardust and made it totally Indian? But while that may have been the starting point here, it isn’t where the story ends. Sheetal is the daughter of a star who lived with her family for many years before returning to the sky; since then Sheetal has been trying to hide her supernatural heritage. Of course that doesn’t work, and so much of the novel takes place in the realm of the stars, where she has to navigate the politics of the different astral houses and the question of how they should relate to the mortals they’re supposed to inspire. There’s one bit where a thing gets suggested which seems on the surface like it ought to be great . . . only when you look closer, it really isn’t. And I was very glad to see the story come back to that and say, “yeah, no, there are some serious problems with this.”

Scarlet Odyssey, C.T. Rwizi. African-derived fantasy that, unlike most such things I’ve read, very much draws its inspiration from South Africa. I enjoyed a lot about this, but found the pacing off: there’s a much bigger metaplot underlying the starting plot, and I either wanted that to come more meaningfully into play here, or to be held in reserve until much later. The cover copy focuses on how Salo’s queen sends him to a distant city to gather important information — but the book ends with him arriving in that city. In the meanwhile, you get a long segment of him before he leaves (which is fine, I enjoyed that part), a long journey to the city, and sections from other points of view, primarily a young woman in the city and one seemingly-disconnected thing whose connection I guessed at before it was revealed. Because of that, when I got to the end of the book, I didn’t really feel like anything in particular had been resolved or achieved; it had just been set up to do the real stuff later. So: not bad, and there was a lot I genuinely liked, but my feeling of momentum and anticipation faded as I got toward the end, rather than building.

Across the Burning Sands, Daniel Lovat Clark. One of the Legend of the Five Rings novellas, this one taking some Unicorn Clan characters out of their territory and into a neighboring land. Given how much Rokugan has usually been depicted as an ethnocentric and insular land, it’s honestly refreshing to see Rokugani characters in a place where everybody’s basically going, “Rokugan what? Yeah, not impressed.”

Girl, Serpent, Thorn, Melissa Bashardoust. This is probably one of the most engaging YA novels I’ve read in a while. It’s heavily inspired by Persian folklore, and it digs incredibly well into some difficult emotional issues. So many books shy back from letting there be serious bad consequences to their protagonists’ actions, or framing those actions as genuinely their fault; well, here the heroine knows she shouldn’t do a thing, and she does it anyway for bad reasons, and horrible shit happens as a result, and she has to figure out how to deal with that. (Also, if you’re looking for queer representation, this has that, too.)

Worlds Imagined: The Maps of Imaginary Places Collection. A very brief catalogue from an exhibition at Cushing Library at Texas A&M, sent to me by my archivist there. This isn’t just the usual suspects for fantasy maps (e.g. Middle-Earth), and I really enjoyed seeing the broad variety of types represented.

Books read, July 2020

I am way behind on this, and yes, I know August and September are also over, but if I try to do everything at once it will be such a dauntingly huge post that I won’t write it. So let’s catch up on July first.

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